Monthly Archives: August 2014

Blurt’s Fred Mills Offers Moving Review of ‘True Love Scars’

And Perfect Sound Forever has an excerpt in the latest issue.

I’ve gotten many wonderful reviews so far of my rock ‘n’ roll novel, True Love Scars.

This one by Fred Mills at Blurt blew me away.

Fred Mills writes:

Veteran rock journalist Michael Goldberg, of Addicted To Noise and Sonic Net fame, is clearly working through some personal demons in his debut novel, a kind of poetic-license memoir rendered in a vivid 1st person voice containing echoes of Holden Caulfield, Sal Paradise and Danny Sugerman (who of course was not a fictional person, being a member of the Doors inner circle, but certainly wrote with a definite ego swagger in his own memoir). And in a very real sense, True Love Scars contains echoes of my own voice, because in reading the book I felt some of my demons from that time being stirred up, including initial musical alliances with key albums/concerts, mixed feelings toward my relationship with my parents and friends and memories of my first few crushes (not to mention losing my virginity).

Indeed, Michael Stein’s recollections chart an emotional arc as striking as I’ve seen a novel’s lead character experience, from naïve and tender to streetwise and hip to cynical and wounded, with Dylan lyrics seeming, to him, laden with meaning and Rolling Stones tunes, likewise, churning with prophecy. When he meets, for example, the girl he calls Sweet Sarah and they embark upon a doomed courtship, Dylan’s there as their guide and their muse. Later, though, following a breakup and a dark descent into teenage debauchery, Stein’s haunted by mental echoes of the ominous slide guitar riff powering the Stones’ “Sister Morphine.” Similar musical reference points from the time abound, as befits novelist Goldberg, who cut his teeth as a rock writer and came of age in that same era; it’s tempting to play the is-it-or-ain’t-it-autobiographical game with the book, since Goldberg has a temporal, geographical and personal backstory that mirrors, to a degree, Stein’s. (Stein’s nickname in the book is “Writerman,” which should tell you something.)

Later in the review Mills writes:

Goldberg advises us that True Love Scars is the initial installment of his “Freak Scene Dream Trilogy,” full of sex, drugs and rock ‘n’ roll plus the inevitable heartbreak and roadkill that comes with the whole package. “How the dream died and what there is left after,” he concludes. It’s worth noting that despite the timeframe outlined above, Stein/Writerman is actually narrating in retrospect from some as-yet-unspecified point in the near-present. So we know that despite the gradual sense of dread building up over the course of the book and present at its abrupt ending, he will manage to survive in some form and fashion despite whatever adventures—good, bad, ugly, tragic—will go down over the course of the next two volumes of the trilogy. I can’t wait to read ‘em.

Read the whole review here.

— A Days Of The Crazy-Wild blot post —

Audio: Ex Hex Hits Hard with ‘Beast’ – Listen Now!

“Beast” is from the debut Ex Hex album, Rips, out October 7, 2014 on Merge Records.

Ex Hex is led by former Helium frontperson (and ex-Wild Flag member) Mary Timony, and includes the Fire Tapes’ Betsy Wright and the Aquarium drummer Laura Harris.

Rips was recorded over two weeks in North Carolina with Mitch Easter (R.E.M.) and in the basement of Timony’s home in Washington D.C., Pitchfork reported.

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Audio: Tom Robinson Band Does Bob Dylan’s ‘I Shall Be Released’ – 1977

Here is a 1977 recording by the Tom Robinson Band of Bob Dylan’s “I Shall Be Released.”

The recording was the B-side of Robinson’s first single, which reached #5 on the British charts.

During one interview Robinson said of his own political songs:

I never wanted it to become a fossilised museum piece about ancient injustices, it was always intended more as journalism than poetry. But to be honest it seemed a natural thing to do anyway. Bob Dylan was a big role model for me, and he constantly updates and changes lyrics when performing live. Part of the fascination of being a Dylan fan is hearing the different versions of “Tangled Up In Blue.” It’s fascinating to constantly get new angles on that dense and intriguing story.

Live version:

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Audio: St. Vincent Rocks Prospect Park, Brooklyn – Aug. 9, 2014 – ‘Digital Witness,’ ‘Every Tear Disappears,’ ‘Birth In Reverse’ & More

Photo via St. Vincent’s Facebook page; photo by Kevin Mazur.

St. Vincent performed in Prospect Park, Brooklyn Saturday night.

The concert was broadcast on WFUV.

Check out the entire set.

Setlist:

“Rattlesnake”
“Digital Witness”
“Cruel”
“Marrow”
“Every Tear Disappears”
“I Prefer Your Love”
“Actor Out Of Work”
“Surgeon”
“Cheerleader”
“Prince Johnny”
“Birth In Reverse”
“Regret”
“Huey Newton”
“Bring Me Your Loves”
“Strange Mercy”
“Year Of The Tiger”
“Your Lips Are Red”

Thanks Stereogum!

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Video: Patti Smith & Band, Brussels Summer Festival – Aug. 8, 2014 – ‘Dancing Barefoot,’ ‘Because The Night, ‘ ‘Gloria,’ & More

A few nights ago Patti Smith performed at the Brussels Summer Festival Place des Palais, Bruxelles.

Below are video clips of many of the songs.

Patti Smith, “Ain’t It Strange,” Brussels Summer Festival Place des Palais, Bruxelles August 8, 2014:

“Dancing Barefoot”:

“Redondo Beach”

“April Fool”

“Pissing in a River,” excerpt:

“My Blakean Year”:

“Beneath the Southern Cross”:

“Ain’t It Strange

Because the Night”:

“People Have the Power”

“Banga”

“Gloria” & “Rock N Roll Nigger”:

Plus:

Patti Smith, “Ghost Dance” at the Burg Herzberg Festival, Alsfeld, Germany, August 1, 2014:

And Patti Smith, “Perfect Day” at the Haldern Pop Festival, Haldern, Germany, August 7, 2014:

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

New Zealand Photographer Creates Photos of Characters From Dylan Songs – See the Photos Now!

“Johnny in the Basement” by Mark Hamilton. See a bigger version of this photo here.

The New Zealand photographer Mark Hamilton has made a series of photographs inspired by lyrics from Bob Dylan songs.

The photos were exhibited backstage atClaudelands Arena in Hamilton, New Zealand when Dylan played the venue August 9 and 10.

The photographer was hoping Dylan would see the photos and like them.

“Imagine if he didn’t like it, if he retires after seeing those pictures!” Hamilton told the Waikato Times.

“At the end of the day they’re my interpretations and that’s art. It’s even like Bob Dylan himself, he reinterprets his music all the time. He’ll record it for an album but he’ll never play it the same again.”

Check out a bunch of the photos here.

Listen to Hamilton talk about his Dylan-inspired photos here.

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Books: Patti Smith Reviews (Loves) New Haruki Murakami Novel

This is a first for Patti Smith.

After rave reviews of her memoir, Just Kids, she’s now on the front page of the New York Times Sunday Book Review with an essay about the new Haruki Murakami novel, “Colorless Tsukuru Tazaki and His Years of Pilgrimage.”

Smith is an excellent writer, she knows Murakami inside and out, and her review is a joy to read.

Here’s the first few graphs”

A devotional anticipation is generated by the announcement of a new Haruki Murakami book. Readers wait for his work the way past generations lined up at record stores for new albums by the Beatles or Bob Dylan. There is a happily frenzied collective expectancy — the effect of cultural voice, the Murakami effect. Within seven days of its midnight release, “Colorless Tsukuru Tazaki and His Years of Pilgrimage” sold over one million copies in Japan. I envision readers queuing up at midnight outside Tokyo bookstores: the alienated, the athletic, the disenchanted and the buoyant. I can’t help wondering what effect the book had on them, and what they were hoping for: the surreal, intra-dimensional side of Murakami or his more minimalist, realist side?

I had a vague premonition this book would be rooted in common human experience, less up my alley than the alien textures woven throughout “The Wind-Up Bird Chronicle.” Yet I also sensed strange notes forming, coiling within a small wound that would not heal. Whichever aspect of himself Murakami drew from in order to create “Colorless Tsukuru Tazaki and His Years of Pilgrimage,” it lies somewhere among the stones of his mystical labors.

He sits at his desk and makes this story: a young man’s traumatic entrance into adulthood and the shadowy passages he must subsequently negotiate. His protagonist’s name, Tsukuru, means “to make,” a metaphor for the writer’s process. He is 36 years old and builds and refurbishes train stations, continuously observing how to improve them. He has the touching habit of sitting in them for hours, watching trains arrive and depart and the symphonic flow of people. His love of railway stations connects him with each stage of his life — from toys, to study, to action. It is the one bright spot in an existence he imagines is pallid.

In a sense, Tsukuru is colorless by default. As a young man he belonged to a rare and harmonious group of friends wherein all but he had a family name corresponding to a color: Miss White, Miss Black, Mr. Red, Mr. Blue. He privately mourned this, sometimes feeling like a fifth leaf in a four-leaf clover. Yet they were as necessary to one another as the five fingers of a hand. As a sophomore in college, without explanation, he is suddenly and irrevocably banished from the group, cut off and left to drop into a murky abyss. Belonging nowhere, he becomes nothing.

Read the entire review here.

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Audio/ Video: Bob Dylan Heads for Australia – Look Back at Interviews, Songs Dylan Did In Australia – ‘Who’s Bob Dylan?’

Bob DYlan, press conference, 1986.

Bob Dylan will be performing 15 shows in Australia beginning August 13 in Perth, Australia. He’ll also be in Melbourne, and Sydney.

So today you can check out some past performances and interviews Dylan did in Australia.

Dylan said some interesting things during the following 1986 press conference.

Journalist: What does Bob Dylan think of Bob Dylan?

Bob Dylan: Bob Dylan doesn’t ever think about Bob Dylan

Journalist: Are you shy man?

Bob Dylan: Yeah, most of the time.

Journalist: Because of being shy, is it a burden being Bob Dylan?

Bob Dylan: Who’s Bob Dylan?

[laughter]

Bob Dylan: I’m only Bob Dylan when I have to be Bob Dylan. Most of the time I can just be myself.

And later in response to a question about the past, Dylan says this:

Dylan: We live here in the present time. You get up and have to deal with today. Yesterday’s gone, tomorrow’s not promised. So this is all we have, really.

Dylan press conference, 1986, Brett Whiteley Studio, Sydney

This was shot at a Dylan press conference in 1986. There’s 18 minutes of the press conference.

“Rollin’ and Tumblin’,” Byron Bay Bluesfest April 26, 2011:

“Tweedle Dee & Tweedle Dum,” Byron Bay Bluesfest April 26, 2011:

“Cold Irons Bound,” Byron Bay Bluesfest April 26, 2011:

“Tangled Up In Blue,” Byron Bay Bluesfest April 26, 2011:

“Highway 61 Revisited” / “Ballad of a Thin Man,” Byron Bay Bluesfest April 26, 2011:

“Like A Rolling Stone,” Byron Bay Bluesfest April 26, 2011:

Bob Dylan radio interview, Adelaide, Australia 1966:

Adelaide Radio Interview / Tell Me, Momma by Bob Dylan on Grooveshark

“Ballad Of A Thin Man,” Sydney, April 13, 1966:

Ballad of a Thin Man by Bob Dylan on Grooveshark

“It’s All Over Now, Baby Blue,” Sydney, April 13, 1966:

It's All Over Now, Baby Blue by Bob Dylan on Grooveshark

“Positively Fourth Street,” Sydney, April 13, 1966:

Positively Fourth Street by Bob Dylan on Grooveshark
“Visions Of Johanna,” Melbourne, April 20, 1966:

“She Belongs To Me,” Melbourne, April 20, 1966:

//She Belongs To Me by Bob Dylan on Grooveshark

“Baby, Let Me Follow You Down,” Melbourne, April 20, 1966:

Baby Let Me Follow You Down by Bob Dylan on Grooveshark

“Just Like Tom Thumb’s Blues,” Melbourne, April 20, 1966:

Just Like Tom Thumb's Blues by Bob Dylan on Grooveshark

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Video: Spoon Rock the House at KEXP – ‘Rent I Pay,’ ‘Rainy Taxi,’ ‘Metal Detektor’ & More

Here’s Spoon performing live in the KEXP studio, July 24, 2014.

Songs:

Knock Knock Knock
Rent I Pay
Who Makes Your Money
Rhthm & Soul
The Ghost of You Lingers
Rainy Taxi
Small Stakes
Metal Detektor
Got Nuffin

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Audio: Bob Dylan, Johnny Cash Sing ‘I Walk The Line,’ ‘Careless Love’ Plus More

The historic Bob Dylan/ Johnny Cash recording sessions that resulted in one duet, “Girl From the North Country,” being officially released took place on February 17 and 18, 1969 in Nashville.

The recordings are so casual, and at times joyous. These guys are having fun, fooling around, making music.

It’s a total gas.

Here is a wonderful version of Cash’s “I Walk the Line.”

Here’s more of the sessions – note that after “I Still Miss Someone” there’s a silent gap and then the music starts up again:

Setlist:

1- MOUNTAIN DEW
2- I STILL MISS SOMEONE
3- CARELESS LOVE
4- MATCHBOX
5- THAT’S ALRIGHT MAMA
6- BIG RIVER
7- I WALK THE LINE
8- YOU ARE MY SUNSHINE
9- RING OF FIRE
10- GUESS THINGS HAPPEN THAT WAY
11- JUST, A CLOSER WALK WITH THEE
12- BLUE YODEL
13- BLUE YODEL #5 ~THE JOHNNY CASH SHOW:~ 05-01-69
14- I THREW IT ALL AWAY
15- LIVING THE BLUES
16- GIRL, FROM THE NORTH COUNTRY

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-