Jim Morrison performing at the KFRC Fantasy Fair and Magic Mountain Music Festival, June 1967. Photo by Michael Goldberg.
My good friend David Monterey, a singer, songwriter and musician who leads the band, the String Rays, writes the Song Dog Music blog. Recently, the two of us had a long discussion about the Sixties West Coast Music Scene, particularly what we experienced as kids in the Bay Area.
Below I have posted video and song clips that compliment our words. Enjoy.
The Doors, Soul Kitchen, The Matrix, 1967 – the initial footage in this video clip is from the KFRC Fantasy Fair and Magic Mountain Music Festival, June 1967
Big Brother, Down On Me, 1968
Jefferson Airplane, White Rabbit, 1967
The Byrds, Mr. Tambourine Man, 1965
Pete Seeger, If I Had A Hammer, 1956
Bob Dylan, Blowin’ in the Wind, 1963
Sly and the Family Stone, Dance to the Music, 1969
Grateful Dead, Jack Straw, 1972
Jefferson Airplane, Plastic Fantastic Lover, 1968
Grateful Dead, St. Stephen,1969
Grateful Dead, Dark Star, 1969
Grateful Dead, Black Peter, May 15, 1970
Grateful Dead, Friend of the Devil, 1970
Robert Johnson, Hellhound on my Trail, 1937
Grateful Dead, Sitting on Top of the World- 1966 Trips Festival SF
Howlin’ Wolf, Sitting on Top of the World, 1957
Jefferson Airplane, Chauffeur Blues, 1966
Memphis Minnie, Chauffeur Blues (probably written by Minnie but credited to her producer lester Melrose), 1941
The Charlatans, Alabama Bound, 1965
Leadbelly, Alabama Bound
Lynn Hughes (who sang this song with The Charlatans), Devil, 1969
Skip James, Devil Got My Woman, 1931
Quicksiler Messenger Service, Who Do You Love?, 1968
Part two of his Sinatra sessions are heavy with meaning, and a whole lot of fun too
By Michael Goldberg
A fallen angel is an angel who has sinned and been cast out of heaven.
“Everybody knows that torch singers are ‘fallen angels,’…” – Torch Singing: Performing Resistance and Desire from Billie Holiday to Edith Piaf by Stacy Holman Jones
Bob Dylan showed up at Daniel Lanois’ house in Los Angeles sometime in the later half of 2014 with recordings of 21 songs he’d made at the beginning of the year at the legendary Capitol Records Studio B in Hollywood where Frank Sinatra, Buck Owens, Merle Haggard, the Beach Boys and many others once made records.
“He [Dylan] said, ‘Let me tell you, Dan: If you have the time, can I tell you how I grew up?’ So we sat in the kitchen. I hadn’t heard a note.
“He spoke for an hour and a half on how, as a kid, you couldn’t even get pictures of anybody [the artists],” Lanois, who produced two Dylan albums, 1989’s Oh Mercy, and 1997’s Time Out Of Mind, recounted to a reporter from the Vancouver Sun in February of 2015. “You might get a record but you didn’t know what they [the artist] looked like. So there was a lot of mystery associated with the work at the time. As far as hearing live music, he only heard a couple of shows a year, like the Tommy Dorsey Orchestra might come through.
“But the music he did hear really touched him and he felt that a lot of that music was written not only by great professional songwriters at the time, but a lot of it was written from the heart, from the wartime, and people just pining for a lover. He felt there was a lot of spirit in that music. He felt there was a kind of beauty, a sacred ground for him.
“After having said all that, we then listened to the music and I felt everything that he talked about. For one of America’s great writers to say, ‘I’m not gonna write a song. I’m gonna pay homage to what shook me as a young boy,’ I thought was very graceful and dignified.”
Ten of the recordings Lanois heard that day were released on Dylan’s wonderful 2015 album, Shadows in the Night. What happened to the others is something of a mystery.
Last night (May 7, 2016) myself and the amazing experimental guitarist Henry Kaiser gave a reading to a standing-room-only audience at The Octopus Literary Salon in Oakland, CA.
Henry opened with a 20 minute solo electric guitar set of improvisations utilizing several guitars and a bank of effects pedals as well as a strange box that produced drum and bass based on what Henry played.
Then I joined Henry on the stage to read ten excerpts from my new rock ‘n’ roll coming-of-age novel, The Flowers Lied.
This reading was very special because Henry was accompanying me on guitar and machines. We had done this only once before, back in 2014, at Down Home Music. That was a great show, but it was totally different. Completely different vibe.
I read five longer excerpts with an “interlude” devoted to a musician or song between each. The first was about Skippy James and “I’m So Glad,” then Dylan’s “Like a Rolling Stone,” John Coltrane’s “A Love Supreme” and Neil Young. Below you can hear “Interlude #4: Neil Young.”
For me, it was so very intense to stand there before the audience, all eyes on the two of us, and read words I’d spent more than six years perfecting. I had been reading my novel aloud as I wrote it. Every day for six years I read some of it aloud. Every page was read aloud and every revised page. I knew the sound of my words, my sentences, my paragraphs. I knew the rhythms of those sentences, and the music they make.
I had read in the privacy of my office. I had read before the members of three writers groups I was in: The Dangerous Writers group in Portland in 2008 and some of 2009 where all the early work got done, another group in Inverness, CA in late 2009 and 2010, and the group I led in Oakland and El Cerrito from late 2010 to late 2013.
And yet this was totally different. There really is nothing like reading before an audience in a public space, an audience silent because they want to hear the words and the music, the music of the words and the music of the music.
Here’s a taste of what went down. This is a brief excerpt from a chapter in which the narrator and his friend go to a Neil Young concert in late 1972. The first line is cut off. So I’ll tell you what it is:
“I dig Neil the most, beginning in his Buffalo Springfield days…”
Bruce Springsteen has always written about the past, and as I’ve spent time with The Ties That Bind: The River Sessions, a multi-CD/multi-DVD set that focuses on music Springsteen made during sessions for The River (and includes a fantastic live show from November 1980, three weeks after The River was released), I’ve been reminded of how a yearning for the past (the high drama of youth) was so much a part of Springsteen’s Seventies recordings.
At age 23, on his first album, Greetings from Asbury Park, Springsteen was already looking back on songs such as “Growing Up’ and “It’s Hard To Be a Saint in the City.” Even on their release, Born to Run, Darkness at the Edge of Town and The River came across as romantic exaggerations of a time long gone. This wasn’t just due to the lyrics, which sometimes referred to events in the past tense.
Watch Springsteen and band do “Out In The Street” in Tempe, Arizona, 1980:
The sound of Springsteen’s music leaped back past the innovations of mid-to-late ’60s rock, a period that prominently included long-haired psychedelia complete with feedback, distortion and wah-wah pedal effects, to draw on Phil Spector’s Wall-of-Sound, the rhythm and blues of The Coasters, Sam & Dave and others, and party-rock hit-makers like Mitch Ryder and the Detroit Wheels and Gary U.S. Bonds.
Watch Springsteen and band do “The River” in Tempe, Arizona, 1980:
Consider that in 1975, when Born to Run was released, including a saxophone in the lineup was akin to using a horse and buggy for transportation. Springsteen’s E Street Band, of course, proudly featured the great Clarence “Big Man” Clemons on sax, and the Big Man took a solo in practically every song.
Even when Springsteen wrote in the present, as he did for “Thunder Road,” his line about “Roy Orbison singing to the lonely” placed the time period of the action in the early/mid-‘60s …
Read the rest of this column at Addicted To Noise.
Watch Springsteen and band do “Thunder Road” in 1975:
Down the Rabbit Hole with Bob Dylan in the Mid-Sixties
By Michael Goldberg
The mysteries of the ’65/’66 recordings revealed (maybe)
How deep can you go into a song? As Greil Marcus’ two recent books, “The History of Rock ‘N’ Roll in Ten Songs” and “Three Songs, Three Singers, Three Nations,” reveal, there’s no limit. Alice falling down the rabbit hole to discover a subterranean landscape dotted with surreal characters such as the “mad” Hatter, the White Rabbit and a hookah smoking caterpillar, has nothing on Marcus, who takes a song as deceptively simple as Bascom Lamar Lunsford’s 1928 recording “I Wish I Was a Mole in the Ground” and finds lost continents in its strange lyrics.
It’s no coincidence that Marcus is obsessed with Bob Dylan, the master of bottomless songs; Marcus has written entire books delving into what he hears in Dylan’s recordings. He’s been digging Dylan even longer than I have, and I’ve been in the Dylan Zone for 50 years.
I read “Three Songs…” just prior to the arrival of the Collector’s Edition of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12, a pricey ($599) 18 CD set that contains “every note recorded during the 1965-1966 sessions,” according to a Sony press release, as well as a CD of recordings made in hotel rooms while Dylan was touring during those years that include some wonderful, apparently never completed Dylan originals. Now if only they’d released all the live recordings, but perhaps that’s in the works, hint, hint…
Just so you understand, 18 CDs translates to over 18 hours of music. Close to a full day and night’s worth of Bob Dylan recording the albums that set a new standard for what rock ‘n’ roll records could be, and to this day influence musicians the world over. Many of the songs on those albums are deep. They are songs with trap doors and secret passages, songs that confound, defy, deny, and mystify.
Here was an opportunity to explore not only the depth of the songs recorded during the sessions that produced Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde, but a rare look at the creative process of an artist at the top of his game: Bob Dylan attempting many takes of some songs, radically changing his approach from take to take in some cases while making minor changes in others. Dylan cracking jokes and cracking up.
“Like a Rolling Stone” Turned My World Upside Down
I’d just turned 12 the first time I heard Bob Dylan. His voice from the car radio singing his Top Ten hit as my mom drove me somewhere in the summer of ’65. I had been listening to rock music – including songs by The Beatles and the Stones and the Beach Boys and the Lovin’ Spoonful and The Byrds – for a year or so. This was different. This was “Like a Rolling Stone.” This was the ecstatic transmuted into a six minute, thirteen second recording.
That song changed me. There was rebellious fury in Dylan’s voice, in how he sang his Beat lyrics about class privilege and the fall from grace, in how he sang a song that managed to say what it took F. Scott Fitzgerald a whole novel, “The Beautiful and the Damned,” to say. But though I related to the lyrics, what slayed me was the music. And more. Dylan’s voice and the sound of that record made me know one didn’t have to go along with the rules society imposed, that there was another way to live. That it was possible to be fully alive, and not sleepwalk through life.
Or as Dylan sang, “It’s life, and life only.”
So for me, perhaps the pièce de résistance here are the complete studio recordings of “Like a Rolling Stone,” all 20 of them. As it turns out you can also get them on the much less expensive 6 CD Deluxe Edition; for many that will be the way to go. And let me be clear here: the 18 CD set is only for the total obsessives, the immoderates, of which I am one.
Listening chronologically to all the takes of “Like a Rolling Stone” provides a kind of fly on the wall view of how Dylan and a crew of extremely talented musicians – on the first day the song is attempted: Michael Bloomfield on guitar, Al Gorgoni on guitar, Paul Griffin on organ, Frank Owens on piano, Joseph Macho Jr. on bass and Bobby Gregg on drums; and on the second day: Bloomfield, Griffin on piano, Macho Jr., Gregg and the addition of Al Kooper on organ and Bruce Langhorne on tambourine – succeed against all odds in recording one of the great rock ‘n’ roll records.
In the epitaph to his 2005 book, “Like a Rolling Stone: Bob Dylan at the Crossroads,” Greil Marcus describes in detail what happened during the “Like a Rolling Stone” sessions based on listening carefully to the session tapes. When I read his book in 2011, I wanted so bad to hear what Marcus had described. His writing made me feel as close to being there in the studio as I imagined one could ever get.
I was wrong. Miracle of miracles! Now we can actually listen for ourselves, we can get even closer, we can listen in on a historic moment in rock history, when everything fell apart, then came together for those six minutes, 13 seconds – musicians, producer, singer, words, melody – and fell apart all over again.
As Marcus has written, and as is clear when you listen, nothing was going right. When they start in on the song at Columbia Studio A in New York, near the end of a long session on June 15, 1965 that has already found these musicians cutting ten takes of “Phantom Engineer” (the song that was retitled “It Takes a Lot to Laugh, It Takes a Train to Cry”), and seven takes of “Sitting On a Barbed Wire Fence,” Dylan admits, “My voice is gone.”
Soon they pack it in, only to pick up where they left off the next day, which is to say, during the first few takes the song remains out of reach. It doesn’t have a hook to pull you in from the first notes, Michael Bloomfield hasn’t found the guitar riffs the song needs, Al Kooper is searching for what to play on organ, and Dylan hasn’t found the right tempo or pacing, nor settled on how he should sing his bitter words.
As I listened, first to the January 15 recordings, then the first few takes cut the next day, lost in the moments of those takes, despite knowing that Dylan and the band had eventually pulled it off, I started to have my doubts. It was as if they’d taken a wrong turn and were miles from the song. And then, amazingly, with the fourth take they hit pay dirt. Only they weren’t sure, and recorded ten more takes, once again losing their way.
More from the upcoming Bob Dylan set, The Cutting Edge 1965–1966: The BootlegSeries Vol. 12. I’ve been listening to an advance and although I haven’t yet gotten through all the music, what I have heard is amazing.
Here is a version of “Subterranean Homesick Blues.” The footage is fascinating; this version of the song is excellent.
Enjoy!
Here’s the same video on YouTube incase the previous from Vevo doesn’t play:
And here’s the version released on “Bringing It All Back Home.”
Come November 6 the latest in Bob Dylan’s Bootleg Series sets, The Cutting Edge 1965-1966: The Bootleg Series Volume 12 , will be released.
Today we get a taste with this previously unreleased version of “Sitting on a Barbed Wire Fence,” a track cut in 1965. The song never made an official Dylan album until 1991, when a different version was included on the first Bootleg Series set.
This is quite awesome. Dig the great Michael Bloomfield on lead guitar.
Bob Dylan in the studio with the great blues guitarist Michael Bloomfield during the recording of Highway 61 Revisited.
Official info from Bob Dylan’s website:
The 18CD Collector’s Edition of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 is limited to a worldwide pressing of only 5,000 copies, and includes every note recorded during the 1965-1966 sessions, every alternate take and alternate lyric. All previously unreleased recordings have been mixed, utilizing the original studio tracking tapes as the source, eliminating unwanted 1960s-era studio processing and artifice.
The 18CD edition includes Dylan’s original nine mono 45 RPM singles released during the time period, packaged in newly created picture sleeves featuring global images from the era. The limited edition includes rare hotel room recordings from the Savoy Hotel in London (May 4, 1965), the North British Station Hotel in Glasgow (May 13, 1966) and a Denver, Colorado hotel (March 12, 1966) as well as a strip of original film cels from “Don’t Look Back.”
The price? $599.99
Track Listing
Disc 1
1. Love Minus Zero/No Limit – Take 1 (1/13/1965) Breakdown.
2. Love Minus Zero/No Limit – Take 2 (1/13/1965) Complete.
3. I’ll Keep It With Mine – Take 1 (1/13/1965) Released on Biograph, 1985.
4. It’s All Over Now, Baby Blue – Take 1 (1/13/1965) Released on The Bootleg Series, Vol. 7, 2005.
5. Bob Dylan’s 115th Dream – Take 1 (1/13/1965) Fragment. Released on Bringing It All Back Home, 1965.
6. Bob Dylan’s 115th Dream – Take 2 (1/13/1965) Complete.
7. She Belongs To Me – Take 1 (1/13/1965) Complete.
8. Subterranean Homesick Blues – Take 1 (1/13/1965) Released on The Bootleg Series, Vol. 1-3, 1991.
9. Outlaw Blues – Take 1 (1/13/1965) Complete.
10. On The Road Again – Take 1 (1/13/1965) Complete.
11. Farewell Angelina – Take 1 (1/13/1965) Released on Bootleg Series, Vol. 1-3, 1991.
12. If You Gotta Go, Go Now – Take 1 (1/13/1965) Complete.
13. You Don’t Have to Do That – Take 1 (1/13/1965) Incomplete.
14. California – Take 1 (1/13/1965) Complete.
15. Love Minus Zero/No Limit – Take 3 remake (1/13/1965) Complete.
16. She Belongs To Me – Take 2 remake (1/13/1965) Complete.
17. Outlaw Blues – Take 1 remake (1/13/1965) False start.
18. Outlaw Blues – Take 2 remake (1/13/1965) Complete.
19. Love Minus Zero/No Limit – Take 1 remake (1/14/1965) Complete.
20. Love Minus Zero/No Limit – Take 2 remake (1/14/1965) Released on Bringing It All Back Home, 1965.
21. Love Minus Zero/No Limit – (1/14/1965) Insert.
22. Subterranean Homesick Blues – Take 1 remake (1/14/1965) Complete.
23. Subterranean Homesick Blues – Take 2 remake (1/14/1965) False start.
24. Subterranean Homesick Blues – Take 3 remake (1/14/1965) Released on Bringing It All Back Home, 1965.
25. Outlaw Blues – Take 1 remake (1/14/1965) False start.
26. Outlaw Blues – Take 2 remake (1/14/1965) Fragment/breakdown.
27. Outlaw Blues – Take 3 remake (1/14/1965) Released on Bringing It All Back Home, 1965.
Disc 2
1. She Belongs To Me – Take 1 remake (1/14/1965) Complete.
2. She Belongs To Me – Take 2 remake (1/14/1965) Released on Bringing It All Back Home, 1965.
3. Bob Dylan’s 115th Dream – Take 1 (1/14/1965) False start.
4. Bob Dylan’s 115th Dream – Take 2 (1/14/1965) Released on Bringing It All Back Home, 1965.
5. On The Road Again – Take 1 (1/14/1965) False start.
6. On The Road Again – Take 2 (1/14/1965) Complete.
7. On The Road Again – Take 3 (1/14/1965) False start.
8. On The Road Again – Take 4 (1/14/1965) Complete.
9. Maggie’s Farm – Take 1 (1/15/1965) Released on Bringing It All Back Home, 1965.
10. On The Road Again – Take 1 remake (1/15/1965) Complete.
11. On The Road Again – Takes 2-6 remake (1/15/1965) False starts/complete.
12. On The Road Again – Take 7 remake (1/15/1965) Complete.
13. On The Road Again – Takes 8-9 remake (1/15/1965) False starts.
14. On The Road Again – Take 11 remake (1/15/1965) False start.
15. On The Road Again – Take 12 remake (1/15/1965) False start.
16. On The Road Again – Take 13 remake (1/15/1965) Released on Bringing It All Back Home, 1965.
17. It’s Alright, Ma (I’m Only Bleeding) – Take 1 (1/15/1965) False start.
18. It’s Alright, Ma (I’m Only Bleeding) – Take 2 (1/15/1965) Released on Bringing It All Back Home, 1965.
19. Gates Of Eden – Take 1 (1/15/1965) Released on Bringing It All Back Home, 1965.
20. Mr. Tambourine Man – Takes 1-2 (1/15/1965) False starts.
21. Mr. Tambourine Man – Take 3 (1/15/1965) Breakdown.
22. Mr. Tambourine Man – Takes 4-5 (1/15/1965) Breakdown.
23. Mr. Tambourine Man – Take 6 (1/15/1965) Released on Bringing It All Back Home, 1965.
24. It’s All Over Now, Baby Blue – Take 1 remake (1/15/1965) Released on Bringing It All Back Home, 1965.
Disc 3
1. If You Gotta Go, Go Now – Take 1 (1/15/1965) Complete.
2. If You Gotta Go, Go Now – Take 2 (1/15/1965) Complete.
3. If You Gotta Go, Go Now – Take 3 (1/15/1965) Complete.
4. If You Gotta Go, Go Now – Take 4 (1/15/1965) Released on The Bootleg Series, Vol. 1-3, 1991.
5. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 1 (6/15/1965) Complete.
6. It Takes A Lot To Laugh, It Takes A Train To Cry – Takes 2-3 (6/15/1965) Fragments.
7. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 4 (6/15/1965) Breakdown.
8. It Takes A Lot To Laugh, It Takes A Train To Cry – Takes 5 (6/15/1965) False start.
9. It Takes A Lot To Laugh, It Takes A Train To Cry – Takes 6 (6/15/1965) Breakdown.
10. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 7 (6/15/1965) Insert.
11. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 8 (6/15/1965) Complete.
12. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 9 (6/15/1965) Released on The Bootleg Series, Vol. 7, 2005.
13. Sitting On A Barbed-Wire Fence – Take 1 (6/15/1965) Rehearsal and breakdown.
14. Sitting On A Barbed-Wire Fence – Take 2 (6/15/1965) Complete.
15. Sitting On A Barbed-Wire Fence – Take 3 (6/15/1965) Released on The Bootleg Series, Vol. 1-3, 1991.
16. Sitting On A Barbed-Wire Fence – Take 2 (6/15/1965) Edited version. Complete.
17. It Takes A Lot to Laugh, It Takes A Train To Cry – Take 1 remake (6/15/1965) Released on The Bootleg Series, Vol. 1-3, 1991.
18. Sitting On A Barbed-Wire Fence – Takes 4-5 (6/15/1965) False starts.
19. Sitting On A Barbed-Wire Fence – Take 6 (6/15/1965) Complete.
20. Like A Rolling Stone – Takes 1-3 (6/15/1965) Rehearsal.
21. Like A Rolling Stone – Take 4 (6/15/1965) Rehearsal. Partially released on The Bootleg Series Vol. 1-3, 1991.
22. Like A Rolling Stone – Take 5 (6/15/1965) Breakdown.
Disc 4
1. Like A Rolling Stone – Rehearsal remake (6/16/1965) Rehearsal.
2. Like A Rolling Stone – Take 1 remake (6/16/1965) Rehearsal.
3. Like A Rolling Stone – Takes 2-3 remake (6/16/1965) False starts.
4. Like A Rolling Stone – Take 4 remake (6/16/1965) Released on Highway 61 Revisited, 1965.
5. Like A Rolling Stone – Take 5 remake (6/16/1965) Rehearsal.
6. Like A Rolling Stone – Take 6 remake (6/16/1965) False start.
7. Like A Rolling Stone – Take 8 remake (6/16/1965) Breakdown.
8. Like A Rolling Stone – Takes 9-10 remake (6/16/1965) False starts.
9. Like A Rolling Stone – Take 11 remake (6/16/1965) Complete.
10. Like A Rolling Stone – Take 12 remake (6/16/1965) False start.
11. Like A Rolling Stone – Take 13 remake (6/16/1965) Breakdown.
12. Like A Rolling Stone – Take 14 remake (6/16/1965) False start.
13. Like A Rolling Stone – Take 15 remake (6/16/1965) Breakdown.
14. Like A Rolling Stone – (6/16/1965) Master take, guitar.
15. Like A Rolling Stone – (6/16/1965) Master take, vocals, guitar (BD).
16. Like A Rolling Stone – (6/16/1965) Master take, piano, bass.
17. Like A Rolling Stone – (6/16/1965) Master take, drums, organ.
Disc 5
1. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 1 (7/29/1965) Breakdown.
2. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 2 (7/29/1965) False start.
3. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 3 (7/29/1965) Incomplete.
4. Tombstone Blues – Take 1 (7/29/1965) Complete.
5. Tombstone Blues – Takes 2-3 (7/29/1965) False starts.
6. Tombstone Blues – Take 4 (7/29/1965) Complete.
7. Tombstone Blues – Takes 5-7 (7/29/1965) False starts, rehearsal.
8. Tombstone Blues – Take 9 (7/29/1965) Released on The Bootleg Series, Vol. 7, 2005.
9. Tombstone Blues – Take 10 (7/29/1965) False start.
10. Tombstone Blues – Take 11 (7/29/1965) Breakdown.
11. Tombstone Blues – Take 12 (7/29/1965) Released on Highway 61 Revisited, 1965.
12. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 1 (7/29/1965) Complete.
13. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 2 (7/29/1965) False start.
14. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 3 (7/29/1965) Complete.
15. It Takes A Lot To Laugh, It Takes A Train To Cry – Take 4 (7/29/1965) Released on Highway 61 Revisited, 1965.
16. Positively 4th Street – Takes 1-3 (7/29/1965) False starts.
17. Positively 4th Street – Take 4 (7/29/1965) Complete.
18. Positively 4th Street – Take 5 (7/29/1965) Complete.
19. Positively 4th Street – Take 6 (7/29/1965) Breakdown.
20. Positively 4th Street – Take 7 (7/29/1965) Breakdown.
21. Positively 4th Street – Take 8 (7/29/1965) Breakdown.
22. Positively 4th Street – Take 10 (7/29/1965) Breakdown.
23. Positively 4th Street – Take 12 (7/29/1965) Released as a single, 1965.
Disc 6
1. Desolation Row – Take 1 (7/29/1965) Released on The Bootleg Series Vol. 7, 2005.
2. From A Buick 6 – Take 1 (7/30/1965) False start.
3. From A Buick 6 – Take 2 (7/30/1965) False start.
4. From A Buick 6 – Take 4 (7/30/1965) Accidentally released on the first pressing of Highway 61 Revisited, 1965.
5. From A Buick 6 – Take 5 (7/30/1965) Released on Highway 61 Revisited, 1965.
6. Can You Please Crawl Out Your Window? – Takes 1-4 (7/30/1965) False starts.
7. Can You Please Crawl Out Your Window? – Take 1 (7/30/1965) Complete.
8. Can You Please Crawl Out Your Window? – Take 2 (7/30/1965) False start.
9. Can You Please Crawl Out Your Window? – Take 3 (7/30/1965) Complete.
10. Can You Please Crawl Out Your Window? – Take 4 (7/30/1965) False start.
11. Can You Please Crawl Out Your Window? – Take 5 (7/30/1965) Complete.
12. Can You Please Crawl Out Your Window? – Take 6 (7/30/1965) Rehearsal/false start.
13. Can You Please Crawl Out Your Window? – Take 7 (7/30/1965) False start.
14. Can You Please Crawl Out Your Window? – Take 8 (7/30/1965) False start.
15. Can You Please Crawl Out Your Window? – Takes 10-11 (7/30/1965) False starts.
16. Can You Please Crawl Out Your Window? – Take 12 (7/30/1965) Complete.
17. Can You Please Crawl Out Your Window? – Take 14 (7/30/1965) Breakdown.
18. Can You Please Crawl Out Your Window? – Take 15 (7/30/1965) Breakdown.
19. Can You Please Crawl Out Your Window? – Take 17 (7/30/1965) Accidentally Released as B-side of first pressing of Positively 4th Street single.
20. Highway 61 Revisited – Take 1 (8/02/1965) False start.
21. Highway 61 Revisited – Take 2 (8/02/1965) False start.
22. Highway 61 Revisited – Take 3 (8/02/1965) Complete.
23. Highway 61 Revisited – Take 4 (8/02/1965) False start.
24. Highway 61 Revisited – Take 5 (8/02/1965) Complete.
25. Highway 61 Revisited – Take 5 (mis-slate) (8/02/1965) Complete.
26. Highway 61 Revisited – Take 6 (8/02/1965) Released on The Bootleg Series, Vol. 7, 2005.
27. Highway 61 Revisited – Take 7 (8/02/1965) False start.
28. Highway 61 Revisited – Take 8 (8/02/1965) False start.
29. Highway 61 Revisited – Take 9 (8/02/1965) Released on Highway 61 Revisited, 1965.
Disc 7
1. Just Like Tom Thumb’s Blues – Take 1 (8/02/1965) Breakdown.
2. Just Like Tom Thumb’s Blues – Take 3 (8/02/1965) Complete.
3. Just Like Tom Thumb’s Blues – Take 4 (8/02/1965) Rehearsal.
4. Just Like Tom Thumb’s Blues – Take 5 (8/02/1965) Released on The Bootleg Series Vol. 7, 2005.
5. Just Like Tom Thumb’s Blues – Takes 9-10 (8/02/1965) Breakdown.
6. Just Like Tom Thumb’s Blues – Takes 11-12 (8/02/1965) False starts.
7. Just Like Tom Thumb’s Blues – Take 13 (8/02/1965) Complete.
8. Just Like Tom Thumb’s Blues – Takes 14-15 (8/02/1965) False starts.
9. Just Like Tom Thumb’s Blues – Take 16 (8/02/1965) Released on Highway 61 Revisited, 1965.
10. Queen Jane Approximately – Take 1 (8/02/1965) Rehearsal.
11. Queen Jane Approximately – Take 2 (8/02/1965) Complete.
12. Queen Jane Approximately – Take 3 (8/02/1965) False start.
13. Queen Jane Approximately – Take 4 (8/02/1965) False start.
14. Queen Jane Approximately – Take 5 (8/02/1965) Complete.
15. Queen Jane Approximately – Take 6 (8/02/1965) Complete.
16. Queen Jane Approximately – Take 7 (8/02/1965) Released on Highway 61 Revisited, 1965.
17. Ballad Of A Thin Man – Take 1 (8/02/1965) False start.
18. Ballad Of A Thin Man – Take 2 (8/02/1965) Breakdown.
19. Ballad Of A Thin Man – Take 3 (8/02/1965) Released on Highway 61 Revisited, 1965.
20. Ballad Of A Thin Man – Take 4 (8/02/1965) Insert.
Disc 8
1. Desolation Row – Takes 1-2 remake (8/02/1965) False start/breakdown.
2. Desolation Row – Take 3 remake (8/02/1965) Breakdown.
3. Desolation Row – Take 4 remake (8/02/1965) False start.
4. Desolation Row – Take 5 remake (8/02/1965) Complete.
5. Tombstone Blues – Take 1 (8/03/1965) Complete. Vocal overdub.
6. Tombstone Blues – Take 2 (8/03/1965) Complete. Vocal overdub.
7. Tombstone Blues – Take 3 (8/03/1965) Complete. Vocal overdub.
8. Desolation Row – Take 1 (8/04/1965) Rehearsal.
9. Desolation Row – Take 2 (8/04/1965) Rehearsal.
10. Desolation Row – Take 1 (8/04/1965) Complete (with insert).
11. Desolation Row – Take 5 (8/04/1965) Complete master without acoustic guitar overdub. Released on Highway 61 Revisited, 1965.
12. Desolation Row – Take 6 (8/04/1965) Guitar overdub.
13. Desolation Row – Take 7 (8/04/1965) Guitar overdub
14. Tombstone Blues – Take 1 (8/04/1965) Harmonica overdub.
15. Medicine Sunday – Take 1 (10/05/1965) Incomplete.
16. Medicine Sunday – Take 2 (10/05/1965) Incomplete.
17. Jet Pilot – Take 1 (10/05/1965) Released on Biograph, 1985.
18. I Wanna Be Your Lover – (10/05/1965) Rehearsal.
19. Can You Please Crawl Out Your Window? – Take 1 (10/05/1965) Fragment.
20. Can You Please Crawl Out Your Window? – Take 2 (10/05/1965) Fragment.
Disc 9
1. I Wanna Be Your Lover – Take 1 (10/05/1965) Fragment.
2. I Wanna Be Your Lover – Take 1 Edit 1 (10/05/1965) Complete.
3. I Wanna Be Your Lover – Take 1 Edit 2 (10/05/1965) Complete.
4. I Wanna Be Your Lover – Take 2 (10/05/1965) Complete.
5. I Wanna Be Your Lover – (10/05/1965) Rehearsal.
6. I Wanna Be Your Lover – Take 3 10/05/1965) Complete.
7. I Wanna Be Your Lover – Take 4 (10/05/1965) Complete.
8. I Wanna Be Your Lover – Take 5 (10/05/1965) Complete
9. I Wanna Be Your Lover – Take 6 (10/05/1965) Complete.
10. I Wanna Be Your Lover – Take 6 (mis-slate) (10/05/1965) Released on Biograph, 1985.
11. Instrumental – Take 1 (10/05/1965) Fragment.
12. Instrumental – Take 2 (10/05/1965) Complete.
13. Visions Of Johanna – Take 1 (11/30/1965) Rehearsal.
14. Visions Of Johanna – Take 2 (11/30/1965) Rehearsal.
15. Visions Of Johanna – Take 3 (11/30/1965) Rehearsal.
16. Visions Of Johanna – Take 4 (11/30/1965) Complete.
17. Visions Of Johanna – Take 5 (11/30/1965) Complete.
18. Visions Of Johanna – Take 6 (11/30/1965) Rehearsal.
19. Visions Of Johanna – Take 7 (11/30/1965) Complete.
20. Visions Of Johanna – Take 8 (11/30/1965) Released on The Bootleg Series, Vol.7, 2005.
Disc 10
1. Visions Of Johanna – Takes 9-12 (11/30/1965) False starts.
2. Visions Of Johanna – Take 13 (11/30/1965) Breakdown.
3. Visions Of Johanna – Take 14 (11/30/1965) Complete.
4. Can You Please Crawl Out Your Window? – Take 1 (11/30/1965) False start.
5. Can You Please Crawl Out Your Window? – Take 2 (11/30/1965) False start, rehearsal.
6. Can You Please Crawl Out Your Window? – Take 3 (11/30/1965) False start.
7. Can You Please Crawl Out Your Window? – Take 4 (11/30/1965) False start, rehearsal.
8. Can You Please Crawl Out Your Window? – Take 6 (11/30/1965) Complete.
9. Can You Please Crawl Out Your Window? – Take 7 (11/30/1965) Breakdown.
10. Can You Please Crawl Out Your Window? – Take 8 (11/30/1965) Complete.
11. Can You Please Crawl Out Your Window? – Take 9 (11/30/1965) False start.
12. Can You Please Crawl Out Your Window? – Take 10 (11/30/1965) Released as a single in October, 1965.
13. She’s Your Lover Now – Take 1 (1/21/1966) Breakdown.
14. She’s Your Lover Now – Take 2 (1/21/1966) Rehearsal.
15. She’s Your Lover Now – Take 3 (1/21/1966) Breakdown.
16. She’s Your Lover Now – Take 4 (1/21/1966) Incomplete.
17. She’s Your Lover Now – Take 5 (1/21/1966) Rehearsal.
18. She’s Your Lover Now – Take 6 (1/21/1966) Complete.
19. She’s Your Lover Now – Take 7 (1/21/1966) False start.
20. She’s Your Lover Now – Take 8 (1/21/1966) Rehearsal.
21. She’s Your Lover Now – Take 9 (1/21/1966) Rehearsal.
22. She’s Your Lover Now – Takes 10-11 (1/21/1966) Rehearsal.
23. She’s Your Lover Now – Take 12 (1/21/1966) Rehearsal.
24. She’s Your Lover Now – Take 13 (1/21/1966) Rehearsal.
Disc 11
1. She’s Your Lover Now – Take 14 (1/21/1966) Breakdown.
2. She’s Your Lover Now – Take 15 (1/21/1966) Released on The Bootleg Series, Vol. 1-3, 1991.
3. She’s Your Lover Now – (1/21/1966) Rehearsal.
4. She’s Your Lover Now – Take 16 (1/21/1966) Complete.
5. Leopard-Skin Pill-Box Hat – Take 1 (1/25/1966) Released on The Bootleg Series, Vol. 7, 2005.
6. Leopard-Skin Pill-Box Hat – Take 2 (1/25/1966) Complete.
7. One Of Us Must Know (Sooner Or Later) – Take 1 (1/25/1966) Rehearsal.
8. One Of Us Must Know (Sooner Or Later) – Take 2 (1/25/1966) Rehearsal.
9. One Of Us Must Know (Sooner Or Later) – Take 3 (1/25/1966) Fragment.
10. One Of Us Must Know (Sooner Or Later) – Take 4 (1/25/1966) Rehearsal.
11. One Of Us Must Know (Sooner Or Later) – Take 5 (1/25/1966) Rehearsal.
12. One Of Us Must Know (Sooner Or Later) – Takes 6-8 (1/25/1966) Rehearsal.
13. One Of Us Must Know (Sooner Or Later) – Take 9 (1/25/1966) Rehearsal.
14. One Of Us Must Know (Sooner Or Later) – Takes 10-14 (1/25/1966) Rehearsal.
15. One Of Us Must Know (Sooner Or Later) – Take 15 (1/25/1966) Complete.
16. One Of Us Must Know (Sooner Or Later) – Takes 16-17 (1/25/1966) False starts.
17. One Of Us Must Know (Sooner Or Later) – Take 18 (1/25/1966) Complete.
18. One Of Us Must Know (Sooner Or Later) – (1/25/1966) Rehearsal.
19. One Of Us Must Know (Sooner Or Later) – Take 19 (1/25/1966) Complete.
20. One Of Us Must Know (Sooner Or Later) – Takes 21-22 (1/25/1966) Breakdown.
Disc 12
1. One Of Us Must Know (Sooner Or Later) – Take 23 (1/25/1966) Complete.
2. One Of Us Must Know (Sooner Or Later) – Take 24 (1/25/1966) Released on Blonde On Blonde, 1966.
3. One Of Us Must Know (Sooner Or Later) – (1/25/1966) Master take, guitar (BD) and organ.
4. One Of Us Must Know (Sooner Or Later) – (1/25/1966) Master take, vocal.
5. One Of Us Must Know (Sooner Or Later) – (1/25/1966) Master take, piano and drums.
6. One Of Us Must Know (Sooner Or Later) – (1/25/1966) Master take, guitar and bass.
7. Lunatic Princess – Take 1 (1/27/1966) Incomplete.
8. Leopard-Skin Pill-Box Hat – Takes 1-2 (1/27/1966) False start, incomplete.
9. Leopard-Skin Pill-Box Hat – (1/27/1966) Insert.
10. I’ll Keep It With Mine – (no date listed) Rehearsal. Partially released on The Bootleg Series, Vol.1-3, 1991.
11. Fourth Time Around – Take 1 (2/14/1966) Rehearsal.
12. Fourth Time Around – Take 2 (2/14/1966) Breakdown.
13. Fourth Time Around – Takes 3-4 (2/14/1966) Rehearsal.
14. Fourth Time Around – Take 5 (2/14/1966) Complete.
15. Fourth Time Around – Takes 6-7 (2/14/1966) Rehearsal.
16. Fourth Time Around – Take 8 (2/14/1966) Rehearsal.
17. Fourth Time Around – Takes 9-10 (2/14/1966) False starts.
Disc 13
1. Fourth Time Around – Take 11 (2/14/1966) Complete.
2. Fourth Time Around – Takes 12-13 (2/14/1966) False starts.
3. Fourth Time Around – Takes 14-16 (2/14/1966) False starts.
4. Fourth Time Around – Takes 17-18 (2/14/1966) False starts.
5. Fourth Time Around – Take 19 (2/14/1966) Breakdown.
6. Fourth Time Around – Take 19 again (2/14/1966) Released on Blonde On Blonde, 1966.
7. Visions Of Johanna – Take 1 (2/14/1966) False start.
8. Visions Of Johanna – Take 2 (2/14/1966) Breakdown.
9. Visions Of Johanna – Take 3 (2/14/1966) False start.
10. Visions Of Johanna – Take 4 (2/14/1966) Released on Blonde On Blonde, 1966.
11. Leopard-Skin Pill-Box Hat – Takes 1-2 (2/14/1966) Rehearsal.
12. Leopard-Skin Pill-Box Hat – Take 3 (2/14/1966) Complete.
13. Leopard-Skin Pill-Box Hat – Takes 4-5 (2/14/1966) Rehearsal.
14. Leopard-Skin Pill-Box Hat – Take 6 (2/14/1966) Breakdown.
15. Leopard-Skin Pill-Box Hat – Take 6 again (2/14/1966) Rehearsal.
16. Leopard-Skin Pill-Box Hat – Take 8 (2/14/1966) Complete.
17. Leopard-Skin Pill-Box Hat – Take 9 (2/14/1966) Breakdown.
18. Leopard-Skin Pill-Box Hat – Take 10 (2/14/1966) False start.
19. Leopard-Skin Pill-Box Hat – Take 11 (2/14/1966) Breakdown.
20. Leopard-Skin Pill-Box Hat – Take 12 (2/14/1966) False start.
21. Leopard-Skin Pill-Box Hat – Take 13 (2/14/1966) Complete.
22. I’ll Keep It With Mine (instrumental) – Take 1 (2/15/1966) Rehearsal.
23. I’ll Keep It With Mine (instrumental) – Take 2 (2/15/1966) Rehearsal.
24. I’ll Keep It With Mine (instrumental) – Take 3 (2/15/1966) Rehearsal.
25. I’ll Keep It With Mine (instrumental) – Take 4 (2/15/1966) Rehearsal.
26. I’ll Keep It With Mine (instrumental) – Take 5 (2/15/1966) Rehearsal.
27. I’ll Keep It With Mine (instrumental) – Takes 6-7 (2/15/1966) Rehearsal.
28. I’ll Keep It With Mine (instrumental) – Take 8 (2/15/1966) Rehearsal.
29. I’ll Keep It With Mine (instrumental) – Take 8 again (2/15/1966) Complete.
30. I’ll Keep It With Mine (instrumental) – Take 9 (2/15/1966) Complete.
Disc 14
1. Sad-Eyed Lady Of The Lowlands – Take 1 (2/16/1966) Complete.
2. Sad-Eyed Lady Of The Lowlands – Take 2 (2/16/1966) Rehearsal.
3. Sad-Eyed Lady Of The Lowlands – Take 3 (2/16/1966) Complete.
4. Sad-Eyed Lady Of The Lowlands – Take 4 (2/16/1966) Released on Blonde On Blonde, 1966.
5. Stuck Inside Of Mobile With The Memphis Blues Again – Take 1 (2/17/1966) Rehearsal.
6. Stuck Inside Of Mobile With The Memphis Blues Again – (2/17/1966) Rehearsal.
7. Stuck Inside Of Mobile With The Memphis Blues Again – Take 1 (2/17/1966) Breakdown.
8. Stuck Inside Of Mobile With The Memphis Blues Again – Takes 2-3 (2/17/1966) Rehearsal.
9. Stuck Inside Of Mobile With The Memphis Blues Again – Take 4 (2/17/1966) Breakdown.
10. Stuck Inside Of Mobile With The Memphis Blues Again – Take 4 (mis-slate) (2/17/1966) False start.
11. Stuck Inside Of Mobile With The Memphis Blues Again – Take 5 (2/17/1966) Released on The Bootleg Series, Vol. 7, 2005.
12. Stuck Inside Of Mobile With The Memphis Blues Again – Takes 6-8 (2/17/1966) False starts.
13. Stuck Inside Of Mobile With The Memphis Blues Again – Take 9 (2/17/1966) Breakdown.
14. Stuck Inside Of Mobile With The Memphis Blues Again – Take 10 (2/17/1966) False start.
15. Stuck Inside Of Mobile With The Memphis Blues Again – Takes 11-12 (2/17/1966) Breakdown.
16. Stuck Inside Of Mobile With The Memphis Blues Again – Take 13 (2/17/1966) Breakdown.
Disc 15
1. Stuck Inside Of Mobile With The Memphis Blues Again – Take 14 (2/17/1966) Complete.
2. Stuck Inside Of Mobile With The Memphis Blues Again – Take 15 (2/17/1966) Released on Blonde On Blonde, 1966.
3. Absolutely Sweet Marie – (3/07/1966) Rehearsal.
4. Absolutely Sweet Marie – Take 1 (3/07/1966) Complete.
5. Absolutely Sweet Marie – Take 2 (3/07/1966) False start.
6. Absolutely Sweet Marie – Take 3 (3/07/1966) Released on Blonde On Blonde, 1966.
7. Absolutely Sweet Marie – (3/07/1966) Insert.
8. Just Like A Woman – Take 1 (3/08/1966) Complete.
9. Just Like A Woman – Take 2 (3/08/1966) Complete.
10. Just Like A Woman – Take 3 (3/08/1966) Complete.
11. Just Like A Woman – Take 4 (3/08/1966) Complete.
12. Pledging My Time – Take 1 (3/08/1966) Breakdown.
13. Pledging My Time – (3/08/1966) Rehearsal.
14. Pledging My Time – Take 2 (3/08/1966) False start.
15. Pledging My Time – Take 3 (3/08/1966) Released on Blonde On Blonde, 1966.
16. Just Like A Woman – Take 5 (3/08/1966) False start.
17. Just Like A Woman – Take 6 (3/08/1966) Breakdown.
Disc 16
1. Just Like A Woman – Take 8 (3/08/1966) Complete.
2. Just Like A Woman – Takes 9-10 (3/08/1966) False start, breakdown.
3. Just Like A Woman – Takes 11-12 (3/08/1966) Rehearsal.
4. Just Like A Woman – Take 13 (3/08/1966) Breakdown.
5. Just Like A Woman – Takes 14-15 (3/08/1966) Rehearsal.
6. Just Like A Woman – Take 16 (3/08/1966) Complete.
7. Just Like A Woman – Take 17 (3/08/1966) Breakdown.
8. Just Like A Woman – Take 18 (3/08/1966) Released on Blonde On Blonde, 1966.
9. Most Likely You Go Your Way (And I’ll Go Mine) – Take 1 (3/09/1966) Complete.
10. Most Likely You Go Your Way (And I’ll Go Mine) – Take 2 (3/09/1966) Rehearsal.
11. Most Likely You Go Your Way (And I’ll Go Mine) – Take 3 (3/09/1966) Rehearsal.
12. Most Likely You Go Your Way (And I’ll Go Mine) – Take 4 (3/09/1966) Rehearsal.
13. Most Likely You Go Your Way (And I’ll Go Mine) – Take 5 (3/09/1966) Breakdown.
14. Most Likely You Go Your Way (And I’ll Go Mine) – Take 6 (3/09/1966) Released on Blonde on Blonde, 1966.
15. Temporary Like Achilles – Take 1 (3/09/1966) Complete.
16. Temporary Like Achilles – Take 2 (3/09/1966) False start
17. Temporary Like Achilles – Take 3 (3/09/1966) Complete.
18. Temporary Like Achilles – Take 4 (3/09/1966) Released on Blonde On Blonde, 1966.
19. Rainy Day Women #12 & 35 – (3/10/1966) Rehearsal.
20. Rainy Day Women #12 & 35 – Take 1 (3/10/1966) Released on Blonde On Blonde, 1966.
Disc 17
1. Obviously Five Believers – Take 1 (3/10/1966) False start.
2. Obviously Five Believers – Take 2 (3/10/1966) Breakdown.
3. Obviously Five Believers – Take 3 (3/10/1966) Complete.
4. Obviously Five Believers – Take 4 (3/10/1966) Released on Blonde On Blonde, 1966.
5. Leopard-Skin Pill-Box Hat – Take 1 (3/10/1966) Released on Blonde On Blonde, 1966.
6. I Want You – (3/10/1966) Rehearsal.
7. I Want You – Take 1 (3/10/1966) Complete.
8. I Want You – Take 2 (3/10/1966) Breakdown.
9. I Want You – Take 3 (3/10/1966) Rehearsal, false start.
10. I Want You – Take 4 (3/10/1966) Complete.
11. I Want You – Take 5 (3/10/1966) Released on Blonde On Blonde, 1966.
12. I Want You – Take 5b (3/10/1966) Insert, guitar overdub.
Disc 18
1. Remember Me – (5/04/1965) Savoy Hotel, London.
2. More And More – (5/04/1965) Savoy Hotel, London.
3. Blues Stay Away From Me – (5/04/1965) Savoy Hotel, London.
4. Weary Blues From Waitin’ – (5/04/1965) Savoy Hotel, London.
5. Lost Highway – (5/04/65) Savoy Hotel, London.
6. I’m So Lonesome I Could Cry – (5/04/1965) Savoy Hotel, London.
7. Young But Daily Growing – (5/04/1965) Savoy Hotel, London.
8. Wild Mountain Thyme – (5/04/1965) Savoy Hotel, London.
9. I Can’t Leave Her Behind [1] – (5/13/1966) North British Station Hotel, Glasgow, Scotland.
10. I Can’t Leave Her Behind [2] – (5/13/1966) North British Station Hotel, Glasgow, Scotland.
11. On A Rainy Afternoon – (5/13/1966) North British Station Hotel, Glasgow, Scotland.
12. If I Was A King [1] – (5/13/1966) North British Station Hotel, Glasgow, Scotland.
13. If I Was A King [2] – (5/13/1966) North British Station Hotel, Glasgow, Scotland.
14. What Kind Of Friend Is This – (5/13/1966) North British Station Hotel, Glasgow, Scotland.
15. Positively Van Gogh [1] – (3/12/1966) Denver, Colorado Hotel Room.
16. Positively Van Gogh [2] – (3/12/1966) Denver, Colorado Hotel Room.
17. Positively Van Gogh [3] – (3/12/1966) Denver, Colorado Hotel Room.
18. Don’t Tell Him, Tell Me – (3/12/1966) Denver, Colorado Hotel Room.
19. If You Want My Love – (3/12/1966) Denver, Colorado Hotel Room.
20. Just Like A Woman – (3/12/1966) Denver, Colorado Hotel Room.
21. Sad-Eyed Lady Of The Lowlands – (3/12/1966) Denver, Colorado Hotel Room.
Trey does Jerry.This past weekend the Grateful Dead with Phish guitarist Trey Anastasio filling if for the late Jerry Garcia on lead guitar, played two two-set shows at the Levi Stadium in Santa Clara, CA.
Below are videos of most of the June 27 show, and the second set of the June 28 show.
Enjoy.
June 27, 2015 – first set:
June 27, 2015 – second set (most of the set but not all):
June 27, 2015 – second set, second to the last song – “Morning Dew”:
June 27, 2015 – set closer – “Casey Jones”:
June 28, 2015 – second set:
June 28, 2015 – most of sets 1 & 2:
June 27 set list:
Set One
Truckin’
Uncle John’s Band
Alligator
(Phil Lesh lead vocals)
Cumberland Blues
Born Cross-Eyed
Cream Puff War
(Trey Anastasio lead vocals)
Viola Lee Blues
(Cannon’s Jug Stompers cover)
Set Two
Cryptical Envelopment
(Phil Lesh lead vocals)
Dark Star
St. Stephen
(with William Tell bridge)
The Eleven
Turn On Your Love Light
(Bobby “Blue” Bland cover)
Drums
(with Mickey Hart on mbira)
What’s Become of the Baby?
(Phil Lesh lead vocals)
Space
The Other One
Morning Dew
(Bonnie Dobson cover)
Encore:
Casey Jones
(Bruce Hornsby lead vocals)
June 28 set list:
Set 1 (I don’t have video for this set)
Feel Like a Stranger
Minglewood Blues
(Cannon’s Jug Stompers cover)
Brown-Eyed Women
(Bruce Hornsby on lead vocals)
Loose Lucy
Loser
(Jerry Garcia song) (Bruce Hornsby on lead vocals)
Row Jimmy
Alabama Getaway
(lead vocal: Trey Anastasio)
Black Peter
Hell in a Bucket
Set 2
Mississippi Half-Step Uptown Toodeloo
Wharf Rat
Eyes of the World
He’s Gone
Drums
(with Sikiru Adepoju on talking drum)
Space
I Need a Miracle
Death Don’t Have No Mercy
(Reverend Gary Davis cover)
Sugar Magnolia
Encore:
Brokedown Palace
