Tag Archives: Happy Traum

Seven Things I Learned from Rolling Stone’s Bob Dylan & the ‘Basement Tapes’ Cover Story

The new issue of Rolling Stone features a fascinating cover story by David Browne about the Basement Tapes.

Here are seven things I learned from the story that I didn’t know before I read it.

1) In late 1967 Garth Hudson gave a pine box full of the seven inch reel-to-reel tapes he’d made of the recordings Bob Dylan, Robbie Robertson, Rick Danko, Richard Manuel and Hudson had made during the previous six months or so to Dylan’s manager’s wife, Sally Grossman, for safekeeping. “Garth said I was to guard these tapes because he was going away for a while,”Sally Grossman told Rolling Stone.

One of the Basement tapes.

2) Some of the musicians who made the tapes, and some of their friends who heard some of the songs didn’t get it — including Bob Dylan.

“I never really liked the Basement Tales,” Dylan told Rolling Stone in 1984.”I wouldn’t have put them out.”

“We would do these songs and fall on the floor laughing,” Robbie Robertson said in 1998.

“Frankly, I didn’t quite get it at the time because it was a bunch of guys messing around,” Happy Traum told Rolling Stone.

As for Sally Grossman, it’s hard to figure out what she thought.

“It sounded like throwaway stuff. Nonsense stuff. Bob and the guys were hanging out, playing and having fun,” Grossman recently told the British paper, the Observer. “The titles alone are enough of a clue. The Mighty Quinn, Mrs Henry, Lo & Behold! Bob wasn’t playing the songs live. The Band wasn’t. They weren’t thinking these were songs for release.”

But Grossman told Rolling Stone that when she listened to some of the tapes Hudson left with her including “Lo & Behold!” and “Quinn the Eskimo,” “They were great.”

“Lo and Behold!”:

3) Before the motorcycle accident, when Dylan was spending time at the Hotel Chelsea in New York, partying with Robertson and Edie Sedgwick, there was one party where he wore black-and-white striped pajama bottoms and a red, brown and gold polka-dot top.

4) The Big Pink house — where members of what would become The Band lived, and where the Basement Tapes were recorded — rented for $125 a month.

5) One reason why Dylan stopped the sessions in the “Red Room” of his own house (a room with burgundy walls) and moved to Big Pink was to get away from the wife and kids. “It was his house,” Hudson told Rolling Stone. Dylan probably didn’t want his young kids to be around a bunch of pot smoking musicians.

6) Donald Fagen of Steely Dan fame now lives in the 11-room house in the Byrdcliffe Colony where Dylan once lived.

Garth Hudson back in the basement, 2014.

7) Canadian music archivist and producer Jan Haust, who worked on getting the just released Basement Tapes Complete to sound as good as possible, bought the actual seven inch reels from Garth Hudson for around $30,000, a source told Rolling Stone. “I have an arrangement with Garth Hudson, and we’ll just leave it at that,” Haust told Rolling Stone.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: Bob Dylan Performs at Gerde’s Folk City – Feb. 8, 1963

Fifty-one years ago, on February 8, 1963, Bob Dylan played a set at Gerde’s Folk City in Greenwich Village.

It was two years after Dylan had arrived in New York, nearly two years since he got one of his first breaks playing at Gerde’s, which was probably the most important folk club in the country at that time.

Poster for Dylan’s first gig at Gerde’s Folk City in 1961.

It was a review in the New York Times by Robert Shelton of Dylan opening for the Greenbriar Boys at Gerde’s that helped Dylan to get the attention of Columbia Records’ legendary A&R man John Hammond.

By February of 1963, Dylan had signed a record deal with Columbia Records, taken on manager Albert Grossman, secured a publishing deal with Whitmark and recorded his debut, Bob Dylan, and had it released to less than minor success.

He was six months away from his first hit, a version of “Blowin’ in the Wind” that Peter, Paul and Mary would take to #2 on the pop charts, setting the stage for one of the most long-lasting and successful careers in popular music.

Gerde’s Folk City.

Below are recordings of the songs Dylan recorded at Gerde’s in the order they were performed.

1 “Lonesome River Edge”:

Lonesome River Edge by Bob Dylan on Grooveshark

2 “Back Door Blues”:

Back Door Blues by Bob Dylan on Grooveshark

3 “Bob Dylan’s Dream”:

Bob Dylan's Dream by Bob Dylan on Grooveshark

4 “You Can Get Her”:

You Can Get Her by Bob Dylan on Grooveshark

5 “Farewell”:

Farewell by Bob Dylan on Grooveshark

6 “All Over You” (with Happy Traum):

7 “Masters Of War”:

Masters of War by Bob Dylan on Grooveshark

8 Instrumental

Instrumental by Bob Dylan on Grooveshark

9 “Keep Your Hands Off Her”:

Keep Your Hands Off Her by Bob Dylan on Grooveshark

10 “Honey Babe”:

Honey Babe by Bob Dylan on Grooveshark

11 “Goin’ Back To Rome”:

Goin' Back to Rome by Bob Dylan on Grooveshark

12 “Stealin’, Stealin’,” (with Happy Traum):

Stealin' (With, Happy Traum 02.08.63) by Bob Dylan on Grooveshark

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