Tag Archives: Miranda July

Video: Sleater-Kinney Reunite, Announce New Album, Tour

Janet Weiss, Carrie Brownstein, Corin Tucker

One of my favorite bands of all time, and one of the most important to emerge during the ’90s, Sleater-Kinney are back from an eight-year hiatus and will release a new album, No Cities To Love, on January 20, 2015.

During the break Corin Tucker has released to Corin Tucker Band albums and devoted time to her family. Most recently she was recording and performing as part of a supergroup with R.E.M.’s Peter Buck that they were calling super-Earth. Carrie Brownstein played in Wild Flag and co-created and co-starred in “Portlandia.” Weiss has played drums in a number of situations including Stephen Malkmus and the Jicks.

First song to be released is “Bury Our Friends,” with a lyric video featuring director and longtime Sleater-Kinney friend, Miranda July.

“Bury Our Friends”:

In an email to NPR, guitarist/singer Carrie Brownstein wrote:

“I feel like creativity is about where you want your blood to flow. Because in order to do something meaningful and powerful there has to be life inside of it. Maybe after The Woods that blood had thinned; we felt enervated, the focus had become disparate and diffuse. We drifted apart in order to concentrate on other elements of our lives and careers. Sleater-Kinney isn’t something you can do half-assed or half-heartedly. We have to really want it. And you have to feed that hunger and have the energy to. I’m not saying we need to be in a dark place to be in Sleater-Kinney. In fact, we could be in the best places in our lives. But we have to be willing to push, because the entity that is this band will push right back.

“We had no desire to revisit sounds and styles and paths we had treaded before. But in order to move forward, Corin and I worked together in a way that was more reminiscent of earlier albums like Dig Me Out. Meaning that we would write just the two of us and then bring songs to Janet later on in the process. I think we had to go back to an earlier model of writing in order to reacquaint ourselves with the language of the band. It’s a sonic vernacular that isn’t easily translated into other contexts in which we’ve played. This was a very deliberate writing process, there were many edits and iterations of the songs. We thought a lot about melody and structure.

“I spent a lot of time writing choruses for this record. Melody is what I was most picky about. I really drove Corin crazy sometimes. We would have choruses that we would work on for hours, days, maybe on and off over a matter of weeks. And we’d think we had solved it, but then I would listen to it later on and decide to discard it, that it wasn’t good enough. I did that with my guitar parts too. In the end we were all more scrutinizing with our own parts than we ever have been. I think we didn’t want to take any second of the song for granted, everything had to have an intention and earn its place.”

No Cities To Love Track List:

1. Price Tag
2. Fangless
3. Surface Envy
4. No Cities To Love
5. A New Wave
6. No Anthems
7. Gimme Love
8. Bury Our Friends
9. Hey Darling
10. Fade

And there will be a tour:

2015 Tour Dates:

02-08-15 Spokane, WA @ Knitting Factory
02-09-15 Boise, ID @ Knitting Factory
02-10-15 Salt Lake City, UT @ The Depot
02-12-15 Denver, CO @ Ogden Theater
02-13-15 Omaha, NE @ Slowdown
02-14-15 Minneapolis, MN @ First Avenue
02-15-15 Milwaukee, WI @ Turner Hall
02-17-15 Chicago, IL @ Riviera
02-22-15 Boston, MA @ House of Blues
02-24-15 Washington, DC @ 9:30 Club
02-26-15 New York, NY @ Terminal 5
02-28-15 Philadelphia, PA @ Union Transfer
03-01-15 Pittsburgh, PA @ Stage AE
03-18-15 Berlin, Germany @ Postbahnhof
03-19-15 Amsterdam, The Netherlands @ Paradiso
03-20-15 Paris, France @ Cigale
03-21-15 Antwerp, Belgium @ Trix
03-23-15 London, UK @ Roundhouse
03-24-15 Manchester, UK @ Albert Hall
03-25-15 Glasgow, UK @ O2 ABC
03-26-15 Dublin, Ireland @ Vicar Street

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

The First Sentence: J. D. Salinger, Miranda July, Jim Carroll & More

J. D. Salinger wrote one of the 'first sentences' printed below.
J. D. Salinger wrote one ‘first sentence’ printed below.

Not all my posts are about music. This one is about writing. Actually, it’s about how writers begin novels and short stories. I’ve collected a selection of ‘first sentence,’ although in some cases it’s the first paragraph. Enjoy.

The First Sentence

1 Today was my first Biddy League game and my first day in any organized basketball league. I’m enthused about life due to this exciting event. The Biddy League is a league for anyone 12 yrs. old or under. I’m actually 13 but my coach Lefty gave me a fake birth certificate. Lefty is a great guy; he picks us up for games in his station wagon and always buys us tons of food. I’m too young to understand about homosexuals but I think he is one.

2 She was on her knees and rubbing her back against parts of the house and backing into corners and sliding out from under curtains, rump polishing the floor, and she was saying, “Sit with me, Alice.” She was saying, “Talk to me. Be a daughter. Tell me what you’ve been doing.” She spoke uninflectedly, as if thinking of something else – the dishes to do, drawers to line, clotted screens to clean out with a toothpick. Handles missing, silver gone, and a Walter in the next room unwilling to leave!

3 “A huge wave nearly swept me away,” said the seventh man, almost whispering. “It happened one September afternoon when I was ten years old.”

The man was the last one to tell his story that night. The hands of the clock had moved past ten. The small group that huddled in a circle could hear the wind tearing through the darkness outside heading west. It shook the trees, set the windows to rattling, and moved past the house with one final whistle.

4 If it made any real sense – and it doesn’t even begin to – I think I might be inclined to dedicate this account, for whatever it’s worth, especially if it’s the least bit ribald in parts, to the memory of my late, ribald stepfather, Robert Agadganian, Jr.

5 Three Indians were standing out in front of the post office that hot summer morning when the motorcycle blazed down Walnut Street and caused Mel Weatherwax to back his pickup truck over the cowboy who was loading sacks of lime.

6 You don’t know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain’t no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth.

7 One night I was sitting on the bed in my hotel room on Bunker Hill, down in the very middle of Los Angeles. It was an important night in my life, because I had to make a decision about the hotel. Either I paid up or I got out: that was what the note said, the note the landlady had put under my door. A great problem, deserving acute attention. I solved it by turning out the lights and going to bed.

8 I first met Dean not long after my wife and I split up. I had just gotten over a serious illness that I won’t bother to talk about, except that it had something to do with the miserably weary split-up and my feeling that everything was dead. With the coming of Dean Moriarty began the part of my life you could call my life on the road.

9 In an ideal world, we would have been orphans. We felt like orphans and we felt deserving of the pity that orphans get, but embarrassingly enough, we had parents. I even had two. They would never let me go, so I didn’t say goodbye; I packed a tiny bag and left a note.

10 When you pass the runover deer in the car, crows start squawking. The deer lies up high on a snowbank, all four legs sticking up in the air at the edge of the road, right at the spot where I come out of the woods on my snowshoes. A doe. I trudge up to her and turn her over. One side is already torn up, an eye is missing. Tracks of coyote and fox lead up to and away from the animal in all directions.

In the woods I’m illiterate.

11 When I am run down and flocked around by the world, I go down to Farte Cove off the Yazoo River and take my beer to the end of the pier where the old liars are still snapping and wheezing at one another.

12 A screaming comes across the sky. It happened before, but there is nothing to compare it to now.

It is too late. The Evacuation still proceeds, but it’s all theatre. There are no lights inside the cars. No light anywhere. Above him lift girders as an iron queen, and glass somewhere far above that would let the light of day through. But it’s night. He’s afraid of the way the glass will fall – soon – it will be a spectacle: the fall of a crystal palace.

13 The first time I saw him he couldn’t have been more than sixteen years old, a little ferret of a kid, sharp and quick. Sammy Glick. Used to run copy for me. Always ran. Always looked thirsty.

14 When it came to concealing his troubles, Tommy Wilhelm was not less capable than the next fellow.

And here are the writer’s and the books or stories where I found those first sentences.

1 Jim Carroll, The Basketball Diaries

2 Christine Schutt, Florida

3 Haruki Murakami, The Seventh Man

4 J. D. Salinger, De Daumier-Smith’s Blue Period

5 Don Carpenter, Hard Rain Falling

6 Mark Twain, The Adventures of Huckleberry Finn

7 John Fante, Ask the Dust

8 Jack Kerouac, On the Road

9 Miranda July, Something That Needs Nothing

10 Verena Stefan, Doe a Deer

11 Barry Hannah, Water Liars

12 Thomas Pynchon, Gravity’s Rainbow

13 Budd Schulberg, What Makes Sammy Run?

14 Saul Bellow, Seize the Day