John Fogerty On Creedence Clearwater Revival: “the fine running machine was starting to get a little wobbly”

Creedence publicity still. John Fogerty at far right.

John Fogerty talks about why he’s playing the entire Creedence album Cosmo’s Factory, in an interview with the Washington Post that ran today.

“Well, it was actually an idea my wife said to me one day. . . ,” Fogerty said in the interview. “I went: ‘Gee, I don’t know, honey. Why would anybody want to do that?’ But the more I thought about it, what it did was it kind of placed you in that era. And it made you remember a lot of stuff that was around the album. I’m a fan, I buy albums, too. I sure remember sitting with Elvis’s first album, I don’t know how many thousands of times. Or Buddy Holly and the Crickets’ first album. And you sit there and you’re listening. You’re just in that place because it was so magical. And somehow that stays in you. That little chapter gets tucked away in your brain even though you live another 40 years. But somehow going and doing that, listening to the whole record puts you right back in that place you were all those years ago when you did it that way. . . . It’s a pretty fascinating phenomenon really.”

Talking about his role in Creedence, Fogerty said, ” I was a very strong leader, and I had a mountain, a whole roomful of musical ideas. So I was sort of an unstoppable force. Basically the hardest part was just getting the band up to speed musically so they could record and accomplish these songs. And also just to be in sync and on the same page, wanting to do it. As the success and time went on and got greater there was more and more dissension within the band. You mention how other bands are. What happens then is you spend half your time in the political realm, meaning, well, ‘I don’t know if I want to do that song.’ Or, ‘I want to come up with my own song.’

“That takes time,” Fogerty continued. “There’s a lot of time being consumed in bands where everybody’s having their say, then you have a meeting, you take a vote — you see what I’m getting at. But basically, Cosmo’s Factory was really the very end of me being very strong and very pure and very clear in my direction. And after that . . . the fine running machine was starting to get a little wobbly. Democracy’s a wonderful thing. But as we all know in America, it’s really hard to manage.”

For more, head to the Washington Post.

Check out Creedence live at the Royal Albert Hall, 1970:

About Michael Goldberg

Michael Goldberg is a distinguished pioneer in the online music space; Newsweek magazine called him an ‘Internet visionary.’ In 1994 he founded Addicted To Noise (ATN), the highly influential music web site. He was a senior vice-president and editor in chief at SonicNet from March 1997 through May 2000. In 1997, Addicted To Noise won Webby awards for best music site in 1998 and 1999, and also won Yahoo Internet Life! awards for three years running as best music site in 1998, 1999 and 2000. Prior to starting Addicted To Noise, Goldberg was an editor and senior writer at Rolling Stone magazine for 10 years. His writing has also appeared in Wired, Esquire, Vibe, Details, Downbeat, NME and numerous other publications. Michael recently completed his first novel, Days of the Crazy-Wild, and is currently writing a second novel.

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