Tag Archives: concert

Video: Bob Dylan At Beacon Theater, 1990 – ‘Willin’,’ ‘Man In The Long Black Coat’ & More

Bob Dylan at the Beacon Theater, New York, October 17, 1990.

The concert begins 30 seconds into the video clip.

Set list

Absolutely Sweet Marie
Man In The Long Black Coat
Willin’
T.V. Talkin’ Song
Simple Twist Of Fate
Wiggle Wiggle
Man Of Constant Sorrow
It’s All Over Now, Baby Blue
A Hard Rain’s A-Gonna Fall
The Lonesome Death Of Hattie Carroll
Tangled Up In Blue
Joey
What Good Am I?
It Takes A Lot To Laugh, It Takes A Train To Cry
In The Garden
Like A Rolling Stone
The Times They Are A-Changin’
Highway 61 Revisited

[Last August I published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of the book. Read it here. There’s info about True Love Scars here.]

Audio: Bob Dylan & The Band In Concert, Jan. 15, 1974 – Listen Now!

Forty years ago, on January 15, 1974, Bob Dylan and The Band performed the first of two shows at the Capital Centre in Landover, Maryland.

This was the sixth show of the tour.

Musicians:

Bob Dylan – acoustic guitar, rhythm guitar, harmonica, piano, vocals
Rick Danko – bass, vocals
Levon Helm – drums, vocals
Garth Hudson – organ, piano, synthesizer, clavinet
Richard Manuel – acoustic and electric pianos, organ, drums, vocals
Robbie Robertson – lead guitar

– A Days Of The Crazy-Wild blog post –

Maria Muldaur, Chris O’Connell, Barbara Dane to Play Benefit For Bluesmen Paul Geremia and Johnny Harper

Maria Muldaur

A benefit concert for Bay Area bluesman Johnny Harper and Paul Geremia will be help on January 28, 2015 at the Freight & Salvage in Berkeley, California.

Among the artists playing the benefit are fold-blues legend Maria Muldaur, former Asleep At The Wheel singer Chris O’Connell, and singer Barbara Dane,

Johnny Harper is a superb guitarist, bandleader, singer and songwriter. Paul Geremia is a highly respected acoustic blues performer, finger-style guitarist, and songwriter, with ten solo albums to his credit. Both men have recently suffered serious health issues.

Here’s Johnny Harper on the concert:

Why a benefit? Many of you do not know that I’ve been dealing with a very tough health situation this past fall. I was hospitalized from early September to mid-November. The reason was a blood-clotting problem called a pulmonary embolism. This is very, very serious; the doctors were very doubtful that I would survive it. But survive it I did. Then there was a long period of recovery from the trauma; a lot of physical therapy was needed to help me get my strength back. I’m home now, and feel pretty good in most respects. I am getting around well, am doing physical therapy exercises daily and taking care of myself. I am playing guitar well again, and am starting to teach some of my guitar students. But there are other respects in which I’m still in the recovery phase. Also, of course, I lost months of work, months of income, and have unpaid medical bills which are not entirely covered by my health insurance.

So some friends in the musical community – spearheaded by the tireless organizer and great fiddler/ singer Suzy Thompson – have put together this wonderful Acoustic Blues Festival night at Freight and Salvage, as a benefit for me and also for Paul Geremia, a distinguished acoustic blues artist of many years’ standing, who has also suffered difficult and costly health setbacks recently.

The Freight is of course the West Coast’s premier folk music venue, and now holds 400 in its very comfortable downtown Berkeley location.

I’ll say more about the stellar lineup of performers in a moment. But the main message is, this will be a wonderful night of music with lots of terrific artists playing. And also – well, both Paul and I have played many benefit shows over the years, for friends in need and for causes we believe in. This time around, we will sure be grateful for whatever support you can give us.

AMONG THE PERFORMERS YOU’LL BE HEARING:

Maria Muldaur, a true star of Americana music, has been knocking listeners out since her early days with the Jim Kweskin Jug Band back in the 1960s. She has recorded 30 albums under her own name, starting off with her self-titled first record which made her famous for the hit “Midnight at the Oasis.” Her albums and performances cover a vast range of American roots music styles – uptown urban blues, down home country blues, jazz and swing, gospel, New Orleans R&B, and more. She remains a sultry, vivacious singer and a powerful performer. In 2004 I played a brief tour as her lead guitarist, filling in for her regular guy. See much more on her albums and upcoming performances at www.mariamuldaur.com.

Barbara Dane is an American music legend, still a very powerful, moving, and creative singer at age 87! She’s a great performer of blues, folk music, and traditional jazz, and sings in various international idioms as well. She’s recorded in all these styles since the 1950s. She has worked with jazz giants Louis Armstrong, Earl Hines, and Jack Teagarden; blues masters Muddy Waters, Lightning Hopkins, and Memphis Slim; folk music legends Woody Guthrie and Pete Seeger; and countless other important artists. Her lifelong commitment to peace and social justice still informs her song choices and the causes for which she performs. I have been lucky enough to work many shows with her, as accompanist and occasional band director, for the last 15 years. Details on her many recordings at www.barbaradane.net.

Chris O’Connell, famous for her 15-year stint as the original lead singer in Asleep at the Wheel, recently relocated to the Bay Area and released a fine new album. Steve James, veteran blues singer and fine finger-picking guitarist, has worked with John Sebastian, Cindy Cashdollar, Alvin Youngblood Hart, James McMurtry, Bo Diddley, Maria Muldaur, and many more. Catfish Keith specializes in the traditional “bottleneck”slide style played on the metal-bodied resonator guitar.

Several long-time Bay Area musical friends of mine are also featured. I’ve played informally with all these artists for many years. Eric and Suzy Thompson are well-known for playing old-time music, bluegrass, Cajun music, Greek music, and lots of traditional blues. Suzy’s powerful vocals and fine fiddling, and Eric’s fleet-fingered guitar and mandolin work, add life to every style they turn their hands to. Suzy has also written some fine songs. I produced an early CD of theirs, Adam and Eve Had the Blues on Arhoolie. Marc Silber’s long life story in music includes a stint in the early ’60s Greenwich Village folk scene. He is well known as a guitar dealer, but should be better known as the superb musician he is. His finger-style guitar playing and his deep, authentic feel for traditional blues are wonderful; his singing is captivating and soulful. Will Scarlett is a true virtuoso of the harmonica, seemingly able to jump in any song, in any style, in any key, at the drop of a chord change! He’s performed and recorded with many fine artists – Brownie McGhee, Jerry Garcia, Hot Tuna, Old and In the Way, David Bromberg, and Clifton Chenier, to name a few.

Paul Geremia, not expected to perform on this occasion, is the other beneficiary of this special concert; he’s been struggling with difficult health problems for the last year.

Those of us who really love the blues know that it’s music to celebrate life joyfully by – and also, music that can really help us, can be there for us to lean on, when we’re having hard times.

Come celebrate with us, come hear the blues in many styles and variations, on January 28th! Tell your friends! I hope to see you there.

– A Days of The Crazy-Wild blog post –

Video: Bob Dylan In Concert, Madison Square Garden Arena, 2001

A decade and a half ago Bob Dylan was still filling his sets songs from his past.

On November 19, 2001 he brought his band to the Madison Square Garden Arena in New York and performed a set that included songs from many of the albums he recorded in the ’60s and early ’70s.

Someone was nice enough to share this very cool video of the show:

Set List:

Wait For The Light To Shine
It Ain’t Me, Babe
A Hard Rain’s A-Gonna Fall
Searching For A Soldier’s Grave
Tweedle Dee & Tweedle Dum
Just Like A Woman
Just Like Tom Thumb’s Blues
Lonesome Day Blues
High Water (For Charley Patton)
Don’t Think Twice, It’s All Right
Tangled Up In Blue
John Brown
Summer Days
Sugar Baby
Drifter’s Escape
Rainy Day Women #12 & 35
Things Have Changed
Like A Rolling Stone
Forever Young
Honest With Me
Blowin’ In The Wind
All Along The Watchtower

Video: Watch Bob Dylan Play Private Mini-Concert For One Fan

In November Fredrik Wikingsson got a private Bob Dylan mini-concert at Philadelphia’s Academy of Music.

Lucky Wikingsson had been picked for an episode of a Swedish film series called “Experiment Ensam” where, according to Rolling Stone, “a lone person takes part in events that are usually reserved for large crowds.”

Dylan and his band perform a cover of Buddy Holly’s “Heartbeat,” a beautiful downbeat version of Fats Domino’s “Blueberry Hill” and Chuck Wills’ “It’s Too Late (She’s Gone).” The mini-concert ends with the blues standard, “Key to the Highway.”

Rolling Stone has a story about this here.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Remembering Bob Dylan from the Days of ’64 – ‘it was worth the two-year marriage to get those [Dylan concert] tickets’

Poster for Dylan’s performance at Ann Arbor High on September 19, 1964.

This is a very cool article that ran recently at Michigan Today, the area of the University of Michigan’s website devoted to their alumni:

Bob Dylan’s (maize) and blues

BY ALAN GLENN

Ed Reynolds has mixed recollections of the summer of 1964. It was in September that the 20-year-old once-and-future student at the University of Michigan got married to a girl he hardly knew. It was also in September that he went to see Bob Dylan perform at Ann Arbor High School.

The tickets were a wedding gift from a friend who had connections in advertising. “They were great tickets,” Reynolds says, “right in the middle of the front row. You couldn’t get any closer.”

The marriage didn’t last, but Reynolds’ memories of the concert have. He recently retired as an attorney for the University of Michigan Health System. As a parting gift he received a set of Dylan’s 40-odd albums on compact disc.

“Most of the time, when I listen to them now,” he says, “sooner or later, into my consciousness comes that concert.

“I made an unwise decision to get married in ’64, and the tickets were a wedding present, so it was worth the two-year marriage to get those tickets,” he continues. “That’s the way I look at it.”

Freewheelin’

Reynolds had discovered Dylan about a year earlier, just after the release of The Freewheelin’ Bob Dylan, the young balladeer’s breakthrough second album. Tracks included the quintessential protest anthem “Blowin’ in the Wind,” along with such other classics as “Don’t Think Twice, It’s All Right” and “A Hard Rain’s a-Gonna Fall.”

“I came as close as anybody could come to driving my mother to an asylum,” recalls Reynolds. “The first time I heard the first cut, that was it. I was poleaxed. It’s a wonder I didn’t play it right through the grooves. Over and over and over. It was the greatest thing I’d ever heard. I couldn’t get enough of it.”

Another Ann Arborite who became enraptured with Dylan following the release of Freewheelin’ was 15-year-old Bill Kirchen, himself a budding musician and later a founding member of the country-rock band Commander Cody and His Lost Planet Airmen. Kirchen also played the record incessantly, although his parents didn’t seem to mind.

He remembers how disappointed he was that Christmas to discover that his father had given him an LP of Wagner’s opera music “with a big garish, purple cover.”

Later at the dinner table his father asked if Bill wouldn’t like to play his new record. “I’m like, ‘Oh yeah, sure, thanks, Dad, I’d love to. I can’t wait to put it on.’ So I went out there and I grabbed this Wagner album I had no interest in, and it turned out he’d bought the first Dylan album, and stuck it in the Wagner cover for me. That’s one of my great memories of Bob Dylan and my dad.”

Read the rest of the article here.

Thanks Ron Chester for hipping me to this story!

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

Video: Neil Young & Crazy Horse, ‘Don’t Cry No Tears,’ Japan 2001

Good performance of one of my favorite Neil Young songs, “Don’t Cry No Tears.”

This took place at the Fuji Rock Festival, Naeba Ski Resort, Niigata, Japan, July 28, 2001.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

Video/Audio: Bob Dylan in Brisbane, Australia – Aug. 25, 2014 – ‘Scarlet Town,’ ‘Soon After Midnight, ‘ ‘Duquesne Whistle’

I previously posted clips from Bob Dylan’s concert at the Brisbane Convention and Exhibition Centre, Brisbane, Australia, August 25, 2014.

Check out the other clips here and here and here.

Here are three more.

“Soon After Midnight”:

“Scarlet Town”:

“Duquesne Whistle:”

[I just published my rock ‘n’ roll novel, True Love Scars.” I’ve got a Goodreads. book giveaway going right now. Click here and enter.]

— A Days Of The Crazy-Wild blog post —

Audio: Bob Dylan Sings ‘Things Have Changed,’ ‘She Belongs To Me’ & More – The Tivoli, Brisbane, Australia, Aug. 27, 2014

Three more full songs — “Things Have Changed,” “She Belongs To Me” and “Beyond Here Lies Nothing” — from Bob Dylan’s show at the Brisbane, Australia club, The Tivoli, on August 27, 2014.

And if you missed my previous posts of clips from this show, head here and here to hear them.

“Things Have Changed”:

“She Belongs To Me”:

“Beyond Here Lies Nothing”:

[I just published my rock ‘n’ roll novel, True Love Scars.” There’s info about it here.]

— A Days Of The Crazy-Wild blog post —

Audio: St. Vincent Rocks Prospect Park, Brooklyn – Aug. 9, 2014 – ‘Digital Witness,’ ‘Every Tear Disappears,’ ‘Birth In Reverse’ & More

Photo via St. Vincent’s Facebook page; photo by Kevin Mazur.

St. Vincent performed in Prospect Park, Brooklyn Saturday night.

The concert was broadcast on WFUV.

Check out the entire set.

Setlist:

“Rattlesnake”
“Digital Witness”
“Cruel”
“Marrow”
“Every Tear Disappears”
“I Prefer Your Love”
“Actor Out Of Work”
“Surgeon”
“Cheerleader”
“Prince Johnny”
“Birth In Reverse”
“Regret”
“Huey Newton”
“Bring Me Your Loves”
“Strange Mercy”
“Year Of The Tiger”
“Your Lips Are Red”

Thanks Stereogum!

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-