Exclusive: Rare ’67 Dylan Photo Plus ‘Complete Basement Tapes’ Unreleased Track List & More

Bob Dylan filming in March 1967 for “Eat The Document,” not long before the start of the “Basement Tapes” sessions. Photograph courtesy Arie de Reus.

Thirty songs that have not previously been released — either officially or on bootlegs — are part of the 138 tracks on the upcoming set, The Basement Tapes Complete: The Bootleg Series Vol. 11, to be released November 4, 2014.

Of those 30 tracks, 13 were recorded in the “Red Room” at Bob Dylan’s house in Woodstock, where the “Basement Tapes” sessions began before moving to the Big Pink house in West Saugerries. As I previously reported, the “Red Room” was not painted red at the time the recordings were made.

The Red Room tracks: “Jelly Bean,” “Any Time,” “Hallelujah, I’ve Just Been Moved,” “My Buckets got a Hole In It,” “That’s The Breaks,” “Down By The Station,” “Edge Of the Ocean,” “Two Dollars and 99 Cents,” “Northern Claim,” Love is Only Mine,” “Pretty Mary,” “Mr. Blue” and “Roll On Train.”

In a few cases a portion of a recording has been heard before. This is so with “Bourbon Street,” which in the version to be released includes an additional four minutes of music, and “900 Miles From My Home.”

“‘900 miles’ is beautiful and not the fragment that you think it is,’ said a source who has heard the Complete Basement Tapes set. “It’s a fully realized version.”

According to my source, this is the complete list of previously unreleased tracks with asterisks marking the “Red Room” recordings:

1. Jelly Bean *
2. Any Time*
3. Hallelujah, I’ve Just Been Moved (trad, arr by Bob Dylan)*
4. My Buckets got a Hole In It (Clarence Williams)*
5. That’s The Breaks*
6. Down By the Station*
7. Edge of the Ocean *
8. Two Dollars and 99 Cents*
9. Northern Claim*
10. Love is Only Mine*
11. Pretty Mary*
12. Mr. Blue (Dewayne Blackwell)*
13. Roll On Train*
14. Will the Circle Be Unbroken
15. She’s On My Mind Again
16. I Shall be Released Take 1
17. Blowin’ in the Wind
18. One Too Many Mornings
19. A Satisfied Mind (Joe Hayes and Jack Rhodes)
20. It Ain’t Me Babe
21. If I Were a Carpenter (Tim Hardin)
22. Ain’t No More Cain (Take 1) (Trad. Arr. By Bob Dylan)
23. Ain’t No More Cain (Take 2) (Trad. Arr by Bob Dylan)
24. My Woman She’s A-Leavin’
25. Mary Lou, I love you Too
26. Dress it Up, Better Have it All
27. What’s It Gonna Be When It Comes Up
28. 900 Miles From My Home
29. Wild Wolf
30. Bourbon Street (an additional 4 minutes added to the track that has not been circulated).

Below are a some versions of songs that Dylan and The Band covered.

Hank Williams, “My Buckets Got a Hole In It”:

The Fleetwoods, “Mr. Blue”:

Porter Wagoner, “A Satisfied Mind”:

Tim Hardin, “If I Were A Carpenter”:

The Band, “Ain’t No More Cane”:

Ernest Williams & James (Iron Head) Baker, “Ain’t No More Cane On The Brazos,” 1933:

[I just published my rock ‘n’ roll novel, True Love Scars.” There’s info about it here.]

— A Days Of The Crazy-Wild blog post —

3 thoughts on “Exclusive: Rare ’67 Dylan Photo Plus ‘Complete Basement Tapes’ Unreleased Track List & More

  1. Thanks … interesting and entertaining. Listening as I type to Hank Williams … I hope when the official Basement Tapes comes out (again) that it lists who played what … Levon Helm was a late arrival on drums and it is surprising how the songs without drums well, sound so good and ‘together’ sounding. Nothing against Levon, but he did pull out at a critical time and had to be replaced by three different drummers on the tour. Thanks for your efforts. Cheers … jc

  2. Ps … the caption to your pic … Bob Dylan filming in March 1967 for “Eat The Document,” not long before the start of the “Basement Tapes” sessions. Photograph courtesy Arie de Reus… really? Eat the Document (which I have seen a bunch of times) seems to be made from scraps and is all 1966 … Here you present us with a pic of Bob (?) shooting film in 1967 … for Eat the Document …. I say again, really?

    1. My understanding is that while Dylan was editing “Eat The Document” he shot some new footage. It didn’t end up in the version of “Eat The Doument” that’s been circulating for years now. Clearly he is shooting 16 mm film in the photo. The photo is from March of 1967. He would likely still have been dealing with “Eat The Document” at that time. In any case, the person who provided me with the photo, a Dylan expert himself, told me Dylan was shooting footage for “Eat The Document” when the photo was taken.

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