Tag Archives: Rock’s Back Pages

Bob Dylan’s Beat Visions – A Rock’s Back Pages Excerpt

We’ve known for years that Bob Dylan borrowed melodies from older songs, and that particular songs and poems inspired him to write his own lyrics. In a nearly 12,000 word essay in the just published book, “Kerouac On Record: A Literary Soundtrack,” I detail just how extensively Dylan made use of Jack Kerouac’s writing in some of the songs Dylan wrote for Highway 61 Revisited.  You can read an excerpt from my essay at Rock’s Back Pages.

Here’s a bit of what you’ll find there:

‘No rhyme, all cut-up, no nothing, except something happening, which is words’

I couldn’t have written those songs back then. If I had just come out and sung “Desolation Row’ five years ago I probably would have been murdered – Bob Dylan to Nat Hentoff, autumn 1965, unpublished interview for Playboy

Following the 3 May 1965 publication of Jack Kerouac’s Desolation Angels, the publisher, Coward- McCann, a subsidiary of G. P. Putnam’s Sons, ran full-page ads in the Sunday Times Book Review, the daily New York Times, the New York Review of Books and elsewhere. If you were in New York, and dug Jack Kerouac, it would have been hard not to know that the “King of the Beats’ had a new novel in the stores.

Hi Lo Ha (the house Bob Dylan had just bought in Woodstock, New York, was where Dylan said he wrote the rest of Highway 61 Revisited in the six weeks between the 15 and 16 June sessions in Manhattan where “Like a Rolling Stone” (which he’d written in early June) was recorded, and the late July and early August sessions at which the rest of the Highway 61 Revisited album was completed. (Dylan, ever the poet, said that in one interview, but in another with Jann Wenner for Rolling Stone he said he wrote the Highway 61 song “Desolation Row” “in the back of a taxicab” in New York.)

More interesting than where the songs that comprise Highway 61 Revisited were written is that just six weeks after Desolation Angels was published, Dylan used the book as a major source of raw material for his new songs. “Desolation Row” took the first half of its title from Kerouac”s new book, and Dylan seems to have gotten the idea for the song’s main theme from Kerouac as well. In Desolation Angels, Kerouac writes about “Surrealistic Street,” and describes a wild cast of characters that he sees out on skid row. What is “Desolation Row,” as Dylan describes it in his song, if not a dark, at times horrific version of Kerouac”s “Surrealistic Street”?…

Read the excerpt here and buy the book here.

Cover of “Kerouac On Record.”
– A Days of the Crazy-Wild blog post –

Rock’s Back Pages ‘Rock Critic Excerpt’ From “The Flowers Lied”

RBP - final 2

Those awesome editors at Rock’s Back Pages have featured me and an excerpt from my new rock novel, The Flowers Lied, on the home page of their site.

In the excerpt. which is the third chapter of the book. the narrator, Michael Stein AKA Writerman, meets two of his rock critic heroes for the first time when he visits them at The Pad, the rather decrepit apartment where both critics live and work.

The introduction to the excerpt begins:

Michael Goldberg’s rock ‘n’ roll coming-of-age novel, The Flowers Lied, has just been published. Richard Meltzer wrote that Goldberg’s first novel, True Love Scars, was “Radioactive as Godzilla.” Goldberg has been called a “21st Century Kerouac” by Kerouac biographer Dennis McNally and compared to Lester Bangs by Rolling Stone. The new novel focuses on Writerman (Michael Stein) a sophomore at The University, which is located in Northern California on hill above a beach town not unlike Santa Cruz. He’s a music freak and wannabe writer – he struggles with a Captain Beefheart album review, and tries and fails to type a single word of the Great American Novel he is so desperate to write. He pursues a hip but traumatized 18-year-old artist named Elise, who introduces him to tequila and Almaden Red. And he becomes best friends with Jim AKA Thee Freakster Bro, the over-the-top, gregarious writer/poet/music obsessive stoner he first meets in True Love Scars.

Read the entire excerpt at Rock’s Back Pages. Enjoy!

– A Days of the Crazy-Wild blog post –

In The Dylan Zone: How Bob Dylan Changed My Life – Rock’s Back Pages Excerpts ‘True Love Scars’

Today the British music site, Rock’s Back Pages, features “In The Dylan Zone,” a long excerpt from my rock ‘n’ roll novel, True Love Scars.

The excerpt is all about what it’s like to hear Bob Dylan for the first time, how it changed the narrator’s life, and the life of the girl he is dating. It’s powerful stuff and if you’re a Dylan fan, I think you’ll be able to relate.

You’ll find the excerpt here at Rock’s Back Pages.

So I have a favor to ask of any of you who have enjoyed posts at this Days Of The Crazy-Wild blog during the near-year that I’ve been posting here. I’m asking for your support, and the way you can support me is to buy a copy of my rock ‘n’ roll novel, True Love Scars. The Kindle version is cheap — $2.99 — which is less than a penny a day. And if you do buy a copy, please leave a comment on this post so I can thank you. And if you read the book and like it, please post a short review at Amazon.

Here are the Amazon links:

Amazon US True Love Scars (Freak Scene Dream Trilogy Book 1)

Amazon UK

Amazon DE

Amazon FR

Amazon AU

There’s also a different, shorter excerpt in the latest issue of the online music zine, Perfect Sound Forever, which also went live yesterday.

You can read that excerpt here.

Introducing the excerpt, Perfect Sound Forever founder/editor Jason Gross writes:

“Writer/editor Michael Goldberg has had a pretty storied career. After working as an editor at Rolling Stone for 10 years, he went on to found the first online music magazine, called Addicted To Noise, and later became an editor and VP at another pioneering music site SonicNet (which would later fall under MTV’s umbrella).

“Goldberg is now turning his attention to fiction, coming up with the first book of a projected trilogy – True Love Scars, a stream of conscious coming-of-age story of a 19-year-old California kid who crawls through the refuse of the early ‘70s with an obsession for music, writing and women.”

Perfect Sound Forever has been covering great music since the mid-‘90s.

Gross has also been involved in getting some great compilation reissues released including two Kill Rock Star albums; one for Kleenex and one for Essential Logic.

Rock’s Back Pages excerpt.

Perfect Sound Forever excerpt.