Tag Archives: “Inside Llewyn Davis”

The Parallels of Bob Dylan & The Coen Brothers

In a terrific review of “Inside Llewyn Davis” that ran in today’s New York Times, A. O. Scott concludes by quoting on of Dylan’s most obtuse lines as he compares the Coen Brothers approach to making films to Dylan’s creative strategy.

Scott writes:

One of the insights of “Inside Llewyn Davis” is that hard work and talent do not always triumph in the end. Like most of the Coens’ movies, this one sidesteps the political turmoil of its period, partly because it is a fable, not a work of history. (The public affairs of the time get a shout-out in the form of a goofy novelty song called “Please Mr. Kennedy,” a barely topical sendup of the space race and the New Frontier.) But there is nonetheless a strong, hidden current of social criticism in the brothers’ work, which casts a consistently skeptical eye on the American mythology of success.

Winners do not interest them. There’s no success like failure, and failure’s no success at all. That observation was made by Bob Dylan, like Joel and Ethan Coen, a Jewish kid from Minnesota and, like them, possessed of a knack for conscripting the American popular art of the past for his own idiosyncratic genius. His art, like theirs, upends easy distinctions between sincerity and cynicism, between the authentic and the artificial, and both invites and resists interpretation.

So I won’t speculate further on what “Inside Llewyn Davis” might mean. But at least one of its lessons seems to me, after several viewings, as clear and bright as a G major chord. We are, as a species, ridiculous: vain, ugly, selfish and self-deluding. But somehow, some of our attempts to take stock of this condition — our songs and stories and moving pictures, old and new — manage to be beautiful, even sublime.

For the entire review, which I hope you’ll read, head over to the Times.

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Robert Christgau On ‘Inside Llewyn Davis’

Robert Christgau, who knows what the New York folk scene was like way back when has a great story about the new Cohen Brothers film, “Inside Llewyn Davis” that just went online. The piece is mostly about the authenticity of the film, and what that means.

Christgau writes:

“When you read about the scene you see this mania for authenticity,” says Joel Coen, describing what enticed him and his brother Ethan into making Inside Llewyn Davis, a film about folksingers in Greenwich Village just before Bob Dylan touched down and took off. But Coen isn’t really praising the folksingers’ authenticity — it’s their mania that fascinates him. In the very next sentence he goes on: “You have these guys like Elliott Adnopoz, the son of a neurosurgeon from Queens, calling himself Ramblin’ Jack Elliott. In the film we have a character who sings and plays a guitar, wears a cowboy hat and calls himself Al Cody. His real name is Arthur Milgram.”

For the rest of the story, head over to Rolling Stone.

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Watch: Jack White Performs “We’re Going to Be Friends”

From the upcoming film, Another Day, Another Time, which will document a concert held in September at New York City’s Town Hall celebrating the release of the Cohen Brothers Inside Llewyn Davis.

Jack White, “We’re Going to Be Friends”:

Thanks Consequence of Sound.

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“Inside Llewyn Davis”: Who Wrote That Song?

In “Inside Llewyn Davis” there’s a scene where Llewyn Davis records a novelty song, “Please Mr. Kennedy (Don’t Send Me Into Outer Space).”

Today The Hollywood Reporter published a fascinating piece about that song, asking the question: who really wrote it?

Here’s some of the story:

[T Bone] Burnett’s rep explains that the music maestro and the Coens adapted their song, “Please Mr. Kennedy,” from another novelty song of the same name that came out on the 1962 album Here They Are by The Goldcoast Singers. That tune depicts a comical draft-board scenario where some shaggy rock & rollers beg President John F. Kennedy not to induct them into the army. Since these lyrics were modified for the film, the new songwriting credit shows original writers Ed Rush and Ed Cromarty now accompanied by T Bone Burnett, The Coens, and Timberlake.

That’s interesting, because before that song there was a 45 single release of “Please Mr. Kennedy (I Don’t Want To Go)” by Mickey Woods in December 1961 on the Tamla-Motown label, and you can easily hear the similarity between that war-phobic plea and the Coen creation. Credits for that particular tune actually list Berry Gordy, Loucye Wakefield and Ronald Wakefield as the song’s composers — no trace of Messrs. Rush or Cromarty here.

Read the entire story here.

Please Mr. Kennedy from The Goldcoast Singers on Myspace.

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