Tag Archives: Dylan and the Dead

Audio: Is ‘Dylan & The Dead’ Bob Dylan’s Most Underrated Album?

On February 6, 1989, 25 years ago, the album Dylan and the Dead was released.

Rock critics hated the album.

Rolling Stone: [The record] “makes you wonder what the fuss [over the tour] was about…”

The Village Voice, Robert Christgau: [What Dylan] “makes of his catalogue here is exactly what he’s been making of it for years—money.”

Amazon.com, Steve Appleford: “If these were the stadium tour’s best performances, pity anyone who actually sat through one of these concerts with a clear head.”

Listening to the album now, I think it sounds pretty good. No, it’s not among Dylan’s best, but the combo of Dylan and the Dead is a good one. Garcia’s guitar work is, often enough, the perfect compliment to Dylan’s songs, and the Dead’s harmony vocals are just right.

“Queen Jane Approximately” is a standout with outstanding guitar playing from Garcia, a strong performance from the whole band and strong vocals from Dylan.

“Knocking On Heaven’s Door” is a solid performance — it’s great to hear how the Dead handle backing Dylan.

Also quite strong is “All Along the Watchtower.” And, really, “Slow Train” and “Gotta Serve Somebody” aren’t bad either.

The only track I could really do without is “Joey.”

Of course a much better album could have been pulled together if other songs from the tour had been included, as well as some of the songs Dylan and the Dead rehearsed at Club Front in San Rafael, June 1, 1987, before the tour began.

What’s so weird is that there are times during the rehearsals when Dylan’s voice sounds fantastic — like he was more into just jamming on songs with the Dead than when they were actually out on the road.

Here are some performance from the tour and the rehearsals that I like.

“Queen Jane Approximately”:

Queen Jane Approximately (Eugene, July 19, 1987) by Bob Dylan & the Grateful Dead on Grooveshark

“It’s All Over Now, Baby Blue,” Eugene, July 19, 1987:

It's All Over Now, Baby Blue (Eugene, July 19, 1987) by Bob Dylan & the Grateful Dead on Grooveshark

“The Wicked Messenger,” East Rutherford, July 12, 1987:

The Wicked Messenger (East Rutherford, July 12, 1987) by Bob Dylan & the Grateful Dead on Grooveshark

“The French Girl,” rehearsal:

The French Girl by Bob Dylan & the Grateful Dead on Grooveshark

“When I Paint My Masterpiece,” rehearsal:

When I Paint My Masterpiece by Bob Dylan & the Grateful Dead on Grooveshark

“Tomorrow Is A Long Time,” rehearsal with the Dead, 1987:

Tomorrow Is A Long Time by Bob Dylan & the Grateful Dead on Grooveshark

“Rainy Day Women #12 & 35,” Eugene, July 19, 1987:

Rainy Day Women #12 & 35 (Eugene, July 19, 1987) by Bob Dylan & the Grateful Dead on Grooveshark

“Pledging My Time,’ rehearsal:

Pledging My Time 1 by Bob Dylan & the Grateful Dead on Grooveshark

“I’ll Be Your Baby Tonight,” rehearsal:

I'll Be Your Baby Tonight 2 by Bob Dylan & the Grateful Dead on Grooveshark

Bob Dylan and Jerry Garcia (vocals), “Señor (Tales Of Yankee Power), first take, rehearsal:

Señor (Tales Of Yankee Power) 1 by Bob Dylan & the Grateful Dead on Grooveshark

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