Tag Archives: book

Michael Goldberg’s New Novel, “Untitled,” Now Available!!

Cover art, “Untitled,” by Leslie Goldberg.
Love, Truth, Innocence & Loyalty.

Sex, Drugs, Rock ‘n’ Roll & Betrayal.

It’s 1973 and the Sixties are gone, baby, gone. College sophomore Michael Stein has lost his way, betraying everyone once dear to him. Just when he thinks nothing could get worse, femme fatale Harper moves in, and his real troubles begin.

“Untitled” is now available in print and Kindle versions here.

Michael Goldberg – that’s me – will be doing a reading at the Octopus Literary Salon on Saturday, August 19, 2017 from 7 pm until 9 pm. More info here. Grammy winning experimental guitarist Henry Kaiser will accompany me on electric guitar. Henry will also so a 20 minute solo set!!

Henry Kaiser and friends. Photo by Michael Goldberg
Praise for the Freak Scene Dream Trilogy,including “Untitled”:

“Oral prose. School of Twain and Salinger. It’s improvised, and its immediate and delayed echoes, its ellipses, its obsessions, make music.” LARRY BECKETT, author of “Morning Glory” and “Paul Bunyan”

“Michael Goldberg’s sharply drawn characters, vivid musical nods, and keen eye for detail transport us back to the post-countercultural mid-1970s when sex and drugs and rock & roll were a way of life. In this third installment of the Freak Scene Dream Trilogy, antihero Writerman takes us along for the rollercoaster ride – angel dust, anyone? – while he tries to make sense of a life littered with broken hearts. A page-turner.” HOLLY GEORGE-WARREN, author of “A Man Called Destruction: The Life and Music of Alex Chilton”

“Relive the 1970s – the music, the dope, the clothes, the books, the confused and restless sexual politics – in all their filthy glory.” MARIA BUSTILLOS, author of “Dorkismo: the Macho of the Dork” and “Act Like a Gentleman, Think Like a Woman.”

“Michael Goldberg is comparable to Kerouac in a 21st centuryway, someone trying to use that language and energy and find a new way of doing it.” MARK MORDUE, author of “Dastgah: Diary of a Head Trip”

Michael Goldberg at The Octopus. Photograh by Wayne Hsiung
“Goldberg presents us with a beautiful evocation of the Seventies where the music wasn’t just the soundtrack to our lives but the auteur of them. Writerman, our hero, drinks and drugs and dances to the nightingale tune while birds fly high by the light of the moon. Oh, oh, oh, oh Writerman!” LARRY RATSO SLOMAN, author of “On the Road with Bob Dylan”

“Radioactive as Godzilla.” RICHARD MELTZER, author of “The Aesthetics of Rock”

“Penned in a staccato amphetamine grammar, its narrative is fractured and deranged, often unsettling but frequently compelling, an unsparing portrait of the teen condition: assured then despairing, would-be sex god then impotent has-been, an only child battling the wills of his domineering father and interfering mom in the anonymous, suburban fringes of Marin County.” SIMON WARNER, author of “Text and Drugs and Rock’n’Roll: The Beats and Rock Culture”

“So who is this protagonist anyway? Holden Caulfield meets Lord Buckley?” PAUL KRASSNER, author of “Confessions of a Raving, Unconfined Nut: Misadventures in the Counterculture”

“‘True Love Scars’ reads like a fever dream from the dying days of the Summer of Love. Keyed to a soundtrack of love and apocalypse, Writerman pitches headlong into a haze of drugs, sex and confusion in search of what no high can bring: his own redemption. Read it and be transformed.” ALINA SIMONE, author of “Note to Self” and “You Must Go and Win”

“True Love Scars is deeply dialed in to rock’s dichotomy of enlightening powers versus stonered party time.” GREG M. SCHWARTZ, PopMatters

“Michael Goldberg reminds us of the difficulties of remaining true to our own visions amidst the powerful exigencies of young adulthood.” JOLIE HOLLAND, recording artist, whose albums include Catalpa, Escondida and The Living and the Dead

“Untitled” is now available in print and Kindle versions here.

Michael Goldberg’s Third Novel, “Untitled,” Coming August 1, 2017

Cover art, “Untitled,” by Leslie Goldberg.

Love, Truth, Innocence & Loyalty

Sex, Drugs, Rock ‘n’ Roll & Betrayal

In the third book of the Freak Scene Dream Trilogy, “Untitled,” you’ll read about 19-year-old Michael Stein’s affair with 35-year-old feminist college teacher Susan “Simone” Braveheart, his unexpected reunion with Thee Freakster Bro, Jim Costello, and a crazy road trip to Big Sur with Simone that signals the end of their summer fling.

And you’ll be there when mysterious trouble girl Harper reappears, moves in with Michael Stein at Simone’s beach house and causes all kinds of, you guessed it, trouble.

Michael Stein is obsessed with sex. Only the sex is more than sex. Sex is the door to intimacy, and transcendence.

For Michael Stein, the Sixties ended in the nut house. Where they put the crazies. His parents blamed his erratic behavior on drugs. Michael Stein just blames himself.

Aware. Michael Stein is aware he has lived through one of the biggest social changes America has experienced. The trouble is, Michael Stein’s not aware that the biggest social change has already changed, moved on down the line.

The love is gone and all that’s left is the drugs.

The Freak Scene Dream Trilogy is one long deep breath. The exhale is obsessive, transgressive. How macho meets feminism. How second chakra rises up to third. Through all the women: Sarah, Elise, Jaded, Simone, Harper, Eve. A puff, a party, a tragedy—from marijuana to angel dust, teenage heartbreak to addiction, from “All You Need Is Love” to the junkie garage rock of the New York Dolls.

How the dream died and what there is left after.

If you dug “True Love Scars” or “The Flowers Lied,” come along for more of the ride as Writerman struggles to escape his past and invent a brave new life.

And if you didn’t read the first two books, never fear, “Untitled” is a stand alone novel that can be read and enjoyed without reading the other books.

“Untitled” by Michael Goldberg

Available August 2017.

Praise for the Freak Scene Dream trilogy

“Michael Goldberg is comparable to Kerouac in a 21st century
way, someone trying to use that language and energy and find a new way of doing it.” MARK MORDUE, author of “Dastgah: Diary of a Head Trip”

“Goldberg presents us with a beautiful evocation of the Seventies where the music wasn’t just the soundtrack to our lives but the auteur of them. Writerman, our hero, drinks and drugs and dances to the nightingale tune while birds fly high by the light of the moon. Oh, oh, oh, oh Writerman!” LARRY RATSO SLOMAN, author of “On the Road with Bob Dylan”

“Radioactive as Godzilla. RICHARD MELTZER, author of “The Aesthetics of Rock”

“Penned in a staccato amphetamine grammar, its narrative is fractured and deranged, often unsettling but frequently compelling, an unsparing portrait of the teen condition: assured then despairing, would-be sex god then impotent has-been, an only child battling the wills of his domineering father and interfering mom in the anonymous, suburban fringes of Marin County.” SIMON WARNER, author of “Text and Drugs and Rock’n’Roll: The Beats and Rock Culture”

“So who is this protagonist anyway? Holden Caulfield meets Lord Buckley?” PAUL KRASSNER, author of “Confessions of a Raving, Unconfined Nut: Misadventures in the Counterculture”

“‘True Love Scars’ reads like a fever dream from the dying days of the Summer of Love. Keyed to a soundtrack of love and apocalypse, Writerman pitches headlong into a haze of drugs, sex and confusion in search of what no high can bring: his own redemption. Read it and be transformed.” ALINA SIMONE, author of “Note to Self” and “You Must Go and Win”

“True Love Scars is deeply dialed in to rock’s dichotomy of enlightening powers versus stonered party time.” GREG M. SCHWARTZ, PopMatters

“Michael Goldberg reminds us of the difficulties of remaining true to our own visions amidst the powerful exigencies of young adulthood.” JOLIE HOLLAND, recording artist, whose albums include Catalpa, Escondida and The Living and the Dead

If you want to keep up with what I’m up to as a writer and blogger, please sign up for the Days of the Crazy-Wild Communique at:

www.daysofthecrazy-wild.com/novel/email

Writer Michael Goldberg Interviewed: Dylan, Rolling Stone & More

ATN MG int cover 2

Andrew Hamlin interviews me for Addicted To Noise.

Among other things I talk about how Bob Dylan, Captain Beefheart and Diane Arbus changed my life, some of the most difficult artist interviews of my rock journalism career, and how I wrote my latest novel. The Flowers Lied.

Here’s how the interview begins:

From his early rock writing, to a spot as a Rolling Stone mainstay, to a pioneering Web editor/publisher, to rock as literature, Michael Goldberg, founded of the original Addicted To Noise in 1994, keeps moving and keeps his thumb pushed down deep on the blurt.

Goldberg was immersed in the punk scene in the mid-1970’s, interviewing Patti Smith and The Ramones and the Talking Heads for stories that ran in the Berkeley Barb and the San Francisco Bay Guardian. The Clash nearly threw him out of a San Francisco recording studio, the Sex Pistols tried to break his tape recorder, and Frank Zappa said if Michael Goldberg was one of his fans he was in big trouble.

Prior to starting ATN, Goldberg was an associate editor and senior writer at Rolling Stone for 10 years. His writing has also appeared in Wired, Esquire, Vibe, Details, Downbeat, NME and numerous other publications.

Goldberg has recently published The Flowers Lied, the second of three books detailing the life, work, frustrations, and passions of his protagonist, Writerman.

Who were your earliest powerful influences, literary, musical, and otherwise?

It’s rare that something you read or hear has a direct, clear-cut influence…

Read the entire interview at Addicted To Noise.

– An Addicted To Noise blog post –

Rock’s Back Pages ‘Rock Critic Excerpt’ From “The Flowers Lied”

RBP - final 2

Those awesome editors at Rock’s Back Pages have featured me and an excerpt from my new rock novel, The Flowers Lied, on the home page of their site.

In the excerpt. which is the third chapter of the book. the narrator, Michael Stein AKA Writerman, meets two of his rock critic heroes for the first time when he visits them at The Pad, the rather decrepit apartment where both critics live and work.

The introduction to the excerpt begins:

Michael Goldberg’s rock ‘n’ roll coming-of-age novel, The Flowers Lied, has just been published. Richard Meltzer wrote that Goldberg’s first novel, True Love Scars, was “Radioactive as Godzilla.” Goldberg has been called a “21st Century Kerouac” by Kerouac biographer Dennis McNally and compared to Lester Bangs by Rolling Stone. The new novel focuses on Writerman (Michael Stein) a sophomore at The University, which is located in Northern California on hill above a beach town not unlike Santa Cruz. He’s a music freak and wannabe writer – he struggles with a Captain Beefheart album review, and tries and fails to type a single word of the Great American Novel he is so desperate to write. He pursues a hip but traumatized 18-year-old artist named Elise, who introduces him to tequila and Almaden Red. And he becomes best friends with Jim AKA Thee Freakster Bro, the over-the-top, gregarious writer/poet/music obsessive stoner he first meets in True Love Scars.

Read the entire excerpt at Rock’s Back Pages. Enjoy!

– A Days of the Crazy-Wild blog post –

Win A Copy of My Rock Novel, ‘The Flowers Lied’

Thrashers Wheat

Today my friends over at the awesome Neil Young site, Thrasher’s Wheat, are helping celebrate the release of my new rock ‘n’ roll coming-of-age novel, The Flowers Lied.

They’ve got a review of the book. Here’s an excerpt:

“Goldberg’s rock ‘n’ roll trilogy is an innovative coming-of-age experience tracing love and music-of-an-era. While nostalgic, it’s a beautiful evocation of a distant soundtrack still reverberating across the moonbeams like a lost Jack Kerouac in a 21st century Twitterverse with a kind of staccato amphetamine grammar that is fractured, deranged, unsettling yet compelling. A Catcher in the Rye 50+ years on, Holden Caulfield is now a hipster-hippie on a trip of misadventures in a counterculture world that’s more counter than culture where the Summer of Love turns into a Winter of War. Our hero “Writerman” careens through the haze and confusion to the true high of finding redemption and transformation.”

Also, an excerpt from a chapter in which the 19-year-old narrator and his college friend Jim attend a Neil Young concert in 1973. The narrator gets caught trying to film the concert with his Super8 camera (no cell phones back then), and they are both thrown out. While trying to find a way back in at the rear of the auditorium, they run into Neil Young as he’s about to board his tour bus. Read the excerpt to find out what happens and to get sense of what the book is like.

And finally, there’s a contest in which five winners will get print copies of the book, and five will get digital copies. The contest ends March 31, 2016 at 5 PM ET.

It’s all happening at Thrasher’s Wheat right now.

More Hype About My New Novel, The Flowers Lied

tfl-fb copy

Remember back when you first wanted to become a rock critic? Or perhaps first started reading rock reviews. Those are the days of The Flowers Lied, my new rock ‘n’ roll coming-of-age novel.

Writerman, the narrator, is a rock critic wannabe obsessed with music – favorites include Captain Beefheart, the Blue Oyster Cult, the 13th Floor Elevators, John Coltrane, Pearls Before Swine, Slim Harpo, Neil Young, Sam Rivers the New York Dolls and, of course, Bob Dylan.

If you grew up in the ‘60s or ‘70s, or ever wondered what it was really like to be a teenager back then, I think you’ll dig this novel.

Witness Writerman fighting his record buying addition at Odyssey Records as store owner Lucky Larry guzzles Green Death and applies the “upsell”, attending a Neil Young concert in 1973 and confronting Neil backstage, pursuing the Visions of Johanna chick of this dreams and ending up naked at the top of a Ferris wheel, alone with his best friend’s girl.

What the critics say about my novels:

“If Lester Bangs had ever published a novel it might have read like this frothing debut…” – Rolling Stone

“Radioactive as Godzilla!” – Richard Meltzer

“Kerouac in the 21st Century.” – Dennis McNally

“Penned in a staccato amphetamine grammar…” – Simon Warner

“Holden Caulfield meets Lord Buckley?” – Paul Krassner

More info here:

The Flowers Lied – Reviews

Novelist Michael Goldberg & Grammy Winner Henry Kaiser to Perform Together

tfl-fb copy

I’ll be reading from my new novel, The Flowers Lied, and the Grammy-winning experimental guitarist Henry Kaiser will be improvising when we do “a post-beat happening – words + music” on May 6, 2016 at The Octopus Literary Salon in Oakland, CA.

If you’re interested, check out the events Facebook page, “a post-beat happening.”

And please let your Bay Area friends know about this.

Here’s more info:

Celebrating ex-Rolling Stone Senior Writer Michael Goldberg’s new rock ‘n’ roll novel, The Flowers Lied, Goldberg and Grammy winning experimental guitarist Henry Kaiser will collaborate on “a post-beat happening” at The Octopus Literary Salon in Oakland, CA on Saturday, May 7, 2016. Goldberg will read from his new novel while Kaiser improvises on electric guitar. Plus a solo set by Kaiser. Note that no meat will be served during this event! Free.

What the critics say about Goldberg’s novels:

“Radioactive as Godzilla!” – Richard Meltzer

“Kerouac in the 21st Century.” – Dennis McNally

“Penned in a staccato amphetamine grammar…” – Simon Warner

“Holden Caulfield meets Lord Buckley?” – Paul Krassner

“Our hero drinks and drugs and dances to the nightingale tune while birds fly high by the light of the moon.” – Larry Ratso Sloman

“Reads like a fever dream from the dying days of the Summer of Love.” – Alina Simone

“If Lester Bangs had ever published a novel it might read something like this frothing debut by longtime music journalist Michael Goldberg.” – Colin Fleming, Rolling Stone

Michael Goldberg was a senior writer at Rolling Stone magazine for a decade. He has interviewed Jerry Garcia, Patti Smith, George Harrison, Captain Beefheart, Stevie Wonder, Sleater-Kinney, James Brown, Frank Zappa, Berry Gordy Jr., John Fogerty, Neil Young, Lou Reed, Black Flag, The Replacements, Flipper, Robbie Robertson, Sonic Youth and many more. In 1994 Goldberg launched the first Web music magazine, Addicted To Noise, and “invented music journalism on the web,” as journalist Denise Sullivan put it. Goldberg currently writes a column, The Drama You’ve Been Craving,” for Addicted To Noise and feature stories for the online animal rights magazine, The Daily Pitchfork.

“The Flowers Lied,” the second of the Freak Scene Dream Trilogy, is a story of love, friendship and the search for identity, set in the early ‘70s. Although it takes place in the past, themes running through the book — trying to live an authentic life, struggling against the powers that be, navigating the terrain between love and lust, loyalty and betrayal — are as relevant today as ever. Goldberg’s first novel, True Love Scars, was published in 2014.

Henry Kaiser in action - not to be missed.
Henry Kaiser in action – not to be missed.

Grammy winner Henry Kaiser is widely recognized as one of the most creative and innovative guitarists, improvisers, and producers in the fields of rock, jazz, world, and contemporary experimental musics. The California-based musician is one of the most extensively recorded as well, having appeared on more than 250 different albums and contributed to countless television and film soundtracks.

A restless collaborator who constantly seeks the most diverse and personally challenging contexts for his music, Mr. Kaiser not only produces and contributes to a staggering number of recorded projects, he performs frequently throughout the USA, Canada, Europe and Japan, with several regular groupings as well as solo guitar concerts and concerts of freely improvised music with a host of diverse instrumentalists. Among the numerous artists Kaiser has recorded or performed with are Herbie Hancock, Richard Thompson, David Lindley, Jerry Garcia, Steve Lacy, Fred Frith, Terry Riley, Negativland, Michael Stipe, Jim O’Rourke, Victoria Williams, Diamanda Galas and Cecil Taylor. Kaiser’s latest album, The Celestial Squid, was released last year.

The Octopus Literary Salon is located at 2101 Webster St #170, Oakland, CA 94612

Phone: (510) 844-4120

– A Days of the Crazy-Wild blog post –

Michael Goldberg’s Novel, The Flowers Lied, Due Soon

Just wanted to offer a preview of the cover art from my upcoming novel, The Flowers Lied.

The book, a rock ‘n’ roll coming-of-age novel, will be available in October.

If you are interested in reviewing it, let me know and I’ll get you an advance copy. Post a comment letting me know and I’ll be in touch.

Here’s some advance praise:

“There was a time when (rock) music was the living pulse of a generation, when wanting to be a rock critic was a credible dream. That is the era of the Freak Scene Dream Trilogy, an ambitious and ultimately successful attempt at recasting the coming-of-age-in-the-wake-of-the-sixties-experience in innovative but authentic language, Kerouac in the 21st century. It jitters around in ever-accumulating fine detail that traces young love and desire and the pure true heart of the era, the music. It was a pivotal time, and Volume II, ‘The Flowers Lied,’ captures it.” — DENNIS MCNALLY, author of “A Long Strange Trip: The Inside History of the Grateful Dead” and “Desolate Angel: Jack Kerouac, The Beat Generation & America”

“Goldberg presents us with a beautiful evocation of the Seventies where the music wasn’t just the soundtrack to our lives but the auteur of them. Writerman, our hero, drinks and drugs and dances to the nightingale tune while birds fly high by the light of the moon. Oh, oh, oh, oh Writerman!” — LARRY RATSO SLOMAN, author of “On the Road with Bob Dylan”

“Aspiring rock journalist Michael Stein (aka Writerman) returns in the second installment of Goldberg’s Freak Scene Dream Trilogy, picking up the narrative where he left off and fumbling his way across the countercultural landscape of the early Seventies like some less jaded, wannabe-hippie version of Holden Caulfield. This slightly-older-but-not-necessarily-wiser Stein, along with his inner circle of equally confused post-adolescents, is more fleshed-out as a character than in the previous (though superb) ‘True Love Scars.’ As a result the scenarios he finds himself thrust into, not to mention the occasional disaster of his own making, ring with an additional authenticity that will leave anyone who lived through the same era nodding with recognition. Some will even fidget uncomfortably in their seats, as I did—credit to Goldberg’s keen ability to channel his/our own misspent youth while sketching a series of remarkably believable portraits.

“Among the more memorable scenes: a hamfisted attempt to get his rock journalism published in the college newspaper, even more awkward attempts to get laid (that include at least one success, with his best friend’s girlfriend, no less, in a gondola at the top of a Ferris wheel), getting thrown out of a Neil Young concert by one of Bill Graham’s goons, navigating a surreal Halloween party while peaking on LSD, and kibitzing with a popular Lester Bangs-esque rock-crit. Along the way we get cameos from Bob Dylan, the Rolling Stones, Captain Beefheart, the New York Dolls, Slim Harpo, James Brown, John Fowles, Sartre, Dostoyevsky and Godard. Settle in, crack open a bottle and/or spark a doob, and get ready for an emotional rollercoaster ride. Oh, and don’t touch the Thorens.” — FRED MILLS, editor, Blurt magazine

And a few excerpts from reviews of my previous novel, True Love Scars:

“If Lester Bangs had ever published a novel it might have read something like this frothing debut by longtime music journalist Michael Goldberg… Readers from any musical era will come away with a deeper appreciation of how nostalgia can shape our lives, for better and for worse.” — COLIN FLEMING, Rolling Stone

“Michael Goldberg is comparable to Kerouac in a 21st century way, someone trying to use that language and energy and find a new way of doing it.” — MARK MORDUE, author of “Dastgah: Diary of a Head Trip”

“Penned in a staccato amphetamine grammar, its narrative is fractured and deranged, often unsettling but frequently compelling, an unsparing portrait of the teen condition: assured then despairing, would-be sex god then impotent has-been, an only child battling the wills of his domineering father and interfering mom in the anonymous, suburban fringes of Marin County.”
 — SIMON WARNER, author of “Text and Drugs and Rock’n’Roll: The Beats and Rock Culture”

“Just call it a portrait of the rock critic as a young freakster bro, coming of age in the glorious peace-and-love innocence of the Sixties dream, only to crash precipitously, post-Altamont into the drug-ridden paranoia of the Seventies, characterized by the doom and gloom of the Stones’ sinister “Sister Morphine” and the apocalyptic caw-caw-caw of a pair of ubiquitous crows.” — ROY TRAKIN, Trakin Care of Business column

– A Days of the Crazy-Wild blog post –

Santa Cruz Sentinel Digs ‘True Love Scars’ – ‘I was trying to take the rock & roll of that time and get it on the page’

This article in the Santa Cruz Sentinel about my novel, True Love Scars, was published recently.

I think the article does a great job of conveying some of what the book is about.

Writes journalist Wallace Baine:

The period of the early 1970s isn’t just a setting for Michael Goldberg’s new novel “True Love Scars.” It’s the orientation for everything in the book, the language, the tone, the references, the narrative.

“I was trying to get at the experience of being young in that time period,” said UC Santa Cruz grad Goldberg, a long-time writer for Rolling Stone. “Not just the drugs and the sex, but the deeper stuff, trying to figure out who you are in the world. I was trying to take the rock & roll of that time and get it on the page.”

The result is an unusual story, fueled by a prose designed to evoke the rambunctious, radical music of the era, with a rhythm and poetic sensibility much more like the rock records of the time than many other novels.

And at the end of the story:

[Goldberg] talks about one scene in the book taking place on the houseboats of Sausalito. “I was listening to the Stones’ (1971 album) ‘Sticky Fingers’ over and over again while I was writing that, really trying to get the mood of that album on the page. I wanted the chapter to feel like what it was like to listen to some of those songs in that period.

“Frankly, I think the ‘sound’ of the narration is quite original. The big idea that I kept in mind as I wrote was that anything goes, that this was as if a 24-year-old and his friend went to a bar in 1975, had a few drinks and then the 24-year-old turned to his friend and said, ‘Let me tell you how my heart was broken…’”

To read the rest of the story, head here.

I’ll be doing a very special reading in the Bay Area on Dec. 13 at 3 pm. As I read, Grammy-winning experimental guitarist Henry Kaiser will improvise on guitar.

The event, titled “a post-beat happening – words + guitar,” will take place at Down Home Music in El Cerrito, CA. Be there!

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

PopMatters Gives ‘True Love Scars’ a Rave Review – ‘a whirlwind tale of a young music fanatic’s quest’

Yesterday the pop culture site PopMatters, posted a terrific review of my novel “True Love Scars.”

PopMatters contributing editor Greg M. Schwartz writes:

…the novel is a whirlwind tale of a young music fanatic’s quest for true love, high times and “the authentic real” (not necessarily in that order).

Teenage protagonist Michael Stein, aka “Writerman”, lives in Marin County and longs to be a musician, or at least a music writer. He’s into almost all of the musical icons of the era, especially Bob Dylan. Writerman is obsessed with finding his “Visions of Johanna” chick, who eventually appears in the form of Sweet Sarah. But conflict is ordained from the start. Chapter One begins with Writerman speaking in a sort of fever dream about how he betrayed and lost Sarah and has been on a quest to redeem his crushed soul ever since.

And later in the review, talking about the narrator’s obsession with Bob Dylan, Schwartz writes:

He can analyze those Dylan lyrics all day. He and a girl who’s charmingly fond of speaking in Dylan lyrics pore over Dylan’s albums in a scene from 1965, going over his evolution as an artist. “First time I heard that Dylan song it saved my life,” Writerman says of “Like a Rolling Stone”. It’s a sentiment that speaks for several generations of rock ‘n’ rollers, from those who came of age in Goldberg’s era to the present. They get deep into Dylanology in the scene as Writerman speaks of how Dylan opened his eyes to “how almost nothing is what it appears to be and I think that’s when I got it in my head I got to figure out the authentic real, see the world for what it is and not the facade of delusional humans erect in front of the truth.”

That’s what great rock ‘n’ roll can do, and True Love Scars is deeply dialed in to rock’s dichotomy of enlightening powers versus stonered party time.

Read this excellent review of my novel at the PopMatters website.

[Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —