Category Archives: book reading

Musician David Monterey Does Dylan at “The Dylan-Kerouac Connection”

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I got the call at 5:03, two hours before the event I was doing with singer/guitarist Johnny Harper was to begin. I was in my car, had just gotten on the freeway, and was heading to San Francisco.

Johnny was sick; he wasn’t going to make it.

The plan had been for me to read excerpts from my essay, “Bob Dylan’s Beat Visions,” and interspersed between those excerpts, Johnny would perform relevant Dylan Songs including “It’s Alright Ma (I’m Only Bleeding)” and “Visions of Johanna.” My essay was recently published in the book “Kerouac On Record” (Bloomsbury). In it I delve into just how much the Beat Generation writers including Jack Kerouac influenced Dylan’s 1960’s songwriting. (A lot!) The show was divided into two sets, each lasting about 45 minutes. Key to making it work were Johnny’s musical performances — it’s one thing to read for, say, 20 minutes, but if you plan to read for 45 minutes, you better have some great music to break it up. But Johnny was sick. Those musical performances weren’t going to happen.

So what was I going to do?

First thought: We’ll just have to cancel. Second thought: But no, people are already on their way to The Beat Museum on Broadway. It would be a lot of people. Johnny and I had been on KPFA previewing the show. I’d promoted it on Facebook and blogged about. The Dylan news site, Expecting Rain, had included it in their Thursday night news.

And then it hit me. My longtime friend, singer/songwriter/guitarist David Monterey, was planning to attend. It was long shot but maybe Dave would bring his guitar and play some of the key Dylan songs.


David Monterey with guitar (left) and Michael Goldberg with guitar (right) out at the beach in West Marin in the late Sixties.

Dave and I have been friends since elementary school. As I recall, he turned me on to Lawrence Ferlinghetti’s A Coney Island of the Mind. As teenagers we used to play Dylan songs on our guitars. Dave is as much a Dylan fan as I am (and as you likely know, I am obsessed with Dylan). Dave is a great singer and songwriter, and he currently leads the excellent Bay Area Americana band, the String Rays; he’s released numerous albums (both group and solo) and he’s a total pro. If anyone was going to fill in singing Dylan on less than two hours notice, it would be Dave.

I pulled off at the Gilman exit, parked by the side of the road, and got Dave on the phone. He hadn’t left the house yet. Whew! After a few seconds of silence, after he digested my request, he asked me which songs. Cool. He was in!

The Beat Museum is an incredible place. The ground floor has a huge book store (I bought a copy of the late Tom Clark’s Kerouac bio), as well as used vinyl for sale and many cool posters. Throughout the place are Beat items for viewing only including various first editions of classic Beat books, and one of Allen Ginsberg’s typewriters. The museum is located close to City Lights, Ferlinghetti’s legendary bookstore and not far from that classic Beat hangout, Caffe Trieste.

The performance space and the main museum area is upstairs, and up there it was cool to see, in a glass case, a plaid jacket that Jack Kerouac used to wear.

As it got close to 7 pm, folks started arriving — soon nearly every seat was filled.

The show itself was a blast. I began by quoting a comment Ferlinghetti had made to me in February of 2017: “He [Dylan] was a poet first. He wanted to be a published poet. But luckily he had a guitar and he knew how to make it into music. His early songs in the 1960s were long surrealist poems.”

And then a quote from Dylan’s friend and road manager, Bob Neuwirth: “Remember, Bob Dylan’s a poet, man. So when he writes, it’s a poet writing, and when he talks, it’s a poet talking.”

Right away I could tell the audience was into it, and things flowed smoothly from there.


David Monterey at a gig earlier this year. Photo by Michael Goldberg

When I got to the part about Peter, Paul and Mary scoring a hit with Dylan’s “Blowin’ in the Wind,” I asked Dave if he’d play the song for us. He stood, strapped on his guitar and played an achingly beautiful version of the song. I’ve heard “Blowin’ in the Wind” countless times over the past 50-plus years. Yet hearing it in the intimacy of the Beat Museum performance space, it sounded brand new, and totally in tune with the horrific Trump years. These lines hit me hard:

“Yes, ’n’ how many years can some people exist

“Before they’re allowed to be free?

“Yes, ’n’ how many times can a man turn his head

“Pretending he just doesn’t see?”

Dave has a great voice. I hear a little John Prine sometimes, and Jesse Colin Young, perhaps some Jackson Browne and a little Paul McCartney. But really, Dave has his own unique voice. Sometimes there’s a slightly rough edge, other times it’s smooth as a billiard ball. There’s a passion in Dave’s voice, and compassion, but also a toughness. Dave is someone with true integrity. He was conscientious objector during the Vietnam War and he stands up for what he believes. Often he likes to quote the Elvis Costello line, “What’s so funny ’bout peace, love and understanding?”

During “Blowin’ in the Wind” (and all the others that Dave sang), some members of the audience just couldn’t help themselves and they quietly (and sometimes not so quietly) sang along.

When Dave finished “Blowin’ in the Wind,” he got a great round of applause.

By the end of the show, Dave had also sung a heartfelt “A Hard Rain’s A-Gonna Fall,” as well as potent renditions of “Chimes of Freedom,” “Desolation Row” and a concluding “Mr. Tambourine Man.”

Meanwhile, I read excerpts from “Bob Dylan’s Beat Visions” that probably added up to about one third of the essay.

The audience dug it, and I was invited back! Can’t beat that.

— A Days of the Crazy-Wild blog post —

Live: The Dylan-Kerouac Connection

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Jack Kerouac (left) and Bob Dylan.

To celebrate Bob Dylan’s birthday, a very special event, “The Dylan-Kerouac Connection,” will be held in Berkeley, CA on Friday, May 18, 2018.

Former Rolling Stone Senior Writer/ West Coast Music Editor Michael Goldberg and acclaimed Bay Area singer/guitarist Johnny Harper will be collaborating on a night of words about and music by Bob Dylan.

Goldberg will read from his new essay, “Bob Dylan’s Beat Visions (Sonic Poetry),” which has just been published in the book “Kerouac On Record” (Bloomsbury). Harper will perform exciting solo versions of “Desolation Row,” “Just Like Tom Thumb’s Blues,” Mr. Tambourine Man,” “A Hard Rain’s a-Gonna Fall,” “Like a Rolling Stone” and more!

The two set evening will begin at 7:30 pm at The Art House Gallery & Cultural Center, 2905 Shattuck Avenue, Berkeley, CA. Doors open at 6:30 pm.

Goldberg’s essay focuses on how Jack Kerouac and other Beat writers had a profound influence on the songwriting of Bob Dylan. In reviewing “Kerouac On Record,” Mojo magazine wrote: “Among the strongest in a strong lot are Michael Goldberg’s examination of Dylan’s lit roots and Kerouac’s own musicological piece — ‘The Beginning Of Bop’ – that attempts to capture jazz in words – and succeeds.”

Johnny Harper is a well-known Bay Area singer, lead guitarist, songwriter, bandleader, arranger, and producer of recordings and concerts.

Harper has been known, for many years, for leading rockin’ bands (Johnny Harper & Carnival and the earlier Hot Links) specializing in the joyous, upbeat, and funky New Orleans R&B sound – the music of artists like Allen Toussaint, Dr. John, the Meters/ Neville Brothers, Professor Longhair, Fats Domino, and many more. He lived in New Orleans for several years at one point, soaking up the Crescent City’s magic first-hand.

In addition to his work in bands, Johnny is a powerful solo performer, accompanying himself in complex lead/rhythm and finger-picking styles on electric and acoustic guitars. He is a veteran performer in a wider range of American roots music styles – blues and gospel, vintage rock and classic country, R&B/ soul, traditional and contemporary folk, and more. He is an expert on the music of The Band, and knows over 100 Bob Dylan songs! And he is a born storyteller whose comments on the music are by turns moving and highly entertaining.

The show will take place at: The Art House Gallery & Cultural Center, 2905 Shattuck Avenue, Berkeley, CA. Suggested donation: $15.00 – $25.00

For additional info, please contact Johnny Harper: jjmusic@ix.netcom.com

– A Days of the Crazy-Wild post –

Michael Goldberg & Henry Kaiser at Octopus Literary Salon

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Celebrating ex-Rolling Stone Senior Writer Michael Goldberg’s new rock ‘n’ roll novel, “Untitled,” Goldberg and Grammy winning experimental guitarist Henry Kaiser will collaborate on “a post-beat happening” at The Octopus Literary Salon in Oakland, CA on Saturday, August 19, 2017. Goldberg will read from his new novel while Kaiser improvises on electric guitar. Plus a solo set by Kaiser. Note that no meat will be served during this event! Free.

This will mark Goldberg and Kaiser’s third collaboration. When they appeared at The Octopus last year it was standing-room-only. Come early!

If you think you can attend, please go to the Facebook event page and clock “going” or “interested.”

Cover art, “Untitled,” by Leslie Goldberg.

What the critics say about Goldberg’s novels:

“Michael Goldberg’s sharply drawn characters, vivid musical nods, and keen eye for detail transport us back to the post-countercultural mid-1970s when sex and drugs and rock & roll were a way of life. In this third installment of the Freak Scene Dream Trilogy, antihero Writerman takes us along for the rollercoaster ride – angel dust, anyone? – while he tries to make sense of a life littered with broken hearts. A page-turner.” – Holly George Warren, editor of “The Rolling Stone Book of the Beats” and the author of the acclaimed bio, “A Man Called Destruction: The Life and Music of Alex Chilton”

“Oral prose. School of Twain and Salinger. It’s improvised, and its immediate and delayed echoes, its ellipses, its obsessions, make music.” – Larry Beckett, author of “Morning Glory” and “Paul Bunyan.”.
“Radioactive as Godzilla!” – Richard Meltzer, author of “The Aesthetics of Rock” and “Tropic of Nipples”

“Kerouac in the 21st Century.” – Dennis McNally, author of “Desolate Angel: Jack Kerouac, The Beat Generation & America”

“Penned in a staccato amphetamine grammar…” – Simon Warner. author of “Text and Drugs and Rock’n’Roll: The Beats and Rock Culture”

“Holden Caulfield meets Lord Buckley?” – Paul Krassner, founder of The Realist

“Our hero drinks and drugs and dances to the nightingale tune while birds fly high by the light of the moon.” – Larry Ratso Sloman, author of “On the Road with Bob Dylan”

“Reads like a fever dream from the dying days of the Summer of Love.” – Alina Simone, musician, author of “Note to Self” and “You Must Go and Win”

“If Lester Bangs had ever published a novel it might read something like this frothing debut by longtime music journalist Michael Goldberg.” – Colin Fleming, Rolling Stone

Michael Goldberg at The Octopus. Photograh by Wayne Hsiung

Michael Goldberg was a senior writer at Rolling Stone magazine for a decade. He has interviewed Jerry Garcia, Patti Smith, George Harrison, Captain Beefheart, Stevie Wonder, Sleater-Kinney, James Brown, Frank Zappa, Berry Gordy Jr., John Fogerty, Neil Young, Lou Reed, Black Flag, The Replacements, Flipper, Robbie Robertson, Sonic Youth and many more. In 1994 Goldberg launched the first Web music magazine, Addicted To Noise, and “invented music journalism on the web,” as journalist Denise Sullivan put it. Goldberg currently writes an occasional column, The Drama You’ve Been Craving,” for Addicted To Noise. His 10,000 word essay, “Bob Dylan’s Beat Visions,” will be included in the book “Kerouac On Record,” due from Bloomsbury in February 2018.

“Untitled,” the third of the Freak Scene Dream Trilogy, is a story of love, friendship and the search for identity, set in the early ‘70s. Although it takes place in the past, themes running through the book — trying to live an authentic life, struggling against the powers that be, navigating the terrain between love and lust, loyalty and betrayal — are as relevant today as ever. Goldberg’s first novel, “True Love Scars,” was published in 2014; his second, “The Flowers Lied,” was published in 2016.

Henry Kaiser and friends. Photo by Michael Goldberg

Grammy winner Henry Kaiser is widely recognized as one of the most creative and innovative guitarists, improvisers, and producers in the fields of rock, jazz, world, and contemporary experimental musics. The California-based musician is one of the most extensively recorded as well, having appeared on more than 250 different albums and contributed to countless television and film soundtracks.

A restless collaborator who constantly seeks the most diverse and personally challenging contexts for his music, Mr. Kaiser not only produces and contributes to a staggering number of recorded projects, he performs frequently throughout the USA, Canada, Europe and Japan, with several regular groupings as well as solo guitar concerts and concerts of freely improvised music with a host of diverse instrumentalists. Among the numerous artists Kaiser has recorded or performed with are Herbie Hancock, Richard Thompson, David Lindley, Jerry Garcia, Steve Lacy, Fred Frith, Terry Riley, Negativland, Michael Stipe, Jim O’Rourke, Victoria Williams, Diamanda Galas and Cecil Taylor. Kaiser’s latest album, The Celestial Squid, was released last year.

The Octopus Literary Salon is located at 2101 Webster St #170, Oakland, CA 94612

Phone: (510) 844-4120

Audio: Michael Goldberg Previews New Novel

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Michael Goldberg at The Octopus. Photograh by Wayne Hsiung

Last night (March 30, 2017) I previewed a chapter of my new novel, “Untitled,” at The Octopus Literary Salon in Oakland. There was a nice sized audience at this venue, which has the best atmosphere for reading prose or poetry.

Here is the audio from my reading:

“Untitled” is the third book in a rock ‘n’ roll, coming-of-age trilogy titled, the Freak Scene Dream Trilogy. Each of the books stands alone, and at the same time is part of the bigger story.

There’s a lot of sex, drugs and rock ‘n’ roll in the book.

The chapter I read an excerpt from is mostly about the drugs, or rather, what it’s like tripping on the drugs. It takes place in 1973. Nixon is still in the White House, the Vietnam War is still going on as is the Watergate investigation. But all of that feels far, far away to the narrator, Michael Stein AKA Writerman.

The excerpt is about Michael Stein and his best friend, who he calls his “freakster bro,” Jim Costello. Jim is still recovering from being dumped by his first girlfriend, Jade Kaufman, who the narrator refers to as Jaded.

I think the excerpt speaks for itself, except there is one thing you need to know. The narrator has a cigarette lighter that he calls The Dylan. He stole it from Jerry Garcia, who told him that it had once belonged to Bob Dylan. How he came to know Jerry Garcia and steal the Dylan is detailed in my first novel, “True Love Scars.”

“Untitled” will be published in August of this year.

Photograph by Wayne Hsiung
Photograph by Wayne Hsiung

I read before Larry Beckett, the poet/songwriter best known for the lyrics he wrote for many of Tim Buckley’s best songs. Larry read from his book “Paul Bunyan,” which is an epic poem that explores tall tales and the myth of America as bigger than life.

– A Days of the Crazy-Wild blog post –

Poet Larry Beckett & Michael Goldberg to Read at The Octopus

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An Evening of Poetry & Prose: Larry Beckett & Michael Goldberg

Celebrated poet and songwriter Larry Beckett will be reading from his epic poem, “Paul Bunyan,” for the first time in the Bay Area at The Octopus Literary Salon in Oakland, CA on Thursday, March 30, 2017. Joining Larry Beckett will be novelist and former Rolling Stone Senior Writer Michael Goldberg, who will read from his new novel, “Untitled.” The reading will begin at 7 pm.

If you are interested in attending, please head over to the event Facebook page and let me know.

Larry Beckett’s “Paul Bunyan” re-tells the legend of the giant lumberjack for the twenty-first century. Drawing on logger folklore, James Stevens’ stories and the Davy Crockett almanacs, Larry Beckett’s poem is a modern epic in ‘long-winded’ blank verse. It is a celebration of the everyday poetry of colloquial North American English, loose and rough, bragging and unbelievable.

Larry Beckett’s songs have been recorded by musicians all over the world; “Song to the Siren,” which he wrote with Tim Buckley, has been covered by David Gray, Robert Plant, Bryan Ferry, George Michael and Sinead O’Connor. Larry Beckett’s other books include “Songs and Sonnets” and “Beat Poetry.” He has translated many poets, including Heraclitus, Goethe and Li Po. He lives in Portland, Oregon.

About “Paul Bunyan,” San Francisco Poet Laureate Jack Hirschman wrote: “A terrific, epic-like poem based on the story of Paul Bunyan, in which Beckett creates a gigantic working-class type who is also everything and everyone. He’s mythic and his shibboleth is: Work. Beckett has written a rollicking, truly inventive long poem whose lines are sustained by a brilliant haiku-syllablation (each line has 12-15 syllables) coupled with images that bring the Bunyan myth right into the 21st Century. Certainly Beckett’s finest work to date.”

“Paul Bunyan” publisher’s page for more info is here.

Michael Goldberg is the author of three novels, “True Love Scars,” “The Flowers Lied” and “Untitled,” which comprise the Freak Scene Dream Trilogy, a rock ‘n’ roil coming-of-age story set in the late Sixties and early Seventies.

What the critics say about Goldberg’s novels:

“Radioactive as Godzilla!” – Richard Meltzer

“Kerouac in the 21st Century.” – Dennis McNally

“Penned in a staccato amphetamine grammar…” – Simon Warner

“Holden Caulfield meets Lord Buckley?” – Paul Krassner

“Our hero drinks and drugs and dances to the nightingale tune while birds fly high by the light of the moon.” – Larry Ratso Sloman

“If Lester Bangs had ever published a novel it might read something like this frothing debut by longtime music journalist Michael Goldberg.” – Colin Fleming, Rolling Stone

The Octopus Literary Salon is located at 2101 Webster St #170, Oakland, CA 94612

Phone: (510) 844-4120

Event Facebook page.

Video: Michael Goldberg & Henry Kaiser Do Neil Young

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Michael Goldberg & Henry Kaiser, May 7, 2016.
Michael Goldberg & Henry Kaiser, May 7, 2016.

Last night (May 7, 2016) myself and the amazing experimental guitarist Henry Kaiser gave a reading to a standing-room-only audience at The Octopus Literary Salon in Oakland, CA.

Henry opened with a 20 minute solo electric guitar set of improvisations utilizing several guitars and a bank of effects pedals as well as a strange box that produced drum and bass based on what Henry played.

Then I joined Henry on the stage to read ten excerpts from my new rock ‘n’ roll coming-of-age novel, The Flowers Lied.

This reading was very special because Henry was accompanying me on guitar and machines. We had done this only once before, back in 2014, at Down Home Music. That was a great show, but it was totally different. Completely different vibe.

I read five longer excerpts with an “interlude” devoted to a musician or song between each. The first was about Skippy James and “I’m So Glad,” then Dylan’s “Like a Rolling Stone,” John Coltrane’s “A Love Supreme” and Neil Young. Below you can hear “Interlude #4: Neil Young.”

For me, it was so very intense to stand there before the audience, all eyes on the two of us, and read words I’d spent more than six years perfecting. I had been reading my novel aloud as I wrote it. Every day for six years I read some of it aloud. Every page was read aloud and every revised page. I knew the sound of my words, my sentences, my paragraphs. I knew the rhythms of those sentences, and the music they make.

I had read in the privacy of my office. I had read before the members of three writers groups I was in: The Dangerous Writers group in Portland in 2008 and some of 2009 where all the early work got done, another group in Inverness, CA in late 2009 and 2010, and the group I led in Oakland and El Cerrito from late 2010 to late 2013.

And yet this was totally different. There really is nothing like reading before an audience in a public space, an audience silent because they want to hear the words and the music, the music of the words and the music of the music.

Here’s a taste of what went down. This is a brief excerpt from a chapter in which the narrator and his friend go to a Neil Young concert in late 1972. The first line is cut off. So I’ll tell you what it is:

“I dig Neil the most, beginning in his Buffalo Springfield days…”

– A Days of the Crazy-Wild blog post –

Michael Goldberg’s New Novel, The Flowers Lied, Reviewed

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Great review of my novel, The Flowers Lied, went live at the online magazine, Ragazine, March 13, 2016. Here’s an image of it but please link to the site to read it. (By the way, the book is available here.)

Reviewer M. Sedlof writes:

It’s not easy to go through life driven by an intense desire to be part of a scene that really doesn’t think it needs you. Such is the quandary of Michael Stein in The Flowers Lied, Part Two of the Freak Scene Trilogy by Michael Goldberg that began with True Love Scars. After suffering ritualistic tribulations of young love in Scars, Stein (aka, Writerman), returns to the college scene older, wiser, increasingly hell-bent on becoming the rock ‘n’ roll writer of his dreams…

Read more of the review at Ragazine.

The Flowers Lied is the second book of my rock ‘n’ roll, coming-of-age Freak Scene Dream Trilogy.

Sedlof ends his review: “So looking forward to part three.”

rag review

Get the book here.

More reviews here.

And if you are in the Bay Area on May 7, 2016, come hear me read from it at the Octopus Literary Salon while Grammy-winning experimental guitarist Henry Kaiser improvises.

– A Days of the Crazy-Wild blog post –