St. Vincent Reviews Arcade Fire’s “Reflektor”

Photo via The Talkhouse.

St. Vincent checks in with a fascinating review of Arcade Fire’s new one at The Talkhouse.

This crazy review starts like this:

Google search #1: Madonna “Like a Virgin” bass sound.
(The bass sound on “We Exist” vaguely reminded me of Madonna’s 1984 classic Like a Virgin.)
Result: Sequential Circuits Prophet 5
(Unconfirmed and will likely need to follow Nile Rodgers on Twitter and hope he @replies to my query directly.)

Unsatisfied, I contacted Jeremy Gara (Arcade Fire drummer) and asked what they’d used for the bass. Turns out it was NOT a Prophet but a Korg MS-20 — the vintage kind, not a new one or Reason, nerds! He even sent me a picture of the exact one! I was glad to have one pressing matter settled, but I continued down a Madonna rabbit hole and downloaded The Immaculate Collection. No “Oh Father”?????? Grievous oversight, Sire Records.

Related search: Is Seymour Stein still alive?
Result: Yes.

“FLASHBULB EYES” IS SUPER SICK AND DUBBY! KING TUBBY?! KING DUBBY?! AM I THE ONLY NON-STONED PERSON TO EVER MAKE THAT PUN?

For the rest of the review, head to The Talkhouse.

About Michael Goldberg

Michael Goldberg is a distinguished pioneer in the online music space; Newsweek magazine called him an ‘Internet visionary.’ In 1994 he founded Addicted To Noise (ATN), the highly influential music web site. He was a senior vice-president and editor in chief at SonicNet from March 1997 through May 2000. In 1997, Addicted To Noise won Webby awards for best music site in 1998 and 1999, and also won Yahoo Internet Life! awards for three years running as best music site in 1998, 1999 and 2000. Prior to starting Addicted To Noise, Goldberg was an editor and senior writer at Rolling Stone magazine for 10 years. His writing has also appeared in Wired, Esquire, Vibe, Details, Downbeat, NME and numerous other publications. Michael recently completed his first novel, Days of the Crazy-Wild, and is currently writing a second novel.

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