By the way you might want to check out the “True Love Scars” soundtrack playlist here. It’s the music that goes with the first two chapters of my novel.
–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –
Colin Allen, Ian McLagan, Greg Sutton, Bob Dylan & Mick Taylor, 1984.
Bob Dylan with Mick Taylor on lead guitar performing “Every Grain of Sand” at Parc de Sceaux, Paris, France on July 1, 1984.
And the solo on this next one is amazing!
“All Along The Watchtower,” Arena di Verona, Verona, Italy, May 29,1984:
This next sequence is beautifully filmed. It starts with an interview, then cuts to Dylan and band with Mick Taylor on stage at Arena di Verona on May 28 or 29, 1984 doing “Like A Rolling Stone” followed by an acoustic version of “Blowin’ in the Wind” with Mick Taylor on acoustic as well.
“Jokerman,” Arena di Verona, Verona, Italy, May 28, 1984 (audio is distorted):
By the way you might want to check out the “True Love Scars” soundtrack playlist here. It’s the music that goes with the first two chapters of my novel.
–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –
There are several stories circulating about Bob Dylan’s “Fourth Time Around.”
One version: According to Al Kooper: “I said to Dylan “it sounds so much like ‘Norwegian Wood,'” and he said “actually ‘Norwegian Wood’ sounds a lot like this! I’m afraid they took it from me and now I feel like I have to record it y’know.” Apparently he’d played it for them and they’d nicked it. I asked if he was worried about getting sued and he said, “nah, the Beatles could never sue me.”
Another version from Clinton Heylin:
The first week of December 1965 saw The Beatles release their finest collection to date, Rubber Soul. Though the United States edition was again pruned of several songs on the British original, one song that stayed the course had a largely Lennon lyric. Originally known as This Bird Has Flown, it was released as Norwegian Wood. The song was an important one to Lennon (he later said of it, “I was trying to be sophisticated in writing about an affair. But in such a smokescreen way that you couldn’t tell”). For the first time he was writing about something deeply personal – his clandestine affair with attractive journalist Maureen Cleave, whom Dylan also knew – using the kind of code the American had made something of a trademark.
Dylan undoubtedly recognized the influence and decided at some point to acknowledge it with his own version of “This Bird Has Flown.” For the past 18 months he had enjoyed dropping in the occasional lyrical nod with a wink to his new-found friends – a gesture they reciprocated on With A Little Help From My Friends in 1967. But Fourth Time Around was also a way of showing he could raise the bar lyrically on Lennon, the one Beatle to have aspirations beyond being a pop poet. Fourth Time Around is an altogether darker, more disturbing portrait of an affair, though it emulates Norwegian Wood in its circular melody and structure.
In any case, I’ve always dug “Fourth Time Around.”
Turns out very few artists have covered it. I found two that are worth a listen, and I’ve also included a bunch live versions by Dylan himself.
Bob Dylan’s 30th Anniversary Concert Celebration took place on October 16, 1992 at Madison Square Garden in New York City.
An amazing group of artists assembled to offer tribute to Bob Dylan.
The first video below, is the first half of the concert.
The second video is an eclectic mix of songs from the entire concert but it does include George Harrison, Neil Young, Tom Petty and others that are not in the first video.
Part One:
Misc. songs:
–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-
I attended a show by Bob Dylan at the Warfield Theater in San Francisco on November 1, 1979.
Dylan had just released Slow Train Coming so I figured we were in for his new gospel songs.
The show was a disaster. I’d seen Dylan with The Band five years earlier at the Oakland Coliseum and that was really something.
For this show, Dylan had the wrong band and I was shocked at the mediocre performance. (The next night, Nov. 2, 1979, was recorded and you can hear the entire set below, and it sounds much better than what I remember of the show I attended.)
But then, at the end, with many already gone from the theater, Dylan returned, took a seat at the piano, and played a beautiful song I’d not heard before, “Pressing On.”
The solo performance of “Pressing On” that night was spectacular.
The song ended up on Saved, but that recording doesn’t touch what I heard live.
Here is a better version from a show in Toronto at Massey Hall, April 20, 1980:
And here’s a performance of “To Ramona” with Jerry Garcia on guitar. This is from Dylan’s return engagement at the Warfield. For those 1980 shows he was once again singing some of the songs that made him famous.
Here’s the entire November 2, 1979 show at the Warfield:
Part One:
Set list
Gotta Serve Somebody
I Believe In You
When You Gonna Wake Up
When He Returns
Man Gave Names To All The Animals
Precious Angel
Slow Train
Covenant Woman
Gonna Change My Way Of Thinking
Do Right To Me Baby (Do Unto Others)….
Part Two:
Set list
Solid Rock
Saving Grace
What Can I Do For You?
Saved
In The Garden
Blessed Be The Name
Pressing On
Bob Dylan with Jerry Garcia, November 16, 1980, Warfield Theater, San Francisco:
–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-