Tag Archives: Sally Grossman

Seven Things I Learned from Rolling Stone’s Bob Dylan & the ‘Basement Tapes’ Cover Story

The new issue of Rolling Stone features a fascinating cover story by David Browne about the Basement Tapes.

Here are seven things I learned from the story that I didn’t know before I read it.

1) In late 1967 Garth Hudson gave a pine box full of the seven inch reel-to-reel tapes he’d made of the recordings Bob Dylan, Robbie Robertson, Rick Danko, Richard Manuel and Hudson had made during the previous six months or so to Dylan’s manager’s wife, Sally Grossman, for safekeeping. “Garth said I was to guard these tapes because he was going away for a while,”Sally Grossman told Rolling Stone.

One of the Basement tapes.

2) Some of the musicians who made the tapes, and some of their friends who heard some of the songs didn’t get it — including Bob Dylan.

“I never really liked the Basement Tales,” Dylan told Rolling Stone in 1984.”I wouldn’t have put them out.”

“We would do these songs and fall on the floor laughing,” Robbie Robertson said in 1998.

“Frankly, I didn’t quite get it at the time because it was a bunch of guys messing around,” Happy Traum told Rolling Stone.

As for Sally Grossman, it’s hard to figure out what she thought.

“It sounded like throwaway stuff. Nonsense stuff. Bob and the guys were hanging out, playing and having fun,” Grossman recently told the British paper, the Observer. “The titles alone are enough of a clue. The Mighty Quinn, Mrs Henry, Lo & Behold! Bob wasn’t playing the songs live. The Band wasn’t. They weren’t thinking these were songs for release.”

But Grossman told Rolling Stone that when she listened to some of the tapes Hudson left with her including “Lo & Behold!” and “Quinn the Eskimo,” “They were great.”

“Lo and Behold!”:

3) Before the motorcycle accident, when Dylan was spending time at the Hotel Chelsea in New York, partying with Robertson and Edie Sedgwick, there was one party where he wore black-and-white striped pajama bottoms and a red, brown and gold polka-dot top.

4) The Big Pink house — where members of what would become The Band lived, and where the Basement Tapes were recorded — rented for $125 a month.

5) One reason why Dylan stopped the sessions in the “Red Room” of his own house (a room with burgundy walls) and moved to Big Pink was to get away from the wife and kids. “It was his house,” Hudson told Rolling Stone. Dylan probably didn’t want his young kids to be around a bunch of pot smoking musicians.

6) Donald Fagen of Steely Dan fame now lives in the 11-room house in the Byrdcliffe Colony where Dylan once lived.

Garth Hudson back in the basement, 2014.

7) Canadian music archivist and producer Jan Haust, who worked on getting the just released Basement Tapes Complete to sound as good as possible, bought the actual seven inch reels from Garth Hudson for around $30,000, a source told Rolling Stone. “I have an arrangement with Garth Hudson, and we’ll just leave it at that,” Haust told Rolling Stone.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Awesome Early ’60s Bob Dylan Photos Get Show in South Haven — See the Photos Now!

Bob Dylan and John Sebastian at Village Cafe in Woodstock, New York in 1964. Photo by Douglas R. Gilbert.

In 1964 Douglas R. Gilbert got the once-in-a-lifetime assignment to photograph Bob Dylan up in Woodstock, and elsewhere, for Look magazine.

Look never ran the photos, but now they will be exhibited at the South Haven Center for the Arts at 600 Phoenix Rd, South Haven Charter Township, MI 49090.

You can see four of them here.v

But the mother lode is at Gilbert’s website, where you can view 46 of the photos right now!

There are superb photos of Dylan with Allen Ginsberg, John Sebastian, Ramblin’ Jack Elliott and Sally Grossman — wife of Dylan’s manager, Albert Grossman — who was later in the cover photo for Bringing It All Back Home.

Here’s what’s on Gilbert’s website about the photos:

In July of 1964, one year before his music changed from acoustic to electric, I photographed Bob Dylan for LOOK magazine. I spent time with him at his home in Woodstock, New York, in Greenwich Village, and at the Newport Folk Festival. The story was never published. After reviewing the proposed layout, the editors declared Dylan to be “too scruffy for a family magazine” and killed the story.

Some of the photos were used for The Bootleg Series, Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall.

And they appeared in the excellent book: “Forever Young: Photographs of Bob Dylan‚ by Douglas R. Gilbert.”

[In August of this year I’ll be publishing my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

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