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Live: The Dylan-Kerouac Connection

Jack Kerouac (left) and Bob Dylan.

To celebrate Bob Dylan’s birthday, a very special event, “The Dylan-Kerouac Connection,” will be held in Berkeley, CA on Friday, May 18, 2018.

Former Rolling Stone Senior Writer/ West Coast Music Editor Michael Goldberg and acclaimed Bay Area singer/guitarist Johnny Harper will be collaborating on a night of words about and music by Bob Dylan.

Goldberg will read from his new essay, “Bob Dylan’s Beat Visions (Sonic Poetry),” which has just been published in the book “Kerouac On Record” (Bloomsbury). Harper will perform exciting solo versions of “Desolation Row,” “Just Like Tom Thumb’s Blues,” Mr. Tambourine Man,” “A Hard Rain’s a-Gonna Fall,” “Like a Rolling Stone” and more!

The two set evening will begin at 7:30 pm at The Art House Gallery & Cultural Center, 2905 Shattuck Avenue, Berkeley, CA. Doors open at 6:30 pm.

Goldberg’s essay focuses on how Jack Kerouac and other Beat writers had a profound influence on the songwriting of Bob Dylan. In reviewing “Kerouac On Record,” Mojo magazine wrote: “Among the strongest in a strong lot are Michael Goldberg’s examination of Dylan’s lit roots and Kerouac’s own musicological piece — ‘The Beginning Of Bop’ – that attempts to capture jazz in words – and succeeds.”

Johnny Harper is a well-known Bay Area singer, lead guitarist, songwriter, bandleader, arranger, and producer of recordings and concerts.

Harper has been known, for many years, for leading rockin’ bands (Johnny Harper & Carnival and the earlier Hot Links) specializing in the joyous, upbeat, and funky New Orleans R&B sound – the music of artists like Allen Toussaint, Dr. John, the Meters/ Neville Brothers, Professor Longhair, Fats Domino, and many more. He lived in New Orleans for several years at one point, soaking up the Crescent City’s magic first-hand.

In addition to his work in bands, Johnny is a powerful solo performer, accompanying himself in complex lead/rhythm and finger-picking styles on electric and acoustic guitars. He is a veteran performer in a wider range of American roots music styles – blues and gospel, vintage rock and classic country, R&B/ soul, traditional and contemporary folk, and more. He is an expert on the music of The Band, and knows over 100 Bob Dylan songs! And he is a born storyteller whose comments on the music are by turns moving and highly entertaining.

The show will take place at: The Art House Gallery & Cultural Center, 2905 Shattuck Avenue, Berkeley, CA. Suggested donation: $15.00 – $25.00

For additional info, please contact Johnny Harper: jjmusic@ix.netcom.com

– A Days of the Crazy-Wild post –

Bob Dylan’s Beat Visions – A Rock’s Back Pages Excerpt

We’ve known for years that Bob Dylan borrowed melodies from older songs, and that particular songs and poems inspired him to write his own lyrics. In a nearly 12,000 word essay in the just published book, “Kerouac On Record: A Literary Soundtrack,” I detail just how extensively Dylan made use of Jack Kerouac’s writing in some of the songs Dylan wrote for Highway 61 Revisited.  You can read an excerpt from my essay at Rock’s Back Pages.

Here’s a bit of what you’ll find there:

‘No rhyme, all cut-up, no nothing, except something happening, which is words’

I couldn’t have written those songs back then. If I had just come out and sung “Desolation Row’ five years ago I probably would have been murdered – Bob Dylan to Nat Hentoff, autumn 1965, unpublished interview for Playboy

Following the 3 May 1965 publication of Jack Kerouac’s Desolation Angels, the publisher, Coward- McCann, a subsidiary of G. P. Putnam’s Sons, ran full-page ads in the Sunday Times Book Review, the daily New York Times, the New York Review of Books and elsewhere. If you were in New York, and dug Jack Kerouac, it would have been hard not to know that the “King of the Beats’ had a new novel in the stores.

Hi Lo Ha (the house Bob Dylan had just bought in Woodstock, New York, was where Dylan said he wrote the rest of Highway 61 Revisited in the six weeks between the 15 and 16 June sessions in Manhattan where “Like a Rolling Stone” (which he’d written in early June) was recorded, and the late July and early August sessions at which the rest of the Highway 61 Revisited album was completed. (Dylan, ever the poet, said that in one interview, but in another with Jann Wenner for Rolling Stone he said he wrote the Highway 61 song “Desolation Row” “in the back of a taxicab” in New York.)

More interesting than where the songs that comprise Highway 61 Revisited were written is that just six weeks after Desolation Angels was published, Dylan used the book as a major source of raw material for his new songs. “Desolation Row” took the first half of its title from Kerouac”s new book, and Dylan seems to have gotten the idea for the song’s main theme from Kerouac as well. In Desolation Angels, Kerouac writes about “Surrealistic Street,” and describes a wild cast of characters that he sees out on skid row. What is “Desolation Row,” as Dylan describes it in his song, if not a dark, at times horrific version of Kerouac”s “Surrealistic Street”?…

Read the excerpt here and buy the book here.

Cover of “Kerouac On Record.”
– A Days of the Crazy-Wild blog post –

Michael Goldberg’s New Novel, “Untitled,” Now Available!!

Cover art, “Untitled,” by Leslie Goldberg.
Love, Truth, Innocence & Loyalty.

Sex, Drugs, Rock ‘n’ Roll & Betrayal.

It’s 1973 and the Sixties are gone, baby, gone. College sophomore Michael Stein has lost his way, betraying everyone once dear to him. Just when he thinks nothing could get worse, femme fatale Harper moves in, and his real troubles begin.

“Untitled” is now available in print and Kindle versions here.

Michael Goldberg – that’s me – will be doing a reading at the Octopus Literary Salon on Saturday, August 19, 2017 from 7 pm until 9 pm. More info here. Grammy winning experimental guitarist Henry Kaiser will accompany me on electric guitar. Henry will also so a 20 minute solo set!!

Henry Kaiser and friends. Photo by Michael Goldberg
Praise for the Freak Scene Dream Trilogy,including “Untitled”:

“Oral prose. School of Twain and Salinger. It’s improvised, and its immediate and delayed echoes, its ellipses, its obsessions, make music.” LARRY BECKETT, author of “Morning Glory” and “Paul Bunyan”

“Michael Goldberg’s sharply drawn characters, vivid musical nods, and keen eye for detail transport us back to the post-countercultural mid-1970s when sex and drugs and rock & roll were a way of life. In this third installment of the Freak Scene Dream Trilogy, antihero Writerman takes us along for the rollercoaster ride – angel dust, anyone? – while he tries to make sense of a life littered with broken hearts. A page-turner.” HOLLY GEORGE-WARREN, author of “A Man Called Destruction: The Life and Music of Alex Chilton”

“Relive the 1970s – the music, the dope, the clothes, the books, the confused and restless sexual politics – in all their filthy glory.” MARIA BUSTILLOS, author of “Dorkismo: the Macho of the Dork” and “Act Like a Gentleman, Think Like a Woman.”

“Michael Goldberg is comparable to Kerouac in a 21st centuryway, someone trying to use that language and energy and find a new way of doing it.” MARK MORDUE, author of “Dastgah: Diary of a Head Trip”

Michael Goldberg at The Octopus. Photograh by Wayne Hsiung
“Goldberg presents us with a beautiful evocation of the Seventies where the music wasn’t just the soundtrack to our lives but the auteur of them. Writerman, our hero, drinks and drugs and dances to the nightingale tune while birds fly high by the light of the moon. Oh, oh, oh, oh Writerman!” LARRY RATSO SLOMAN, author of “On the Road with Bob Dylan”

“Radioactive as Godzilla.” RICHARD MELTZER, author of “The Aesthetics of Rock”

“Penned in a staccato amphetamine grammar, its narrative is fractured and deranged, often unsettling but frequently compelling, an unsparing portrait of the teen condition: assured then despairing, would-be sex god then impotent has-been, an only child battling the wills of his domineering father and interfering mom in the anonymous, suburban fringes of Marin County.” SIMON WARNER, author of “Text and Drugs and Rock’n’Roll: The Beats and Rock Culture”

“So who is this protagonist anyway? Holden Caulfield meets Lord Buckley?” PAUL KRASSNER, author of “Confessions of a Raving, Unconfined Nut: Misadventures in the Counterculture”

“‘True Love Scars’ reads like a fever dream from the dying days of the Summer of Love. Keyed to a soundtrack of love and apocalypse, Writerman pitches headlong into a haze of drugs, sex and confusion in search of what no high can bring: his own redemption. Read it and be transformed.” ALINA SIMONE, author of “Note to Self” and “You Must Go and Win”

“True Love Scars is deeply dialed in to rock’s dichotomy of enlightening powers versus stonered party time.” GREG M. SCHWARTZ, PopMatters

“Michael Goldberg reminds us of the difficulties of remaining true to our own visions amidst the powerful exigencies of young adulthood.” JOLIE HOLLAND, recording artist, whose albums include Catalpa, Escondida and The Living and the Dead

“Untitled” is now available in print and Kindle versions here.

Michael Goldberg & Henry Kaiser at Octopus Literary Salon

Celebrating ex-Rolling Stone Senior Writer Michael Goldberg’s new rock ‘n’ roll novel, “Untitled,” Goldberg and Grammy winning experimental guitarist Henry Kaiser will collaborate on “a post-beat happening” at The Octopus Literary Salon in Oakland, CA on Saturday, August 19, 2017. Goldberg will read from his new novel while Kaiser improvises on electric guitar. Plus a solo set by Kaiser. Note that no meat will be served during this event! Free.

This will mark Goldberg and Kaiser’s third collaboration. When they appeared at The Octopus last year it was standing-room-only. Come early!

If you think you can attend, please go to the Facebook event page and clock “going” or “interested.”

Cover art, “Untitled,” by Leslie Goldberg.

What the critics say about Goldberg’s novels:

“Michael Goldberg’s sharply drawn characters, vivid musical nods, and keen eye for detail transport us back to the post-countercultural mid-1970s when sex and drugs and rock & roll were a way of life. In this third installment of the Freak Scene Dream Trilogy, antihero Writerman takes us along for the rollercoaster ride – angel dust, anyone? – while he tries to make sense of a life littered with broken hearts. A page-turner.” – Holly George Warren, editor of “The Rolling Stone Book of the Beats” and the author of the acclaimed bio, “A Man Called Destruction: The Life and Music of Alex Chilton”

“Oral prose. School of Twain and Salinger. It’s improvised, and its immediate and delayed echoes, its ellipses, its obsessions, make music.” – Larry Beckett, author of “Morning Glory” and “Paul Bunyan.”.
“Radioactive as Godzilla!” – Richard Meltzer, author of “The Aesthetics of Rock” and “Tropic of Nipples”

“Kerouac in the 21st Century.” – Dennis McNally, author of “Desolate Angel: Jack Kerouac, The Beat Generation & America”

“Penned in a staccato amphetamine grammar…” – Simon Warner. author of “Text and Drugs and Rock’n’Roll: The Beats and Rock Culture”

“Holden Caulfield meets Lord Buckley?” – Paul Krassner, founder of The Realist

“Our hero drinks and drugs and dances to the nightingale tune while birds fly high by the light of the moon.” – Larry Ratso Sloman, author of “On the Road with Bob Dylan”

“Reads like a fever dream from the dying days of the Summer of Love.” – Alina Simone, musician, author of “Note to Self” and “You Must Go and Win”

“If Lester Bangs had ever published a novel it might read something like this frothing debut by longtime music journalist Michael Goldberg.” – Colin Fleming, Rolling Stone

Michael Goldberg at The Octopus. Photograh by Wayne Hsiung

Michael Goldberg was a senior writer at Rolling Stone magazine for a decade. He has interviewed Jerry Garcia, Patti Smith, George Harrison, Captain Beefheart, Stevie Wonder, Sleater-Kinney, James Brown, Frank Zappa, Berry Gordy Jr., John Fogerty, Neil Young, Lou Reed, Black Flag, The Replacements, Flipper, Robbie Robertson, Sonic Youth and many more. In 1994 Goldberg launched the first Web music magazine, Addicted To Noise, and “invented music journalism on the web,” as journalist Denise Sullivan put it. Goldberg currently writes an occasional column, The Drama You’ve Been Craving,” for Addicted To Noise. His 10,000 word essay, “Bob Dylan’s Beat Visions,” will be included in the book “Kerouac On Record,” due from Bloomsbury in February 2018.

“Untitled,” the third of the Freak Scene Dream Trilogy, is a story of love, friendship and the search for identity, set in the early ‘70s. Although it takes place in the past, themes running through the book — trying to live an authentic life, struggling against the powers that be, navigating the terrain between love and lust, loyalty and betrayal — are as relevant today as ever. Goldberg’s first novel, “True Love Scars,” was published in 2014; his second, “The Flowers Lied,” was published in 2016.

Henry Kaiser and friends. Photo by Michael Goldberg

Grammy winner Henry Kaiser is widely recognized as one of the most creative and innovative guitarists, improvisers, and producers in the fields of rock, jazz, world, and contemporary experimental musics. The California-based musician is one of the most extensively recorded as well, having appeared on more than 250 different albums and contributed to countless television and film soundtracks.

A restless collaborator who constantly seeks the most diverse and personally challenging contexts for his music, Mr. Kaiser not only produces and contributes to a staggering number of recorded projects, he performs frequently throughout the USA, Canada, Europe and Japan, with several regular groupings as well as solo guitar concerts and concerts of freely improvised music with a host of diverse instrumentalists. Among the numerous artists Kaiser has recorded or performed with are Herbie Hancock, Richard Thompson, David Lindley, Jerry Garcia, Steve Lacy, Fred Frith, Terry Riley, Negativland, Michael Stipe, Jim O’Rourke, Victoria Williams, Diamanda Galas and Cecil Taylor. Kaiser’s latest album, The Celestial Squid, was released last year.

The Octopus Literary Salon is located at 2101 Webster St #170, Oakland, CA 94612

Phone: (510) 844-4120

Michael Goldberg’s Third Novel, “Untitled,” Coming August 1, 2017

Cover art, “Untitled,” by Leslie Goldberg.

Love, Truth, Innocence & Loyalty

Sex, Drugs, Rock ‘n’ Roll & Betrayal

In the third book of the Freak Scene Dream Trilogy, “Untitled,” you’ll read about 19-year-old Michael Stein’s affair with 35-year-old feminist college teacher Susan “Simone” Braveheart, his unexpected reunion with Thee Freakster Bro, Jim Costello, and a crazy road trip to Big Sur with Simone that signals the end of their summer fling.

And you’ll be there when mysterious trouble girl Harper reappears, moves in with Michael Stein at Simone’s beach house and causes all kinds of, you guessed it, trouble.

Michael Stein is obsessed with sex. Only the sex is more than sex. Sex is the door to intimacy, and transcendence.

For Michael Stein, the Sixties ended in the nut house. Where they put the crazies. His parents blamed his erratic behavior on drugs. Michael Stein just blames himself.

Aware. Michael Stein is aware he has lived through one of the biggest social changes America has experienced. The trouble is, Michael Stein’s not aware that the biggest social change has already changed, moved on down the line.

The love is gone and all that’s left is the drugs.

The Freak Scene Dream Trilogy is one long deep breath. The exhale is obsessive, transgressive. How macho meets feminism. How second chakra rises up to third. Through all the women: Sarah, Elise, Jaded, Simone, Harper, Eve. A puff, a party, a tragedy—from marijuana to angel dust, teenage heartbreak to addiction, from “All You Need Is Love” to the junkie garage rock of the New York Dolls.

How the dream died and what there is left after.

If you dug “True Love Scars” or “The Flowers Lied,” come along for more of the ride as Writerman struggles to escape his past and invent a brave new life.

And if you didn’t read the first two books, never fear, “Untitled” is a stand alone novel that can be read and enjoyed without reading the other books.

“Untitled” by Michael Goldberg

Available August 2017.

Praise for the Freak Scene Dream trilogy

“Michael Goldberg is comparable to Kerouac in a 21st century
way, someone trying to use that language and energy and find a new way of doing it.” MARK MORDUE, author of “Dastgah: Diary of a Head Trip”

“Goldberg presents us with a beautiful evocation of the Seventies where the music wasn’t just the soundtrack to our lives but the auteur of them. Writerman, our hero, drinks and drugs and dances to the nightingale tune while birds fly high by the light of the moon. Oh, oh, oh, oh Writerman!” LARRY RATSO SLOMAN, author of “On the Road with Bob Dylan”

“Radioactive as Godzilla. RICHARD MELTZER, author of “The Aesthetics of Rock”

“Penned in a staccato amphetamine grammar, its narrative is fractured and deranged, often unsettling but frequently compelling, an unsparing portrait of the teen condition: assured then despairing, would-be sex god then impotent has-been, an only child battling the wills of his domineering father and interfering mom in the anonymous, suburban fringes of Marin County.” SIMON WARNER, author of “Text and Drugs and Rock’n’Roll: The Beats and Rock Culture”

“So who is this protagonist anyway? Holden Caulfield meets Lord Buckley?” PAUL KRASSNER, author of “Confessions of a Raving, Unconfined Nut: Misadventures in the Counterculture”

“‘True Love Scars’ reads like a fever dream from the dying days of the Summer of Love. Keyed to a soundtrack of love and apocalypse, Writerman pitches headlong into a haze of drugs, sex and confusion in search of what no high can bring: his own redemption. Read it and be transformed.” ALINA SIMONE, author of “Note to Self” and “You Must Go and Win”

“True Love Scars is deeply dialed in to rock’s dichotomy of enlightening powers versus stonered party time.” GREG M. SCHWARTZ, PopMatters

“Michael Goldberg reminds us of the difficulties of remaining true to our own visions amidst the powerful exigencies of young adulthood.” JOLIE HOLLAND, recording artist, whose albums include Catalpa, Escondida and The Living and the Dead

If you want to keep up with what I’m up to as a writer and blogger, please sign up for the Days of the Crazy-Wild Communique at:

www.daysofthecrazy-wild.com/novel/email

Poet Larry Beckett & Michael Goldberg to Read at The Octopus

An Evening of Poetry & Prose: Larry Beckett & Michael Goldberg

Celebrated poet and songwriter Larry Beckett will be reading from his epic poem, “Paul Bunyan,” for the first time in the Bay Area at The Octopus Literary Salon in Oakland, CA on Thursday, March 30, 2017. Joining Larry Beckett will be novelist and former Rolling Stone Senior Writer Michael Goldberg, who will read from his new novel, “Untitled.” The reading will begin at 7 pm.

If you are interested in attending, please head over to the event Facebook page and let me know.

Larry Beckett’s “Paul Bunyan” re-tells the legend of the giant lumberjack for the twenty-first century. Drawing on logger folklore, James Stevens’ stories and the Davy Crockett almanacs, Larry Beckett’s poem is a modern epic in ‘long-winded’ blank verse. It is a celebration of the everyday poetry of colloquial North American English, loose and rough, bragging and unbelievable.

Larry Beckett’s songs have been recorded by musicians all over the world; “Song to the Siren,” which he wrote with Tim Buckley, has been covered by David Gray, Robert Plant, Bryan Ferry, George Michael and Sinead O’Connor. Larry Beckett’s other books include “Songs and Sonnets” and “Beat Poetry.” He has translated many poets, including Heraclitus, Goethe and Li Po. He lives in Portland, Oregon.

About “Paul Bunyan,” San Francisco Poet Laureate Jack Hirschman wrote: “A terrific, epic-like poem based on the story of Paul Bunyan, in which Beckett creates a gigantic working-class type who is also everything and everyone. He’s mythic and his shibboleth is: Work. Beckett has written a rollicking, truly inventive long poem whose lines are sustained by a brilliant haiku-syllablation (each line has 12-15 syllables) coupled with images that bring the Bunyan myth right into the 21st Century. Certainly Beckett’s finest work to date.”

“Paul Bunyan” publisher’s page for more info is here.

Michael Goldberg is the author of three novels, “True Love Scars,” “The Flowers Lied” and “Untitled,” which comprise the Freak Scene Dream Trilogy, a rock ‘n’ roil coming-of-age story set in the late Sixties and early Seventies.

What the critics say about Goldberg’s novels:

“Radioactive as Godzilla!” – Richard Meltzer

“Kerouac in the 21st Century.” – Dennis McNally

“Penned in a staccato amphetamine grammar…” – Simon Warner

“Holden Caulfield meets Lord Buckley?” – Paul Krassner

“Our hero drinks and drugs and dances to the nightingale tune while birds fly high by the light of the moon.” – Larry Ratso Sloman

“If Lester Bangs had ever published a novel it might read something like this frothing debut by longtime music journalist Michael Goldberg.” – Colin Fleming, Rolling Stone

The Octopus Literary Salon is located at 2101 Webster St #170, Oakland, CA 94612

Phone: (510) 844-4120

Event Facebook page.

Bob Dylan Sings From the Autumn of His Life

fallen

Part two of his Sinatra sessions are heavy with meaning, and a whole lot of fun too

By Michael Goldberg

A fallen angel is an angel who has sinned and been cast out of heaven.

“Everybody knows that torch singers are ‘fallen angels,’…” – Torch Singing: Performing Resistance and Desire from Billie Holiday to Edith Piaf by Stacy Holman Jones

Bob Dylan showed up at Daniel Lanois’ house in Los Angeles sometime in the later half of 2014 with recordings of 21 songs he’d made at the beginning of the year at the legendary Capitol Records Studio B in Hollywood where Frank Sinatra, Buck Owens, Merle Haggard, the Beach Boys and many others once made records.

“He [Dylan] said, ‘Let me tell you, Dan: If you have the time, can I tell you how I grew up?’ So we sat in the kitchen. I hadn’t heard a note.
“He spoke for an hour and a half on how, as a kid, you couldn’t even get pictures of anybody [the artists],” Lanois, who produced two Dylan albums, 1989’s Oh Mercy, and 1997’s Time Out Of Mind, recounted to a reporter from the Vancouver Sun in February of 2015. “You might get a record but you didn’t know what they [the artist] looked like. So there was a lot of mystery associated with the work at the time. As far as hearing live music, he only heard a couple of shows a year, like the Tommy Dorsey Orchestra might come through.

“But the music he did hear really touched him and he felt that a lot of that music was written not only by great professional songwriters at the time, but a lot of it was written from the heart, from the wartime, and people just pining for a lover. He felt there was a lot of spirit in that music. He felt there was a kind of beauty, a sacred ground for him.

“After having said all that, we then listened to the music and I felt everything that he talked about. For one of America’s great writers to say, ‘I’m not gonna write a song. I’m gonna pay homage to what shook me as a young boy,’ I thought was very graceful and dignified.”

Ten of the recordings Lanois heard that day were released on Dylan’s wonderful 2015 album, Shadows in the Night. What happened to the others is something of a mystery.

Read the rest of this review at Addicted To Noise.

– A Days of the Crazy-Wild blog post –

Video: Michael Goldberg & Henry Kaiser Do Neil Young

Michael Goldberg & Henry Kaiser, May 7, 2016.
Michael Goldberg & Henry Kaiser, May 7, 2016.

Last night (May 7, 2016) myself and the amazing experimental guitarist Henry Kaiser gave a reading to a standing-room-only audience at The Octopus Literary Salon in Oakland, CA.

Henry opened with a 20 minute solo electric guitar set of improvisations utilizing several guitars and a bank of effects pedals as well as a strange box that produced drum and bass based on what Henry played.

Then I joined Henry on the stage to read ten excerpts from my new rock ‘n’ roll coming-of-age novel, The Flowers Lied.

This reading was very special because Henry was accompanying me on guitar and machines. We had done this only once before, back in 2014, at Down Home Music. That was a great show, but it was totally different. Completely different vibe.

I read five longer excerpts with an “interlude” devoted to a musician or song between each. The first was about Skippy James and “I’m So Glad,” then Dylan’s “Like a Rolling Stone,” John Coltrane’s “A Love Supreme” and Neil Young. Below you can hear “Interlude #4: Neil Young.”

For me, it was so very intense to stand there before the audience, all eyes on the two of us, and read words I’d spent more than six years perfecting. I had been reading my novel aloud as I wrote it. Every day for six years I read some of it aloud. Every page was read aloud and every revised page. I knew the sound of my words, my sentences, my paragraphs. I knew the rhythms of those sentences, and the music they make.

I had read in the privacy of my office. I had read before the members of three writers groups I was in: The Dangerous Writers group in Portland in 2008 and some of 2009 where all the early work got done, another group in Inverness, CA in late 2009 and 2010, and the group I led in Oakland and El Cerrito from late 2010 to late 2013.

And yet this was totally different. There really is nothing like reading before an audience in a public space, an audience silent because they want to hear the words and the music, the music of the words and the music of the music.

Here’s a taste of what went down. This is a brief excerpt from a chapter in which the narrator and his friend go to a Neil Young concert in late 1972. The first line is cut off. So I’ll tell you what it is:

“I dig Neil the most, beginning in his Buffalo Springfield days…”

– A Days of the Crazy-Wild blog post –

Rock’s Back Pages ‘Rock Critic Excerpt’ From “The Flowers Lied”

RBP - final 2

Those awesome editors at Rock’s Back Pages have featured me and an excerpt from my new rock novel, The Flowers Lied, on the home page of their site.

In the excerpt. which is the third chapter of the book. the narrator, Michael Stein AKA Writerman, meets two of his rock critic heroes for the first time when he visits them at The Pad, the rather decrepit apartment where both critics live and work.

The introduction to the excerpt begins:

Michael Goldberg’s rock ‘n’ roll coming-of-age novel, The Flowers Lied, has just been published. Richard Meltzer wrote that Goldberg’s first novel, True Love Scars, was “Radioactive as Godzilla.” Goldberg has been called a “21st Century Kerouac” by Kerouac biographer Dennis McNally and compared to Lester Bangs by Rolling Stone. The new novel focuses on Writerman (Michael Stein) a sophomore at The University, which is located in Northern California on hill above a beach town not unlike Santa Cruz. He’s a music freak and wannabe writer – he struggles with a Captain Beefheart album review, and tries and fails to type a single word of the Great American Novel he is so desperate to write. He pursues a hip but traumatized 18-year-old artist named Elise, who introduces him to tequila and Almaden Red. And he becomes best friends with Jim AKA Thee Freakster Bro, the over-the-top, gregarious writer/poet/music obsessive stoner he first meets in True Love Scars.

Read the entire excerpt at Rock’s Back Pages. Enjoy!

– A Days of the Crazy-Wild blog post –

Win A Copy of My Rock Novel, ‘The Flowers Lied’

Thrashers Wheat

Today my friends over at the awesome Neil Young site, Thrasher’s Wheat, are helping celebrate the release of my new rock ‘n’ roll coming-of-age novel, The Flowers Lied.

They’ve got a review of the book. Here’s an excerpt:

“Goldberg’s rock ‘n’ roll trilogy is an innovative coming-of-age experience tracing love and music-of-an-era. While nostalgic, it’s a beautiful evocation of a distant soundtrack still reverberating across the moonbeams like a lost Jack Kerouac in a 21st century Twitterverse with a kind of staccato amphetamine grammar that is fractured, deranged, unsettling yet compelling. A Catcher in the Rye 50+ years on, Holden Caulfield is now a hipster-hippie on a trip of misadventures in a counterculture world that’s more counter than culture where the Summer of Love turns into a Winter of War. Our hero “Writerman” careens through the haze and confusion to the true high of finding redemption and transformation.”

Also, an excerpt from a chapter in which the 19-year-old narrator and his college friend Jim attend a Neil Young concert in 1973. The narrator gets caught trying to film the concert with his Super8 camera (no cell phones back then), and they are both thrown out. While trying to find a way back in at the rear of the auditorium, they run into Neil Young as he’s about to board his tour bus. Read the excerpt to find out what happens and to get sense of what the book is like.

And finally, there’s a contest in which five winners will get print copies of the book, and five will get digital copies. The contest ends March 31, 2016 at 5 PM ET.

It’s all happening at Thrasher’s Wheat right now.