Tag Archives: non-fiction

A Journey Towards Cultural Freedom (And Bob Dylan) ‘On Highway 61’

The musicians and writers whose art presaged and influenced and influenced The Sixties.

By Michael Goldberg.

On Highway 61 – Music, Race and the Evolution of Cultural Freedom, Dennis McNally, Counterpoint Press (471 pages)

Let me start at the end and tell you that the final section of On Highway 61, some 120 pages, provides the best portrait of Bob Dylan and his creativity, what nurtured it, and how it evolved, that I’ve read to date.

Additionally, author Dennis McNally focuses on how Dylan’s worldview – and the songs he wrote and/or sung – can be characterized as part of the ongoing search for freedom in all it’s manifestations, physical, spiritual and cultural. And more. Dylan was at least as influenced by the music made by African Americans, as he was by white country and folk musicians. And this is important, as it is simply one of many examples in this terrific book that make the case that African Americans are primarily responsible for what is truly great in American music.

But there are other reasons it’s appropriate to start with Dylan. Like some of that artist’s surrealist (or perhaps hyper-real) songs of 1965 – “Desolation Row,” “Ballad of a Thin Man” and “Bob Dylan’s 115th Dream” — McNally has populated his book with an incredible array of iconic figures — including Henry David Thoreau, Miles Davis, Mark Twain, Bessie Smith and Jack Kerouac – who, like Dylan, have allowed those who have paid attention to their art to experience, as McNally puts it, “a widening of vision, a softening of the heart, and an increase in tolerance.”

No Anita Ekberg (“to make the country grow”)) and no Shakespeare (“with his pointed shoes and his bells”), but what the hell. As artfully as Dylan in his songs, McNally has made his superhuman crew fit seamlessly into this treatise on cultural freedom. In fact, those artists and their work is the story of cultural freedom.

And what is cultural freedom?

Taking from the past and making something new.

Leave it to Mr. Dylan, who McNally quotes from a 1987 US magazine interview, to give us a clue.

“When I first heard Elvis’s voice I just knew that I wasn’t going to work for anybody and nobody was gonna be my boss,” Dylan said. “Hearing him for the first time was like busting out of jail.”

Art that makes you feel like busting out of jail. That would be one definition.

Or, as Dylan sang it, “I ain’t gonna work on Maggie’s farm no more.”

Yeah, cultural freedom.

But there’s more to it…

Read the rest of this review at Addicted To Noise AU.

-– A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

[I published my novel, True Love Scars, in August of 2014.” Rolling Stone has a great review of my book. Read it here. And Doom & Gloom From The Tomb ran this review which I dig. There’s info about True Love Scars here.]

Music Critics To Read at LitQuake Event – Gina Arnold, Joel Selvin, Michael Goldberg & More

At this year’s LitQuake festival, a who’s who of music writers including University of San Francisco professor/ former rock critic Gina Arnold (author of the book “Exile In Guyville”), former San Francisco Chronicle pop music critic Joel Selvin (“Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues”), Kerouac/Grateful Dead biographer Dennis McNally (“A Long Strange Trip: The Inside History of the Grateful Dead”) will read from their most recent books on Friday, October 17, 2014 at the Make-Out Room in San Francisco’s Mission district.

The high profile lineup also includes Addicted To Noise founder/former Rolling Stone Senior Writer Michael Goldberg (“True Love Scars”), musician Bruce Cockburn (“Rumours of Glory”), rock journalist and author Denise Sullivan (“Shaman’s Blues: The Art and Influences Behind Jim Morrison and the Doors”), rock historian and college teacher Richie Unterberger (“Jingle Jangle Morning: Folk-Rock in the 1960s”) and best-selling authors Keith and Kent Zimmerman (“Shining Star: Braving the Elements of Earth, Wind & Fire”).

Providing music will be Camper Van Beethoven cofounder Victor Krummenacher.

The evening will start at 7 pm and admission is a bargain at $10.

I think this will be a great evening. Kinda of like a greatest hits of recent music books. Each of us will read our best 7 minutes.

We’ll have our books for sale, and if you want a personal message written by the author, all you have to do is ask.

Meanwhile, I’ve got the Kindle version of my book. True Love Scars, on sale this week for $2.99. I can tell you it would be a bargain at twice the price.

[There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

Cover of Neil Young’s 2nd Memoir, ‘Special Deluxe – A Memoir of Life & Cars,’ Hits the Street

So you already know that Neil Young has written a second memoir, and that it’s being publishing this fall.

What you didn’t know, was what the cover was gonna look like, only now you do thanks to the folks at Thrasher’s Wheat, who posted this photo that, in turn, was first posted to Instagram by rockbookshow.

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

New Book About Bob Dylan Focuses on ‘The Dylanologists’

In 2001, an intense Bob Dylan fan named Bill Pagel bought the Duluth, Minnesota house where Robert Zimmerman lived before he moved to Hibbing, Minnesota. Five years later, Pagel settled permanently in Hibbing and attempted to buy the other Zimmerman house, the one where Bob lived while growing up, attending high school, etc., before taking off for Minneapolis, New York and stardom.

Kind of puts ones own obsession in perspective — right?

Pagel is one of the serious Dylan fans that Pulitzer Prize winning journalist David Kinney writes about in “The Dylanologists,” a book that will be published this May.

Kinney describes himself as a Dylan fan in the book’s introduction:

I first found Dylan in the dusty basement of my childhood home. In the summer before my junior year in high school I was flicking through a pile of vinyl left behind by my older brother. I found a heavy box with five records inside. The man glowering on the front cover looked like he didn’t take orders from anybody. I liked that. I pulled off the top of the box, slid one of the records from a sleeve, fitted the vinyl onto the turntable, and dropped the needle into the groove. The music started, and a switch flipped in my head.

Writer David Kinney.

The album was called Biograph, a retrospective of the first two decades of a recording career still very much in progress. Dylan’s folk ballads were jumbled together with wailing mid-1960s rock classics; his gospel songs shared space with tomfoolery. A maid is beaten to death. A good man is sent to jail. A husband abandons his wife to hunt for treasure with a shadowy figure, and all he finds is an empty casket. There were songs about girls, and war, and politics. I didn’t know who all the characters were: Johanna, Ma Rainey, Cecil B. DeMille, Gypsy Davy. I couldn’t honestly say I knew what Dylan was saying half the time. But the lines were riveting. I wore out those five records. I leaned every word and made them mine, and Dylan grew into an outsize figure in my universe.

I’ve just started reading advanced proofs of the book and it’s very good. There’s a great section in which Dylan shows up in Hibbing to attend a funeral, as seen from the perspective of Linda Hocking, co-owner of Zimmy’s Downtown Bar & Grill, who is hopeful that the great man will stop in for a meal at her restaurant — or at least a piece of cherry pie.

The interior of Zimmy’s in Hibbing, Minnesota.

After all, ten years earlier, shortly after the restaurant was renamed Zimmy’s and decorated with Dylan photos and other paraphernalia, Dylan’s mother Beatty stopped in for lunch, and when asked what she thought of the place, she replied: “Honey, it’s about time somebody did something nice for my son in Hibbing.”

Bob and his mother, Beatty.

Kinney seems to have combined a biography of Dylan with stories of obsessive fans and so far it’s working.

I’ll post a review in late April or early May, once I finish the book and it’s closer to the publication date.

-– A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Kim Gordon’s ‘Is It My Body?,’ a Book of Essays, Due this Month

Kim Gordon’s collection of essays, “Is It My Body?: Selected Texts,” will be published by Sternberg Press later this month.

The book collects essays Gordon wrote for various publications including Artforum in the 1980s and early 1990s.

From the Sternberg Press website:

Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham. In addressing key stakes within contemporary art, architecture, music, and the performance of male and female gender roles, Gordon provides a prescient analysis of such figures as Kelley, Glenn Branca, Rhys Chatham, Tony Oursler, and Raymond Pettibon, in addition to reflecting on her own position as a woman on stage. The result—Is It My Body?—is a collection that feels as timely now as when it was written. This volume additionally features a conversation between Gordon and Jutta Koether, in which they discuss their collaborations in art, music, and performance.

-– A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-