Tag Archives: The Cure

The Cure’s Robert Smith Shreds One British Rock Critic

Following The Cure’s two-night run in London benefiting the Teenage Cancer Trust, The Guardian critic Caroline Sullivan wrote a review complaining that the band played two many songs.”

Responding to a comment from a fan who disagreed, she responded:

“I have it on good authority that the band have read the review and liked it.”

On The Cure’s Facebook page Robert Smith responded:

“I have it on good authority that the band have read the review and liked it.” Caroline Sullivan… WHAAAT?!!

SHE WAS COMMENTING ON HER OWN GUARDIAN ‘REVIEW’ OF OUR EPIC 45 SONG 213 MINUTE FRIDAY RAH TEENAGE CANCER TRUST SHOW

TO BE CLEAR – AND ON THE BEST AUTHORITY – THE BAND HAVE INDEED READ THE REVIEW – BUT DID NOT LIKE IT!

THE REVIEW WAS – TO PUT IT POLITELY – LAZY NONSENSE… swampy… numbing… yet to work out how to build up a show… GULP!!!

BUT WE NOW KNOW WHERE WE HAVE BEEN GOING WRONG ALL THIS TIME: Condensed into 90 minutes, this would have been one of the gigs of the year

WE PLAY TOO MANY SONGS! DOH! BUT… IS IT NOT VERY OBVIOUS THAT WE PLAY OUR OWN SHOWS (AS OPPOSED TO FESTIVAL HEADLINES) FOR FANS OF THE BAND?

THAT IS WHY WE PLAY A MIX OF SONGS, AND WHY WE PLAY FOR AS LONG AS WE DO…

WHEN WE GO TO SEE AN ARTIST WE ARE FANS OF, WE DON’T WANT THE PERFORMANCE TO END… THAT’S WHAT BEING A FAN MEANS… ISN’T IT?

WE HAD TWO FANTASTIC NIGHTS, PLAYING TO GREAT CROWDS FOR A WONDERFUL CHARITY… THE GUARDIAN ‘REVIEW’ WAS SAD BITTER JUNK

PS. AS FOR THE TORYGRAPH HACK… sigh… ONWARDS

That wasn’t enough for Sullivan, so she wrote another piece in The Guardian, ending:

“OK, Robert. Buy you a drink?”

And got this in return on Facebook from Smith:

LAZY NONSENSICAL CONTENT ASIDE; WE WERE DRIVEN TO REACT TO CAROLINE SULLIVAN’S ‘REVIEW’ BY THE BLATANT DISHONESTY OF HER ACCOMPANYING COMMENT

“I have it on good authority that the band have read the review and liked it.” IT WAS SIMPLY TOO MUCH TO IGNORE…

HAVING EXPOSED THE LIE, WE FIGURED WE WOULD AT THE VERY LEAST GET SOME KIND OF A HANDS IN THE AIR “IT’S A FAIR COP GUV” FROM HER FOR ATTEMPTING SUCH A BANAL SELF SERVING DECEPTION… WE THOUGHT THERE MIGHT EVEN BE A FAINT CHANCE THAT SHE WOULD BE MOVED TO APOLOGISE TO HER READERS FOR MAKING STUFF UP!

BUT AS COMMENT BY COMMENT SHE DIGS HER EVASIVE HOLE A LITTLE DEEPER, IT WOULD SEEM WE HOPED FOR TOO MUCH…

A SHAME. WE ALWAYS THOUGHT THE GUARDIAN AND ITS JOURNALISTS VALUED TRUTH?

“OK, Robert. Buy you a drink?”… gulp!!!

HONESTLY? ummm… WE WOULD PREFER YOU JUST REVIEWED WITH A TAD MORE UNDERSTANDING AND HONESTY AND CONSIDERING LINES LIKE “Not as scary […] as Robert Smith in full fig” MAYBE THREW A FEW LESS STONES? OR MOVED OUT OF YOUR GLASS HOUSE?!!

“Rock is about grabbing people’s attention.” REALLY? THAT’S WHAT WE ARE SUPPOSED TO ‘BE ABOUT’? YOU THINK THAT’S IT? IT WOULD EXPLAIN A LOT

WE WILL NOW DRAW A LINE UNDER THE ‘SAD BITTER JUNK REVIEW’ EPISODE, AND SLIP BACK OUT INTO THE WORLD WITH A SHAKE OF THE HEAD AND A SMILE…

PREFERRING THE OLD GOTH DISNEY DICTUM TO ROCKER SIMMONS’;

“WE ARE NOT TRYING TO ENTERTAIN THE CRITICS; WE’LL TAKE OUR CHANCES WITH THE PUBLIC”

I love the English rock scene.

-– A Days of the Crazy-Wild blog post: sounds, visuals and/or news –

50 Best Debut Singles in Music History? Do You Agree?


The Clash’s “White Riot” comes in at #8.

Today Flavorwire offers up what they say are the 50 best debut singles in music history. Given that #1 is the Bad Brain’s “Pay To Cum,’ I’d say this list, like all such lists, is a big dodgy. Still, you might enjoy disagreeing. Or not.

1. Bay Brains, Pay To Cum”
2/ Azealia Banks, “212″
3. Bauhaus, “Bela Lugosi’s Dead”

4. Boys Next Door, “Shivers”
5. Kate Bush, “Wuthering Heights”
6. Tracy Chapman, “Fast Car”

7. Neneh Cherry, “Buffalo Stance”
8. The Clash, “White Riot”
9. Leonard Cohen, “Suzanne”
10. The Cure, “Killing an Arab”

For the rest of the list, head to Flavorwire.