Tag Archives: Minneapolis

Audio: Bob Dylan Wraps Up ‘Blood On The Tracks,’ Records ‘Tangled Up In Blue’ & Others – Dec. 30, 1974

Forty years ago, on December 30, 1974, Bob Dylan finished recording Blood On The Tracks at Sound 80 Studios in Minneapolis; on that day he rerecorded three songs for the album.

He had recorded a version of the entire album in New York, but after he played the album for his brother David Zimmerman, decided to recut some of it in Minneapolis with his brother producing.

“I had the acetate,” Dylan said later, after the album was released. “I hadn’t listened to it for a couple of months. The record still hadn’t come out, and I put it on. I just didn’t… I thought the songs could have sounded differently, better. So I went in and re-recorded them.”

The musicians he used in Minneapolis: Greg Inhofer (keyboards), Bill Berg (drums) and Chris Weber (guitar, 12-string guitar), Bill Peterson (bass), Peter Ostroushko (mandolin) and Kevin Odegard (guitar).

That day Dylan tried one more time to nail “Tangled Up In Blue,” “Lily, Rosemary and the Jack of Hearts” and “If You See Her, Say Hello.”

Clearly he was pleased with the outcome, as those were the takes that ended up on the album.

(According to Clinton Heylin, Dylan may have recorded “Meet Me In The Morning” that day too, although Michael Krogsgaard, who was given access to the recording sheets of the sessions, didn’t find that song listed.)

According to Wikipedia, Dylan told Mary Travers in a radio interview in April 1975: “A lot of people tell me they enjoy that album. It’s hard for me to relate to that. I mean… people enjoying that type of pain, you know?”

Dylan once said that “Tangled Up In Blue” took ten years to live and two years to write.

Dyaln also said of “Tangled Up In Blue”: “What’s different about it is that there’s a code in the lyrics, and there’s also no sense of time. I was trying to make it like a painting where you can see the different parts but then you also see the whole of it… the characters change from the first person to the third person, and you’re never quite sure if the third person is talking or the first person is talking. But if you look at the whole thing it doesn’t really matter.”

Uncut magazine on Blood On The Tracks.

Rolling Stone on Blood On The Tracks.

“Tangled Up In Blue,” official version:

Tangled Up in Blue by Bob Dylan on Grooveshark

“Lily, Rosemary and the Jack of Hearts,” official version:

Lily Rosemary And The Jack Of Hearts by Bob Dylan on Grooveshark

“If You See Her, Say Hello,” official version:

If You See Her, Say Hello by Bob Dylan on Grooveshark

Outtakes

“Tangled Up In Blue”:

Tangled Up In Blue (Unreleased Take) by Bob Dylan on Grooveshark

“Tangled Up In Blue”:

Tangled Up In Blue by Bob Dylan on Grooveshark

“Lily, Rosemary and the Jack of Hearts”:

Lily, Rosemary And The Jack Of Hearts (NY Outtake) by Bob Dylan on Grooveshark

“If You See Her Say Hello”:

Check out my post on “If You See Her, Say Hello” here.

“Meet Me In The Morning,” alternate take, recorded September 19, 1974 according to Harold Lepidus at the Bob Dylan Examiner site. (This version was officially released in 2012 as the B side of the “Duquesne Whistle” single):

[I recently published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book. Read it here. There’s info about True Love Scars here.]

Audio: Bob Dylan at the Orpheum Theater, Minneapolis – Nov. 2014 – “Things Have Changed,’ ‘She Belongs To Me’ & More

Dylan and band in Oakland, CA. Photo by Michael Goldberg,

On November 4, 2014, Bob Dylan and his band performed at the Orpheum Theater in Minneapolis.

Check out three songs: “Things Have Changed,” “She Belongs To Me” and “Beyond Here Lies Nothing.”

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Video: Bon Iver & Sharon Van Etten Do ‘Love More’

The night of July 16, 2014, Justin Vernon of Bon Iver joined Sharon Van Etten at the Minneapolis venue First Avenue to perform “Love More.”

It’s beautiful.

Here’s Sharon Van Etten’s recording of “MOre Love”:

Here’s a version of “More Love” by Bon Iver.

[In August of this year I’ll be publishing my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Bob Dylan Sings ‘Idiot Wind’ – Four Live Versions From 1992

Photo via Flicker.

Bob Dylan Sings ‘Idiot Wind’ – Four Live Versions From 1992.

Warfield Theater, San Francisco, May 5, 1992:

Berkeley Community Theater, Berkeley, CA, May 7, 1992:

San Jose State Center, San Jose, CA, May 9, 1992:

Orphium Theater, Minneapolis, Minnesota, August 30, 1992:

[In August of this year I’ll be publishing my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Audio: Arcade Fire Cover Prince’s ‘Controversy’ in Minneapolis

Photo from Arcade Fire’s Facebook page.

Arcade Fire performed Prince’s “Controversy” at the Target Center, Minneapolis, MN, last night.

-– A Days of the Crazy-Wild blog post: sounds, visuals and/or news –

Audio: Bob Dylan’s ‘Blood On The Tracks’ Sessions, Dec. 27, 1974 – ‘Idiot Wind’

Thirty-nine years ago, on December 27, 1974, Bob Dylan entered Sound 80 Studios in Minneapolis and re-recorded two songs he’d previously recorded in New York for a new album he was working on. Those new versions of “Idiot Wind” and “You’re Big Girl Now” are the ones that ended up on Blood On The Tracks.

I remember when I first listened to Blood On The Tracks when it was released in late January, 1975. The song that immediately blew me away was “Idiot Wind.” I thought at the time that Dylan had finally written a kind of followup to “Like A Rolling Stone” due to the bitterness in his voice and the bite of the chorus:

Idiot wind, blowing every time you move your mouth
Blowing down the backroads headin’ south
Idiot wind, blowing every time you move your teeth
You’re an idiot, babe
It’s a wonder that you still know how to breathe

The Blood On The Tracks sessions began at Columbia A&R Studios in New York on September 16, 1974. That studio was where he’d recorded his first six albums including Highway 61 Revisited. Dylan recorded in New York off and on, wrapping up on September 25, 1974. A test pressing of the album was made and Dylan planned to release that version of the album, which has been circulating as a bootleg ever since.

However Dylan changed his mind after playing the test pressing for his brother David who, according to Clinton Heylin, suggested Dylan recut the album in Minneapolis with local musicians.

“I had the acetate,” Dylan said years later. “I hadn’t listened to it for a couple of months. The record still hadn’t come out, and I put it on. I just didn’t… I thought the songs could have sounded differently, better. So I went in and re-recorded them.”

Two sessions took place — one on December 27 and a final session on December 30. Five songs recut during those sessions made it onto the album, and, of course, there has been disagreement for nearly 39 years now as to whether Dylan should have stuck with the New York tracks, or gone with the mix of New York and Minneapolis tracks as he did.

Dylan said to a radio interviewer who told him she enjoyed Blood On The Tracks:

“A lot of people tell me they enjoyed that album. It’s hard for me to relate to people enjoying that kind of pain.”

Below you can hear the versions of “Idiot Wind” and “You’re A Big Girl Now” that made it onto the album. I’ve also included versions that didn’t. Plus a couple of live versions.

“Idiot Wind,” Sound 80, Minneapolis, Minnesota, December 27, 2013:

Idiot Wind by Bob Dylan on Grooveshark

“You’re A Big Girl Now,” Sound 80, Minneapolis, Minnesota, December 27, 2013:

You're a Big Girl Now by Bob Dylan on Grooveshark

“Idiot Wind,” New York sessions outtake:

Track 04 by Bob Dylan on Grooveshark

“Idiot Wind,” outtake — stripped down acoustic version:

Track 11 by Bob Dylan on Grooveshark

“Idiot Wind,” live New Orleans May 3, 1976:

“You’re A Big Girl Now,” New York outtake, Sept. 23, 1974:

You're A Big Girl Now (NY Outtake) by Bob Dylan on Grooveshark

“You’re A Big Girl Now,” Jones Beach, Wantaugh, NY June 30, 1988

Plus “Up To Me,” a track recorded in New York that didn’t make the album:

Up to Me by Bob Dylan on Grooveshark

Listen: Bob Dylan Records ‘VD Blues’ Medley 52 Years Ago

Bonnie Beecher, one of Bob’s girlfriends, playing a folksinger in an episode of “The Twilight Zone.”

Fifty-two years ago, on December 22, 1961, Bob Dylan recorded 26 songs during two and a two-and-a-half hour session at his girlfriend Bonnie Beecher’s apartment in Minneapolis, Minnesota. Included were four Woody Guthrie songs dealing with venereal disease.

Woody Guthrie wrote the VD songs in 1949 for the U.S. Public Health Service. Guthrie’s versions were released this year on the 6-CD set, Woody Guthrie: American Radical Patriot. The set includes a 78 disc with Dylan’s recording of “VD City.”

When Bob recorded his debut album in November of 1961, he didn’t record any of the VD songs, although all but one song on that album were covers. Perhaps the topic wasn’t appropriate, or maybe Bob had just moved on.

“VD Blues”:

VD Blues by Bob Dylan on Grooveshark

“VD Waltz”:

VD Waltz by Bob Dylan on Grooveshark

“VD City”:

VD City by Bob Dylan on Grooveshark

“VD Gunner’s Blues”:

VD Gunner's Blues by Bob Dylan on Grooveshark

-– A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-