Yesterday, following Phil Everly’s death, Harold Lepidus (at examiner.com) did a great post about songs by Bob Dylan that the Everly Brothers covered, and songs by the Everlys that Dylan covered.
Unfortunately, he only included audio of one of those songs.
So today I tracked down all of the audio and you can check it out below.
There’s a very cool, very loose version of “All I Can Do Is Dream” that Dylan sang while jamming with George Harrison in 1970, and a version of “Let It Be Me” off a B-side of the European “Heart Of Mine” single released in 1981).
“The Everly Brothers, “Lay Lady Lay” off EB 84 (1984):
The Everly Brothers, “Abandoned Love” off Born Yesterday (1985):
Bob Dylan jamming with George Harrison (May 1, 1970), “All I Have To Do Is Dream”:
Bob Dylan, “Let It Be Me,” B side of “Heart Of Mine” European single (1981):
Bob Dylan and The Band, “All You Have To Do Is Dream” (a Basement Tapes reording possibly inspired by the Everly’s “All I Have To Do Is Dream”:
Plus in case you missed by Phil Everly obit yesterday, here are the Everly songs Bob Dylan included on Self Portrait:
Bob Dylan, “Let It Be Me”:
Bob Dylan, “Take A Message To Mary”:
-– A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-
Phil Everly, one of the great harmony singers in rock ‘n’ roll, and half of the legendary duo the Everly Brothers, died today in Burbank, CA. He was 74
His wife Patti Everly said the cause of death was complications from chronic obstructive pulmonary disease, according to the L.A. Times.
Phil Everly was a longtime smoker.
The peak of the duo’s popularity was in the late 1950s and early 1960s, when they charted nearly three dozen hits on the Billboard Hot 100 singles chart,including “Cathy’s Clown,” “Wake Up Little Susie,” “Bye Bye Love,” “When Will I Be Loved” and “All I Have to Do Is Dream.” The duo was among the first 10 performers inducted into the Rock and Roll Hall of Fame in 1986.
The Beatles once called themselves “the English Everly Brothers.” Bob Dylan, who covered two of their hits, “Let It Be Me” and “Take A Message To Mary” on Self Portrait, said of the duo, “We owe these guys everything. They started it all.”
In an obit at Rolling Stone’s website, David Browne wrote:
Harmony singing had been key in country and bluegrass, but starting with their first hit, 1957’s “Bye Bye Love,” the Everly Brothers brought the sound of deeply intertwined voices — and more than a hint of Appalachia — to rock & roll… The brothers’ close-knit harmonies were also a major influence on rock & roll, impacting on the Beatles, Simon & Garfunkel, the Mamas & the Papas, and many others.
Paul Simon on the Everly Brothers:
The roots of the Everly Brothers are very, very deep in the soil of American culture. First of all, you should know that the Everly Brothers were child stars. They had a radio show with their family, and their father, Ike, was an influential country guitar player, so he attracted other significant musicians to the Everlys’ world — among them Merle Travis and Chet Atkins, who was instrumental in getting the Everlys on the Grand Ole Opry. Perhaps even more powerfully than Elvis Presley, the Everly Brothers melded country with the emerging sound of Fifties rock & roll. They were exposed to extraordinary country-roots music, and so they brought with them the legacy of the great brother groups like the Delmore Brothers and the Blue Sky Boys into the Fifties, where they mingled with the other early rock pioneers and made history in the process.
Chris Isaak said of the Everly Brothers last month: “They’re the best singers of all time, you know?”
John Fogerty and Bruce Springsteen covered the Everly’s “When Will I Be Loved” in 2009 for Fogerty’s album, The Blue Ridge Rangers (Ride Again).
In November 2013 Billie Joe Armstrong and Norah Jones released Foreverly, in which they covered the duo’s entire 1958 album Songs Our Daddy Taught Us.
The Everly harmonies “are so immaculate,” Armstrong told USA Today during an interview last year. “And that record [the duo’s second album, Songs Our Daddy Taught Us] was pretty daring at the time. A lot of other rock guys were trying to go pop. Chuck Berry had a string of big hits, and the same with Jerry Lee Lewis and Elvis. And here the Everlys were playing these torch songs and murder ballads. For them to do something so dark and angelic was appealing to me.”