Category Archives: Bob Dylan

Bob Dylan’s ‘Like A Rolling Stone’ Manuscript Sells for $2 Million But Dylan’s Secrets Remain Secret

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The manuscript for Bob Dylan’s ‘Like A Rolling Stone’ (his first rock ‘n’ roll hit) sold today at auction for slightly over two million dollars — $2.045 mil to be exact — to a mystery buyer, according to Sotheby’s, the auction house that handled the transaction, but that buyer didn’t get a key to unlock the mysteries of the manuscript.

For instance, why did Dylan write “Al Capone” in the margin with a line from the gangster’s name to the word “direction” in the chorus?

“Al Capone” might have worked in terms of a rhyme, but it would make no sense in terms of what the song is about.

Dylan’s “A Hard Rain’s A-Gonna Fall” sold for $485,000.

But back to Bob Dylan’s ‘Like A Rolling Stone’ manuscript:

There are various alternate phrases written on the manuscript that Dylan wisely rejected, but they don’t reveal much.

On the second page of the manuscript is a version of the chorus with “path unknown” as one of the lines.

At the top of page three is written: “How does it feel/ Behind the wheel.”

At the bottom of page three the chorus is again a work in progress:

How does it feel to be on your own
It feels real (dog-bone)
Does it feel real.”

Then he wrote “New direction home” but put a line through “new” and wrote “no” under it.

Then: “When the winds have (unreadable word that could be “flown”)
“Shut up and deal like a rolling stone
Raw deal
Get down and kneel.”

More interesting perhaps, Dylan has written names of songs and books on the pages, which may or may not relate to the song itself: “Pony Blues,” a song by Charley Patton; “Midnight Special” (and above it “Mavis”); “On the Road”; and “Butcher Boy,” which likely refers to “The Butcher Boy,” an old folk song that the Clancy Brothers recorded.

Other revisions.

There’s a mostly discarded verse that reads:

“You never listened to the man who could (illegible) jive and wail
Never believed ‘m when he told you he had love for sale
You said you’d never compromise/ now he looks into your eyes
and says do you want make a deal.”

And what ended up being the third verse reads like this in part:

“You never turned around
To see the frowns
On the jugglers and the clowns
When they all came down
And did tricks for you to shake the money tree.”

There’s a line drawn through that entire last line.

Two million bucks and change.

— A Days of the Crazy -Wild blog post —

Bob Dylan Live, Videos from Thessaloniki Harbor, Greece – June 22, 2014 — ‘All Along The Watchtower’ & More

Bob Dylan live in Greece.

Bob Dylan live at Thessaloniki Harbor in Thessaloniki, Greece last night.

Dylan sounds quite good based on these clips and the band is really swinging. I’m very impressed with Dylan’s band. Shows last year and this show what a killer performing unit they are. Based on the shows in Japan, Ireland, Turkey and now Greece, this is going to be a great year for Dylan in concert. Hopefully we’ll have a new album before the end of the year, and then I’m hoping another bootleg series set in 2015.

It’s going to be very interesting to see what Dylan’s “Like A Rolling Stone” manuscript sells for at auction tomorrow. I’ve seen an estimate that it could sell for as much as $2 million. Crazy. Well we’ll know soon enough.

Meanwhile, I hope you enjoy the videos of Bob Dylan live at Thessaloniki Harbor below.

Dylan and band:

Bob Dylan – vocal, piano, harp
Charlie Sexton on lead guitar
Donnie Herron – banjo, viola, violin, electric mandolin, pedal steel, lap steel
Stu Kimball – rhythm guita
Tony Garnier – bass
George Recile – drums

Bob Dylan live at Thessaloniki Harbor:

Things Have Changed plus all of “She Belongs To Me”:

“She Belongs to Me”:

Excerpt:

“Beyond Here Lies Nothin'”
“What Good Am I?”
“Duquesne Whistle”
“Pay in Blood”
“Tangled Up in Blue”

“Love Sick”:

“High Water (For Charley Patton)”
“Simple Twist of Fate”
“Early Roman Kings”

“Forgetful Heart”:

“Summer Days”:

“A Hard Rain’s A-Gonna Fall”:

“Soon after Midnight”
“Long and Wasted Years”

Encore:

“All Along the Watchtower”:

Another view:

“All Along the Watchtower” & “Blowin’ in the Wind”:

— A Days of the Crazy-Wild blog post —

Audio: Bob Dylan Performs ‘Duquesne Whistle’ & ‘Forgetful Heart’ at the Black Box, Istanbul, June 20, 2014

Bob Dylan performs “Duquesne Whistle” at the Black Box, Istanbul, Turkey on June 20, 2014.

“Forgetful Heart”:

— A Days Of The Crazy-Wild blog post —

Audio: Bob Dylan Sings ‘Love Sick’ at The O2, Dublin, June 17, 2014 + ‘Simple Twist Of Fate’

Bob Dylan singing “Love Sick” at his The O2 performance in Dublin, just posted today.

Good sound!

Dig it.

“Simple Twist Of Fate”:

— A Days Of The Crazy-Wild blog post —

Audio: Bob Dylan Live At The Hammersmith Apollo, London – Nov. 20, 2011 – Full Set

Bob Dylan’s complete set from his Nov. 20, 2011 appearance at the Hammersmith Apollo in London.

Setlist

Leopard-Skin Pill-Box Hat
All Over Now, Baby Blue
Things Have Changed
Trying To Get To Heaven
Honest With Me
Tangled Up In Blue
Summer Days
Blind Willie McTell
Highway 61 Revisited
Desolation Row
Thunder On The Mountain
Ballad Of A Thin Man
All Along The Watchtower
Like A Rolling Stone

— A Days Of The Crazy-Wild blog post —

Audio: Flamin’ Groovies Cover Bob Dylan’s ‘Absolutely Sweet Marie’ Plus More

I’ve always dug Bob Dylan’s “Absolutely Sweet Marie,” a song that is on Blonde On Blonde.

It’s been covered very infrequently by other artists.

However there’s a great version by the Flamin’ Groovies, and George Harrison sang it at the 30th Anniversary Concert, and I found one by Jason & the Scorchers.

This track appeared on the Flamin’ Groovies 1979 album, Jumpin’ In The Night.

“Absolutely Sweet Marie”:

Flamin’ Groovies, 1979 promo photo.

Jason & the Scorchers:

Absolutely Sweet Marie by Jason & The Scorchers on Grooveshark

George Harrison, 30th Anniversary Concert:

Gorge Harrison / Absolutely Sweet Marie by Bob Dylan on Grooveshark

Bob Dylan live from the ’60s (this song is, supposedly, from 1968 and is credited as being performed by Dylan and Neil Young. Anyone have any info on that?):

Absolutely Sweet Marie by Bob Dylan & Neil Young on Grooveshark

Bob Dylan, Blonde On Blonde”:

Absolutely Sweet Marie by Bob Dylan on Grooveshark

— A Days Of THe Crazy-Wild blog post —

Video: Bob Dylan Sings ‘Forgetful Heart,’ ‘Blowin’ In The Wind’ & More in Dublin – June 17, 2014

More from the June 17, 2014 Dublin show at The O2.

The sound is quite good for these clips so I have included a few songs I posted yesterday. I think the quality is uniformly better today.

If you missed my previous post with clips from this show, here is is.

“High Water” (For Charley Patton)”:

“Simple Twist Of Fate”:

“Forgetful Heart”:

“Long And Wasted Years”:

“All Along The Watchtower”:

“Blowin’ In The Wind”:

— A Days Of The Crazy-Wild blog post —

Audio: Bob Dylan Sings ‘New Danville Girl’ – ‘Empire Burlesque’ Outtake, 1985

Here’s one of the outtakes – “New Danville Girl” — from Bob Dylan’s Empire Burlesque sessions.

A revised version, “Brownsville Girl,” made it onto Knocked Out Loaded.

— A Days Of The Crazy-Wild blog post —

The Rant: Who The Hell Is Noah Berlatsky & Why Is He Trashing Bob Dylan?

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Yesterday at Salon, some guy named Noah Berlatsky took out a hatchet and went after Bob Dylan.

Ok, I get it. Websites need heavy traffic and attacking Bog Dylan is an easy way to get thousands of Dylan fans to click on a story. And others too.

For this particular story, the headline is:

“10 musicians influenced by Bob Dylan who are better than Bob Dylan”

So right off you and I know this is so lame we shouldn’t be wasting time on it.

Why would anyone need to compare one musician to another? And who cares if this guy thinks some musicians that were influenced by Dylan are better than Dylan?

I just couldn’t let this crap go by without commenting.

Now we’re not dealing with facts here. We’re dealing with opinion. The opinion of one man. And this guy Berlatsky, a correspondent for The Atlantic magazine, can have any opinions he wants. If he thinks Donovan is a better singer than Bob Dylan (one of his claims), hey, I can think he’s an idiot. I can even tell you he’s an idiot. But if that’s what he thinks, that’s what he thinks.

After all, plenty of people bought Pat Boone records. Journey is still popular. There was a time when Styx could fill coliseums.

Berlatsky states that Dylan “may be the most overrated performer in the history of popular music.”

He criticizes Dylan’s signing, writing: “As a singer, he mimicked the roughness of roots sources without capturing their nuance or power, often resulting in self-parody.”

Then he attacks Dylan’s songwriting: “As a lyricist, he had a tendency to mistake Beat Poet doggerel bathos for profundity.”

By the way, he tells us that Nashville Skyline is his favorite Dylan album. Now there’s nothing wrong with Nashville Skyline, but it’s not Bringing It All Back Home or Highway 61 Revisited or Blonde On Blonde, Dylan’s greatest albums.

Clueless, this guy Berlatsky.

And then he states that the following musicians are “just a few performers influenced by Dylan who are better than he is.”

The list: Jimi Hendrix, Donovan, The Beatles, Johnny Cash, Neil Young, the Velvet Underground, Townes Van Zandt, Joni Mitchell, Sly Stone and the Minutemen,

Now with the exception of Donovan (come on!), that’s a list of heavy hitters. Those are excellent solo artists and bands. But why would you spend your time making claims that they’re better than Bob Dylan.

And why trash Dylan?

This guy Berlatsky reminds me of the squares who just don’t get it. There are always people like that. They’re the ones who don’t want to watch a film if it has subtitles. Who still don’t think hip-hop is music.

We could take one view, and see Berlatsky as one of those squares. But I tend to take a more cynical view. He pulled together his list, spent a half hour cranking out his copy, and voila, a post for Salon sure to draw many curious readers. And gain some notoriety for the writer.

Hopefully, if you do take a look at Berlatsky’s silly post, you’ll have a good laugh and move on down the line. Maybe put on Blonde On Blonde or Bringing It All Back Home and dig on recordings that continue to reveal themselves even after all these years.

I guarantee you that we, you and I, have better things to do than spend another minute on this Berlatsky guy.

— A Days Of The Crazy-Wild blog post —